Home Builder Developer - Interior Renovation and Design

Dorrie Walen

In the early morning hours of October 3, 2020, Dorrie Walen passed away, her body unable to match the strong will that had served her for 97 years.

A memorial service will be held for her in summer 2021, at Skabo Church Cemetery, COVID permitting.

Doris Katherine Larson Walen was born to Conrad and Ruth (Bracken) Larson at home in Minneapolis, Minnesota, February 28, 1923, second of their four children. They enjoyed growing up in Minneapolis near a large extended family; unfortunately, toward the end of the Great Depression, and before the onset of World War II, the childrens father passed away. Shortly after Dorries December graduation at the top of her class from Central High School, their mother passed away, leaving them orphaned. Rather than be divided among relatives, the siblings agreed to stick together to raise themselves. Dorrie immediately began working to support her younger siblings, and to put herself through college. She worked as a waitress in a downtown cafeteria, until a counselor at Augsburg College told her shed make more money working for the war effort. She spent the next few summers stamping serial numbers into bomb casings at the Honeywell plant in Fridley, MN, one of many Rosie Riveters. After two years at Augsburg College in Minneapolis, Dorrie transferred to Luther College in Decorah, Iowa, at the encouragement of J. Wilhelm Ylvisaker, her mentor and pastor. She graduated with a BA in English with a minor in Spanish.

Dorrie returned to Minneapolis after graduation and found work as a graphic artist at the grocery chain, National Tea. Her social life centered around Our Saviours Lutheran Church in south Minneapolis, where she was active in Luther League, making life-long friends, and sang in the choir. One day, a handsome, young, blue-eyed Norwegian bachelor farmer with a gorgeous tenor voice joined the choir, not knowing that he had just fulfilled every criterion on Dorries list for a perfect husband. They fell in love, beginning a journey that lasted a lifetime. M. David Walen and Dorrie Larson were married at Our Saviours. After a brief honeymoon, they returned to the farm in northwestern North Dakota where Dave had been born and raised. But, before agreeing to become a farm wife, Dorrie required one thing: an indoor, flushing toilet. It would be needed for all the diapers that were going to be washed! The farm neighbors welcomed the newlyweds with an old-fashioned chivaree. Perched atop a hay-filled wagon, towed by a tractor, they were paraded around the township, followed by horn-honking cars filled with friends announcing and celebrating their marriage.

Being a city girl, Dorrie mastered new skills as a farm wife. She was already a good cook, but she learned to churn butter and bake bread, since the nearest grocery store was 20 miles away, and a run to the grocery store only happened about once a month. Her delicious cookies, cakes, caramel rolls were always available for family and visiting friends, as well as weekly baked bread and buns, excellent for summer sausage sandwiches and toast. They raised cattle for dairy and beef, raised chickens and, for a time, pigs, and since they canned most of their own vegetables and fruits, there was no need to shop in town very often. And, as babies kept showing up about every year and a half, there wasnt much time for such luxuries. For two years, the couple and their growing family lived in the house where Dave was born. In 1952, they built a larger house. The house became Dorries canvas for creativity, artistry, and the dream-come-true for a little girl whose modeling clay furniture creations inspired dreams of being an interior decorator.

Dorries daily chores and occupations didnt prevent her from being involved in her churches, first Skabo near the North Dakota farm, and later Concordia, Crosby, and in womens groups. In addition to teaching Sunday School, she was active in Homemakers, Study Club, and Ladies Aid (later Women of ELCA). Dorrie thoroughly enjoyed the creativity of organizing and decorating for dozens of meetings and luncheons, continuing to host community womens luncheons well into her 80s.

Dorrie was the end of her generation for her family and Daves family. She lived after the deaths of her dearly missed husband, Dave, her parents, her sisters, Gert and Marilyn, brother, Conrad, her parents-in-law, sisters-in-law, brothers-in-law, her grandchildren, Anders and Janae.

Dorrie and Dave had seven children: Claudia Walen Larson, Beth (Steve) Walen, Miriam Walen (Paul) Sikora, David (Anna) Walen, Noreen (Steve) Thompson, Reid (Julie) Walen, and Annette Walen (Colin Evenson). They were blessed with 25 grandchildren, with two more welcomed as adults. There are, so far, 14 great-grandchildren. Dorrie also leaves numerous nephews, nieces, and cousins.

Dorrie relied on her deep faith throughout her life to celebrate joys, to sustain her in sorrows. Memorials may be made to Skabo Church Cemetery Association. Info may be had by emailing homewalen@gmail.com.

In honor of Dorrie, think of her when you see anything aqua or turquoise, and enjoy eating a piece of dark chocolate.

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Dorrie Walen | The Journal - Journaltrib

Twinkle Khanna shared this image. (courtesy twinklerkhanna)

It's Halloween month and Twinkle Khanna's latest Instagram entry is a subtle reminder of how the year 2020 has been one long Halloween and we couldn't agree more. In her post, Mrs Funnybones made a reference to the coronavirus pandemic and added, "It's close to Halloween, but 2020 has been such a special year, with masks, shivers and what feels like a zombie apocalypse." She added, "Where instead of a bite, it's a cough from the poor infected soul that would do you in, it seems that we have been celebrating it all year long." She added the hashtag #Halloween to her post.

Take a look at Twinkle Khanna's post here:

On Sunday night, Twinkle Khanna shared a picture from her "new normal" lifestyle. In the picture, the author could be seen getting her make-up done as she geared up for a Zoom meeting. She added a dose of her signature humour to her post and wrote: "In the chronicles of the middle-aged model, this would be worthy of an entire chapter. My first commercial with the director on Zoom and my poor make-up artist peering through a visor! #TheNewNormal #thechroniclesofthemiddleagedmodel."

This is the post we are referring to:

Twinkle Khanna is a celebrated columnist and the author of bestselling books such as Pyjamas Are Forgiving, The Legend Of Lakshmi Prasad and Mrs Funnybones. She is also an interior decorator, the owner of The White Window, and a film producer. Twinkle Khanna also runs a digital content company called Tweak India.

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Twinkle Khanna Points Out That 2020 Has Been One Long Halloween - NDTV

Greg Berlanti (left) on set with the cast

A lot of people ask me when I first knew I was gay. Fact is, I dont know.The character Kevin in The Broken Hearts Club

How did LGBTQ peopleonce erased or denigrated as villainsmake so much progress in Hollywood in just two decades?

Think of the shows and personalities that dominate todays televisionEllen, Queer Eye, RuPauls Drag Race, Pose, CNNs Anderson Cooper and Don Lemon, MSNBCs Rachel Maddow, to name just a fewand how stark a contrast that situation is from the 1980s and even well into the 1990s.

Will & Grace would not premiere until 1998, and sitcom star Ellen DeGeneres wouldnt come out (Yep, Im gay, blared Time magazines profile) until 1997, at the cost of her popular series, ABCs Ellen.

That same year, a young college graduate named Greg Berlanti sat down to write a script and get it filmed, somehow. What began as an exercise in self-reflection on his own search for friendship and love in West Hollywood soon took on a life of its own. A low-budget, art-house film with a cast comprised of mostly unknowns would become a showcase of young actors on the rise, and an affirmation for an oppressed community desperate to see itself on-screen. It would change the way audiences understood gay life in America.

It would also announce the arrival of a young writer/director as one of the most influential filmmakers of his era, a producer who would change the way Americans viewed the LGBTQ community.

This is the story of The Broken Hearts Club.

Tall, lean with dark hair and blue eyes, the then 25-year-old Greg Berlanti hailed from an Italian-American family in New Jersey. By 1997, hed come out as gay, graduated from Northwestern University, and transplanted himself to West Hollywood with ambitions to write for the screen. Like many starving screenwriters landing in Los Angeles, Berlanti found few career opportunities in his first couple of years. He spent his time churning out commercial spec scripts in hopes of capturing the attention of producers.

Moving to West Hollywooda growing hotbed for LGBTQ cultureprovided Berlanti with a surrogate family of close gay friends who could offer him support and suggestions in his original scripts.

When I developed the group of gay friends I had out here, Berlanti recalls, that was the moment. It was the first time I felt like I would be alright.

Frustrated with attempts to go mainstream, Berlanti decided to look inward instead.

I had written a lot, Berlanti says. I hadnt written anything this personal. I started writing about myself. Id always loved the movie Diner. I remember thinking theres no movie like that for all of us [queer people]. So rather than sit down to write the script that all my friends told me would finally get me a job, I wrote something personal to me. I forget how long it took to write around then, but I was definitely trying to capture the spirit of what it felt like to be one of my group of friends in Los Angeles in the late 90s.

Berlanti began working on a script about a group of young gay men living in Los Angeles and playing on the same local gay softball team. Together, they would confront existential questions about love, relationships, insecurities and redefining gay identity after the trauma of the AIDS epidemic. In other words: they would become a surrogate family. The young writer poured his heart into the story, taking snapshots from his own dating experiences alongside images of life in Los Angeles.

Gregs own love life would also suggest the scripts title. As he had a penchant for falling for aspiring actors, which his sister nicknamed his 8x10sanother name for an actors headshot.

The process of writing and self-reflection offered catharsis.

I definitely at the time didnt think my dealing with my sexuality would help me be a better writer, he admits. I had segregated those things in my mind. I focused on scriptwriting and, finally, was inspired to write about everything I went through and the friendships I developed. I learned a lot about myself in the process.

The ultimate scriptnow titled 8x10scomprised a collage of Berlantis life, integrating the personalities of his friends as well as much of their verbal shorthand.

We had language, Berlanti notes. Certain dialogue. Some were things we said, some I made up. But [my objective] was to create the spirit of being part of this little club, part of these guys. Diner, in particular, has its own vernacular in the 50s. American Graffiti was another.

That vernacular would become part of the scripts hallmark humor, dividing it into five acts, each introduced by mock definitions from the gay dictionary. Terms like meanwhile (a term used by friends to indicate the presence of someone attractive), newbie (a newly out of the closet person, usually emotionally vulnerable and facing heartbreak) and guy (a method of characterizing a person by their most apparent attribute; i.e. muscle guy) would become the movies lexicon and, eventually, part of its legacy.

With 8x10s taking shape, Berlanti again looked to his friends for inspiration, and a bit of help.

I worked on the script with two of my close friends who were very instrumental in developing the material, and who have gone on to great success themselves: Julie Plec and Ryan Murphy, Berlanti says. Both really helped me develop it.

Plec became a talented writer/producer herself, creating the long-running series The Vampire Diaries for The CW. Ryan Murphy, who needs no introduction, would go on to become one of the most successful writer/producers in television history, creating the shows Popular, American Horror Story, Pose, Feud, Nip/Tuck and Ratched, among many others.

Still, the comedy and warmth of 8x10s masked the ongoing struggle of Berlantis life as a starving writer. When I finished the script, he sighs, I think my car got booted the next day. I had to borrow a bunch of money from a friend to pay to get my car out. I was a script or two away from heading back home. I had a negative bank account.

Desperate, Berlanti handed the script off to Plec, who, at the time, worked as the assistant to horror director Wes Craven. Craven had scored a major hit with Scream in the early 1990s. By the time 1997 rolled around and Craven began work on Scream 2, Plec found herself promoted to an associate producer position on the film. Impressed with the quality of Gregs final draft of 8x10s, Plec passed the script to Scream 2 writer Kevin Williamson.

Williamson loved it and called Berlanti.

[Kevin] said it was really good and asked if I had other movie ideas, Berlanti says. So I started writing another movie for him. In the midst of that, he asked if I wanted to write on this TV show that hadnt premiered yet. So I started to write on that TV show.

The show would at last offer Berlanti an income. When it premiered, it scored the highest ratings in the history of its fledgling network, The WB. Critics praised it for its frank and sexualized depiction of teenagers, and it developed an immediate following.

It was called Dawsons Creek.

The success of Dawsons Creeks first season earned Berlanti an office space on the Sony lot and a steady writing gig in 1998. In the meantime, he circulated 8X10s in hopes of finding a director. According to Berlanti, agents and studio executives loved it, but often advised him that it would never get made into a film.

Other high-profile gay movies of the era focused on coming out (Beautiful Thing), the spectre of AIDS (Love! Valor! Compassion!) or bordered on softcore pornography (Nowhere). 8x10s took the radical step of focusing on LGBTQ people as people who cared about friendship and community rather than sensationalized and scandalous tabloid fodder. Hollywood, at the time, didnt believe there was an audience for such a film despite the success of television adaptations of Armistead Maupins beautiful Tales of the City, which had a similarly heartfelt community vibe.

It was doing its job, Berlanti observes of 8X10s growing notoriety. I kept getting meeting after meeting. I kept talking about the quality of the writing. It announced me as a writer. Anything beyond that was a gift.

Berlanti chose to focus on writing for Dawsons Creek and put 8x10s on the back burner.

As it turned out, it wouldnt stay there for long.

Down the hall from the Dawsons Creek offices, producer Mickey Liddell had set up shop at Sony. The blue-eyed, sandy headed Liddell had earned his own office space after producing a series of commercial and critical hit indie films, including Traveler, which starred a then-untested actor named Mark Whalberg, and Telling Lies in America for writer Joe Eszterhasthe highest paid screenwriter of the 1990s.

I was more of an independent producer, and Id made four or five films at that time, Liddell reminisces. Then I made [the quasi gay-themed] Go, and Sony bought it [midway through production]. So I was in the Sony world at the time. I met Greg, and he was working with Kevin Williamson on Dawsons Creek. I didnt really know TV at the time; so I just knew he was a young writer around the office.

Despite the gulf between the television and film worldsnot to mention the excessive workloads of both menthe pair struck up a friendship. Liddell told Berlanti about Goan ensemble film that featured a number of up-and-coming stars including Sarah Polly, Jay Mohr, Scott Wolf and Dawsons Creek star Katie Holmes. Perhaps because of the Holmes connection, or maybe just the shared office space, a copy of 8x10s ended up on Liddells desk. Liddell recognized Berlantis name, and read it.

I had been sent a lot of scriptsthere were so many in the 80s and 90sabout AIDS and dying, Liddell recollects. Those were brilliant movies, classics. But that wasnt my story. We were coming out of that. I remember thinking [8x10s was] so light and romantic and fun. And it fell in my lap at the right time.

For Liddell, a gay, Midwestern transplant himself, the script struck an immediate chord. It was more the world I was living in LA at the time, he says. It was gay guys hanging out and going to parties and having friends and all that. Obviously, this was before apps. You had to make friends and family in a big city. You just tried to find your group. I know Greg and I talked about that a lot. Wed both had that experience. He came from New Jersey. I came from Oklahoma. We came here without knowing anybody. If you had two, three, four really good friends, they became your life.

The morning after Liddell read 8x10s, he ran into Berlanti. I remember being in the elevator and we were talking, Liddell notes. I said I just read your script. I really liked it. And he said Why dont you make it? But I was right in the middle of Go at the time. We were shooting nights. So I said Maybe. Ill talk to you when its done.

Liddell went on to complete Go, which would become a critical and commercial sleeper hit in the summer of 1999. Berlanti continued to enjoy his own success on Dawsons Creek, taking on duties as showrunner for the shows second seasona feat almost unheard of for a writer so early in his career. A year after their chance meeting in the elevator, with the release of Go and the second season of Dawsons Creek impending, Liddell asked Berlanti to dinner. He had one thing on his mind.

Unbeknownst to Berlanti, Liddell had already begun developing a plan to get 8x10s funded. The producer appealed to a young actor from Go that he might want to play a part in the potential film. His name: Timothy Olyphant.

I went to Tim, and asked if he would read the script, Liddell admits. He did and said I love it. Ill play any part. So I said What about the lead? He was like ok.

Over dinner, Liddell informed Berlanti that he believed he could get the movie funded with Olyphants interest. Then the producer dropped a bombshell.

I said Greg, you should direct this, Liddell sighs, his words still echoing the shockwave that every aspiring Hollywood creative wants to hear.

Liddells words stunned Berlanti. I had just gotten my first job as a writer, he remembers. I had directed plays in college, but not a movie, not even a short film. [Mickey] said I believe you are supposed to be the director. He had the utmost faith in me.

Liddell admits to making Berlanti his dream offer, though for less romantic reasons. The truth was I knew I didnt have the budget to hire a real director, Liddell confesses. In the end, however, Berlantis enthusiasm and evident dedication won him the job. I think thats why I asked Greg to direct it, the producer opines. It was personal. It was his story. Greg knew how [the characters] should sound. He knew the humor. He knew how to do it.

With Berlanti agreeing to take on the directorial duties, Timothy Olyphants agreement to play the lead, and the buzz around Go building, Mickey Liddell managed to leverage a deal with Sony to fund and distribute 8x10s on a modest budget, assuming the pair could convince enough name actors to appear in it. Given the attitudes of the late 1990s about LGBTQ people, they had their work cut out for them.

Though Mickey Liddell had total confidence in Greg Berlantis ability to direct 8x10s, the producer had no illusions about the production ahead. Filmmaking poses countless potential hazards, even for experienced directors. With a neophyte at the helmalbeit one of obvious talent and dedicationLiddell knew he needed to prepare as much as possible.

Everything that goes wrong falls on your plate, Liddell says of his role as producer. Youre protecting the director a lot. It was Gregs first time, and these were young actors. He moved up a lot more in the television world. His responsibilities became much bigger.

To help guide Berlanti through the shoot, Liddell hired veteran cinematographer Paul Elliott to film the production. He also called in casting director Joseph Middleton, who had cast Go, to produce as well and help the team over the next enormous obstacle on the path to production.

It may seem absurd now at a time when actors fight over who should have the honor of playing a queer character on the screen and when LGBTQ stories often bait major awards, but in the late 90s, playing a gay character was still seen as dangerous for a performer. Ellen DeGeneres had come out of the closet in 1997 only to see her once-popular sitcom tank in the ratings and meet with cancellation just a year later. When Will & Grace premiered in 1998, ratings were soft, and male stars Eric McCormick and Sean Hayes had to endure extremely personal questions from reporters about their own sexual orientations.

At the time, most guys thought if they played gay in a movie it would ding their career, Berlanti recalls. If they werent thinking it, their agents were thinking it. There were more closeted actors than out actors. I remember dinner parties where the subject would come up. It was a hot-button issue. There were definitely a lot of gay men who felt that other gay men shouldnt come out.

Liddell agrees. It was hard to get actors at the time. It wasnt just like were making a gay movie! We definitely got pushback. We got a lot of passes. The producer decided to leverage his own success as much as he could in hopes of convincing actorsgay, straight or otherwiseto read the script.

In my head, it was like, How do you make people think this is cool? Liddell remembers. Because I had just done Go with Jay Mohr and Scott Wolf [playing gay characters], who are both straight, I think that was half of my pitch. It was time. It was cool to do it. I said Look at Greg, our director. Hes going to be huge. I think it was mostly bullshit, but you fake it to make it. I talked to all these people, as did Joseph [Middleton], along with agents and managers.

Berlanti and Liddell began by casting Timothy Olyphant as Dennis, an aspiring photographer searching for his artistic voice, only to find it in his relationships with his friends. Throughout 8x10s, Dennis wrestles with his feelings of inadequacy, especially when compared to another member of the group: Cole, an aspiring actor and waiter. Cole would spend most of the films runtime enchanting men with his handsome charisma and hiding an affair with a closeted co-star. Therefore, the actor playing him needed to have a certain look.

We had to get someone so good looking that it made Tim Olyphant go I can never look like that, Liddell recalls. Middleton came back with a surprising suggestion: Dean Cain.

Cain had spent most of the 1990s lauded as one of the sexiest men alive, having landed the lead on the popular nighttime romance, Lois & Clark: The New Adventures of Superman. That show had wrapped in 1997, and apart from a few TV movies, Cain hadnt had luck in landing a feature. Much to the surprise of Berlanti and Liddell, Cain agreed to a chemistry reading with Olyphant. Producer & director offered, and Cain took the part.

From there, the creative team began an aggressive search to find the rest of the cast that would secure the budget from Sony. For the role of Patrick, a sweet, if slightly nerdy member of the group, Middleton reached out to a young actor named Ben Weber. Weber had attracted attention the year before as the curly-haired, lovable schlub Skipper on a fledgling cable comedy called Sex & the City.

I was living in New York at the time, Weber now recalls. I was kind of on my own. I had done the pilot for Sex & the City in 1998. I had worked with Tim Olyphant in episode three or four [of the series], so when I heard he was circling the project, I could see where they were going with casting.

Because of the Olyphant connection, Weber decided to have a look at the script. Much to his surprise, he found it delightful.

I really responded to the material, Weber says. I was such a Patrick. I was such a loser. The thing about Gregs work is that he makes these beautiful losers with these great friends that get them through all these things. That was what I responded to: I was always the butt of the joke, I could respond to that in the character.

Patricks storyline in the film saw him dueling his own cynicism and low self-esteem. He also battled his lesbian sister, Anne, and her longtime girlfriend Leslie. Together, the couple lobby Patrick to act as a sperm donor for their desired children. Besides examining same-sex parentingstill a new, hot button concept in the 90sthe lesbian couple added a feminine balance to the otherwise all-male story. Liddell and Berlanti also saw the roles as an opportunity to cast established actresses, which would help keep Sony from cutting their funding. To cast the couple, Joe Middleton turned to two up-and-coming bombshell starlets, Nia Long and Mary McCormack.

Long, a luminous beauty who rose to fame as Will Smiths on-screen girlfriend in The Fresh Prince of Bel-Air, began to eye the role of Leslie.

The script came to my agent and I remember thinking, Wow, what a cool project, says Long today. Im always attracted to telling stories about the underdog. I remember really liking Greg. He commands respect. He knows what he wants. Hes a character development genius. But hes also so gentle, which created a super safe space to do the work. I was young. I was open to trying new things. My character, Leslie, was a woman I had met many times in my life, but never had a chance to portray on film. Thats why I chose to take the role.

The part of Anne, Patricks sister, would go to blond-headed, blue-eyed Mary McCormack, a name on the rise thanks to her acclaimed turns in Private Parts opposite Howard Stern, and in the critically lauded ABC drama Murder One. For McCormack, the offer required no hesitation.

I was living in LA, McCormack reminisces. It was one job to the next. I spent the late 90s in West Hollywood dancing with the gay boys. It was my community. She said yes immediately.

With Olyphant, Cain, Weber, Long, and McCormack aboard, Sony moved closer to a final greenlight.

Finding the rest of the cast suddenly had a new urgency about it, as the creative team continued to look for men willing to play incidentally gay characters. They cast a wide net looking for actors to play two key roles: Howie, a neurotic psychology student in a dysfunctional relationship, and Taylor, a middle-aged interior decorator recently dumped by his boyfriend.

The team decided to approach actor Dan Futterman for the role of Howie. Futterman had appeared as the son of Nathan Lane and Robin Williams in The Birdcage just two years earlier. At the time of casting 8x10s, he had landed a role in a production of A Fair Country in Lincoln Center. One of his co-stars in the show was an actor named Matt McGrath, who had begun acting in his teens and already amassed a long resume of stage and film work. One night, Futterman invited McGrath out on the town.

Dan had this friend who was doing a play downtown at Playwrights Horizons, Tim Olyphant, who was also asked to do the film, McGrath remembers. So the two of them were like, Lets go hang between shows. And they said Weve been asked to do this movie, but we think you would be great for this part. Read it. We want to talk to Greg. So they kind of ganged up on Greg to at least see me for the part. We set up a meeting in New York. I auditioned, and it worked out really well.

Handsome, bespectacled and with pale skin to contrast against his dark hair and hazel eyes, McGrath felt an immediate connection with the material. Hed come out as gay himself the year before to friends and family, who accepted him with open arms. His agents at the time, on the other hand, had a very different reaction, especially when he began to show an interest in playing gay roles.

I had left an agency over a number of reasons, McGrath explains. There was a very well-known gay movie that I was offered. I opted to do the movie, but my agents said too gay. I luckily had this choice to make between that movie and [The Impostors] that I ended up doing. So moving on from that agency, I never forgot hearing its too gay. For McGrath, his moment of vindication had finally arrived.

When Berlanti sat down to write 8x10s, hed made a deliberate choice not to specify the race of any given character, save one. The writer had based the interior decorator Taylor directly on a personal friend. As such, the script described him as middle-aged, white and blond. But, as the old saying goes, theres no stopping a force of nature. Back in Los Angeles, Berlanti, Liddell and Middleton were about to confront just that.

I was the least known in that movie at the time, recalls Billy Porter, the towering, statuesque actor whose star turn in Pose made him a household name. I was juicier, before I lost my baby fat. I was like 29. [The film] started it all for me. Because I wasnt a name at the time, people very often dont even remember that its me.

Like McGrath, Porter had come up through the New York theatre scene, landing parts in popular musicals including Grease, Smokey Joes Cafe, and the original cast of Miss Saigon. His powerful vocals earned him a recording contract, and it seemed like stardom lay just ahead. Then Porter hit a snag: he refused to conceal his identity as a gay man.

Ive been out pretty much my entire career, Porter explains. There was a dont ask, dont tell policy. But I wasnt hiding anything. I wasnt acting like I had girlfriends. You didnt talk about it out loud, especially in the music business. I also was not lying about it. The choice was already made by the people in positions of power that I wasnt masculine enough to get straight parts.

Doors in New York slammed on Porter as quickly as theyd opened. By 2000 I had moved to Los Angeles. I had done a couple movies, so I thought Ill move to Los Angeles, maybe try my hand. My agent-now-manager Bill Butler, had read the script. He thought I was right for it.

Porter showed an immediate interest in the role of Taylor, despite the specification that the character would be played by an older, white man. Berlanti invited Porter to audition based on his theatrical resume.

I assumed he was based on a friend because what was there was so specific, Porter says of his character. But when I got there, I just did what I do. I went to meet Greg. He let me imbue the character with heart and something real, which was what was so great about that original script. And he was like Oh youre right. You are Taylor. So they gave me the part.

Casting continued, as Liddell and Berlanti plucked one up-and-coming actor up after another to round out their cast. The role of the party boy Benji went to a spikey-haired, blue-eyed upstart named Zach Braff. The part of the newly-out 20-something Kevin went to teen heartthrob Andrew Keegan, known for the primetime soap Party of Five.

That left one part left to fill, and with Sony still waffling on a final budget and green light, casting it would prove essential. When Berlanti had begun writing 8x10s, hed created an older character not inspired by anyone he knew so much as an imagined friend he wished hed had. In the story, the younger men all turn to the character of Jack, the groups softball coach, and the owner of the restaurant where Cole, Taylor, Patrick, and Dennis all have their day jobs. Jack acts as the moral guide and role model to the other characters throughout the film, not to mention a connection to an earlier generation of LGBTQ people.

It was wish fulfillment for me Berlanti admits of Jacks character. It was the one thing my group of young friends didnt have. Truthfully, the generation Im a part of that was just coming out at that time: AIDS had wiped out most of the generation above us. You really felt the void of not having a lot of role models, or the sense of tradition to be passed.

Sony had initially pushed Berlanti to consider a number of respected, high-profile character actors for the part, including some Oscar-winners. All the studio suggestions either balked at the proposed salary, the subject matter, or both. Fortunately, that left Berlanti in a desirable position. From the outset, he had only one actor on his list.

I very rarely have actors in mind when Im writing stuff, Berlanti confesses. But, John Mahoney I did have in mind. So when I finished the script and Mickey said we would make it, I wrote him a letter. And he said Id love to sit down with you.

John Mahoney had emigrated to the US from Britain as a child and grown up in Illinois. As an adult, he joined Chicagos prestigious Steppenwolf Theatre company before launching a long and successful career as a character actor, picking up a Tony Award in 1986 for the play The House of Blue Leaves. By 1999, however, most of the world had come to know him as Martin Crane, the cantankerous father of Frasier and Niles Crane on the NBC sitcom Frasier. Off-screen, Mahoney seldom discussed his personal life in any detail, in part because doing so could have harmed his career. As a gay man himself, Mahoney saw the character of Jack as a way to acknowledge his own sexuality in a subtle way without having to surrender the whole of his privacy.

[John] was the character from the movie, Berlanti affirms. He would hold court off-camera. He wasnt a showy person. He would do it in a quiet way. But he was the sun people would orbit. He was kind and genteel, and he set the tone for everybody. He was like an angel for the movie: everything you wanted to be when you grew up.

Sony loved the casting of Mahoney, a major television star at the time. The studio finally gave the production the go-ahead on a $1 million budgeta modest price tag for an ensemble film at the time, especially one with such high-profile actors. Their cast finally assembled, Berlanti and Liddell could finally move forward with shooting in Los Angeles in October of 1999. Around the same time, Berlanti decided the film should have a less obtuse title, and borrowed the name of the main characters the softball team as the new moniker. Thus did 8x10s become The Broken Hearts Club.

But, for Greg Berlanti, writing and casting The Broken Hearts Club was little more than an overture. The real test lay ahead.

As production on The Broken Hearts Club ramped up in September 1999, Greg Berlanti had his work cut out for him. Hed begun showrunning on Dawsons Creek, which would mean that he had to split his time between both projects, rehearsing his cast and working with Director of Photography Paul Elliott to develop the visual style of the film over a three week period. On breaks, or in the evenings, Berlanti would have to oversee work on Dawsons, often penning new scenes during lulls. The young director also went about building a rapport among his cast, showing them around West Hollywood to get a sense of the lives they would have to embody.

We had a fun rehearsal period, says Ben Weber. We went to gay nightclubs and met all the real people that inspired the movie. Spending time around his friends, seeing how much love there was, how much support they had. These were friendships that had pre-dated Hollywood and gone though different states of coming out. It was interesting to see characters who were making up for lost time, who came out late. That was something I had no ideait makes all the sense in the world.

Says Matt McGrath: Its very much an LA story. Coming from New York, being a New York actor, I had to play catch up. West Hollywood, especially at that time, was its own beast. It was the Mecca of being young and gay at that time. It was becoming a desirable place to live. There was a lot of nightlife. What Greg wanted to do was have me meet his friends. Getting to know these guys and how they moved through the worldthey were very very talented, and like Greg, were striving to take over the town. I see them around still. Theyre writers and producers and executives. It was a special group that this was written about.

Shooting on a modest budget also meant the production would have to consolidate where possible and call in a few favors.

Every one of those apartments: Those were my friends houses, Mickey Liddell admits. We were living that life anyway, and it was easy. We could grab all those places. We knew what a club would look like on a Saturday. It was easy production-wise to do to.

For the cast, that also meant becoming unusually close.

At the time, Matt McGrath was living with me, sleeping on my couch, Mary McCormack reminisces.

I lived with Greg while we were shooting the movie, at his place in West Hollywood, Weber offers. It was the first time Id spent extended time in LA. One of the first nights I was there, there was an earthquake. I was in my room and came running down the hallway and into Gregs arms. He was like, Its OK! Its OK! All these complex emotions of if I could trust my director have answered right away.

The trust came in handy when shooting commenced in early October. To complete the film on time and on budget, Berlanti and Liddell would have to move at a breakneck pace.

It was really helpful that I didnt know much, confesses Berlanti. I got a great DP. And I kept doing things that, after the fact, [the crew] would say I didnt think wed do the whole movie that way, but it worked. We were shooting 8-9 pages a day. For anyone keeping track, most productions shoot 2-3 pages in a standard day.

We were on a moving train, McGrath analogizes.

Continued here:
Happy 20th: How Greg Berlantis The Broken Hearts Club changed the course of queer cinema - Queerty

Deerfield Beach, FL, Oct. 21, 2020 (GLOBE NEWSWIRE) -- Polyglass U.S.A., Inc., a leading manufacturer of roofing and waterproofing systems, teamed up with D&D Roofing, a roofing contractor in Nevada, to provide a new roofing system for a Shriners Kerack in Reno. Shriners International is a 501C organization consisting of a network of regional chapters, run primarily by volunteers, that offer support and services to those in need across the US and abroad.

For the Kerack Project, the Polyglass Special Projects team concluded that the facility needed far more than the project budget could support and decided it was critical to provide assistance for the complicated reroofing project. Polyglass offered to work with D&D Roofing on an entirely new roof design that would meet the Keracks needs. D&D Roofing came up with new roof design that included components to strengthen the building diaphragm. They chose a multi-ply modified bitumen roof system with exceptional performance and high puncture resistance, unlike the single-ply membrane previously under consideration.

After installing the insulation board, a layer of Polyglass SBS self-adhesive (SA) base membrane was installed, along with Elastoflex SA Base, a high-performance polyester reinforcement. To add superior weathering and puncture resistance, the D&D Roofing crew installed an SBS granulated cap sheet with a high-performance reinforced polyester mat (Elastoflex S6 G) by torching means, effectively fusing all layers of the assembly tightly as a monolithic layer resulting in 270 mils of membrane. The blended color added UV resistance and a visually attractive look to the completed roofing.

With Polyglass contribution by providing all the modified bitumen and related membrane accessories at no cost the Shriners for this project, the result was a much heavier-duty roofing system. It also allowed them to reroof the entire facility and make needed deck enhancements to the building.

As a result of this important project, this local Shriners facility can continue to provide critically needed meeting and transportation services for children and their families, giving them opportunities for no-cost medical care, and offer local residents in the Reno/Sparks area with a low-cost gathering place, all without the worry of a troublesome leaking roof.

For more information about this project please visit: https://polyglass.us/project/shriners-kerack/

###

About Polyglass

Polyglass U.S.A., Inc. is a leading manufacturer of roofing and waterproofing systems. Known for its self-adhered modified bitumen roofing systems based on the companys patentedADESOTechnology andCURE Technology, Polyglass also produces a full line of premium roof coatings and roof maintenance systems. An ISO 9001:2015 certified company, Polyglass provides quality products and adds value through innovation. For more information about the premium products and services offered by Polyglass, call 800.222.9782 or visitpolyglass.us.

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Polyglass and D&D Roofing Collaborate for Shriner's International Project - GlobeNewswire

Hey, 412 FanaticsCheck out whats in store on JP Roofing FAN NATION with Rich Walsh and Daisy Jade, THIS SATURDAY, OCTOBER 24!

Weve got a Do It Yinzself expert, former Steeler John Malecki, who will show fans how to make a bar and coffee table that cost next to no money.

Plus, a bets a bet! See a Browns fan who lives in England get doused in champagne!

Also, this is coolsee how you can get your hands on a newly designed Roberto Clemente watch only 3000 have been made!

And, this is big our special guest Whiz Khalifa joins us! Hes got some big news to share with the 412 Fanatics!

Plus, well have another insane fan cave, crazy ambulance makeover, and the always hilarious Ray Z!

Tune in to October 24 at 7:30 pm on KDKA-TV or live stream on CBSN Pittsburgh on KDKA.com. You can also watch an encore episode later that evening at a special time 11:30 pm on Pittsburghs CW! Set your DVRsYou wont want to miss it!

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This Saturday On JP Roofing FAN NATION (Oct 24) - CBS Pittsburgh

Im an early riser and a late worker, so that fits in with the roofing business, he said. Ive enjoyed it. Its been a lot of work, a lot of good customers.

Maintaining the family business is special to Schank.

I cherish it because I still have a lot of the same customers my dad had, he said. Its good to know that my family is behind me for some of the stuff that we do, as big as weve grown and the success weve had.

Over the years, Twin City Roofing has done work for countless residential and business projects along with cities and school systems. They recently were heavily involved in work at Chadron State College.

My toughest job weve ever done is last year we did the barrel roofs at Armstrong Gymnasium at Chadron, Schank said. It was supposed to be about a seven-month duration, and we finished it in three. It turned out really good, and the college is really happy with our performance.

Schank said he enjoyed a project at Scottsbluff High School that involved metal wall panels and trim as well as the roofs.

We like doing new construction, Schank said. We like metal roofing, metal siding and flat roofs themselves.

Most of Twin City Roofings staff are long-term employees, and their knowledge of the industry would be difficult to replace, Schank said.

See the original post here:
Twin City Roofing staying on top of things - Scottsbluff Star Herald

Oct 21, 2020 4:00 PM ET

iCrowd Newswire Oct 21, 2020

A homes roof is the first line of defense against the elements. Even a minor leak can lead to catastrophic mold growth, which can cost tens of thousands of dollars to remove.

To protect their largest investments, homeowners should make sure their roofs are in good condition. This usually means working with a reputable roofing contractor to inspect, repair or replace an aging or damaged roof as needed. But how do you know if you are working with a reputable contractor who can provide quality service and materials?

In most cases, this involves asking the right questions and following through with a little research. According to Eric Brown from Denvers A to Z Roofing, this can help differentiate experienced, knowledgeable roofers from less reputable contractors who are unable or unwilling to provide quality service.

Many roofers are only able to provide a limited scope of services, said Brown. They may be able to repair minor damage without much trouble. If you hire them to remove and replace a roof, however, things get iffy. Many times, a smaller contractor will enthusiastically take on a job only to realize they are in over their head. Unfortunately, its the homeowner who pays the price.

When hiring a roofing contractor, its important to make sure they have the experience and expertise to provide a full scope of services. This includes everything from partial and complete roof replacement to roof repair, gutter and downspout replacement, low-slope and flat roof installations, energy-efficient roof upgrades and, if necessary, commercial roofing installation.

To ensure that they are working with a reputable contractor, homeowners need to do their due diligence. Unfortunately, its common for homeowners to rush into the hiring process.

Many homeowners fail to properly vet a roofing contractor before they sign a contract, said Brown. Sadly, there are far too many unscrupulous roofers out there who will charge a high price for quality materials and then go on to use lesser-quality materials and provide shoddy workmanship that wont hold up against the elements and Father Time.

To help determine whether a roofer is reputable, homeowners need to find out how the contractor plans to approach the job. This means asking whether they will remove the existing roof or just shingle over it. It also means asking if they plan to protect gutters by using ladder standoffs and if they plan to bring a container along to hold refuse material.

According to Brown, its also critical that homeowners make sure they are working with a licensed roofer.

Knowing whether a roofer is licensed will give you legal recourse if the roof fails months after the job is complete, he said. It will also help make sure you are working with a professional who is familiar with Colorados stringent state codes.

Homeowners also need to protect themselves from liability by ensuring that a contractor has workmans comp insurance. While this is required by law, some less-reputable contractors are willing to risk going without. Even if they have workers comp insurance, the contractor may work with subcontractors who dont. If anyone on the job site gets injured, the homeowner could be held liable for medical expenses.

In addition to workmans comp insurance, the homeowner needs to make sure the contractor has general liability insurance, said Brown. This will protect the homeowner from having to pay for any damage to their property or a neighbors property that might occur as a result of the contractors work.

If a homeowner has hired a roofer to perform an inspection, its important to verify all these things before they let them up on their roofs.

Many people are surprised to learn that roofing scams usually begin with a so-called free inspection, said Brown. Once you let the scammer onto your roof, they will often pull up shingles and fabricate damage to help make a sale. These days, they may even show you photos of a different roof on their smartphone and claim that you are looking at damage atop your roof.

This is why its so important for homeowners to make sure the contractor is a local provider with a local phone number, Colorado license plate, and local brick-and-mortar street address. This will help protect the homeowner from unscrupulous roofers who travel state-to-state pulling scams.

About A to Z Roofing

For a quarter of a century, A to Z Roofing has developed a well-earned reputation as one of Colorados premier roofing contractors. Weve done this by using only the finest roofing materials and delivering quality workmanship and unrivaled customer service.

At A to Z Roofing, we specialize in flawless residential, commercial and multi-family roofing and repair. Locally owned and operated, weve been working continuously in Colorado for nearly three decades, serving the roofing needs of businesses and homeowners throughout Colorados Front Range.

Also Read:

Eric Brown

Keywords:commercial roofing denver, denver roofers, denver roofing, denver roof restoration, roofing contractors, denver roof repair

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When it Comes to Roofing, Not All Roofing Companies Are Created Equal Wall Street Call - Reported Times

While Beacon Roofing Supply, Inc. (NASDAQ:BECN) might not be the most widely known stock at the moment, it received a lot of attention from a substantial price increase on the NASDAQGS over the last few months. As a mid-cap stock with high coverage by analysts, you could assume any recent changes in the companys outlook is already priced into the stock. However, what if the stock is still a bargain? Lets examine Beacon Roofing Supplys valuation and outlook in more detail to determine if theres still a bargain opportunity.

Check out our latest analysis for Beacon Roofing Supply

According to my valuation model, Beacon Roofing Supply seems to be fairly priced at around 6.8% below my intrinsic value, which means if you buy Beacon Roofing Supply today, youd be paying a fair price for it. And if you believe the companys true value is $37.49, then theres not much of an upside to gain from mispricing. Although, there may be an opportunity to buy in the future. This is because Beacon Roofing Supplys beta (a measure of share price volatility) is high, meaning its price movements will be exaggerated relative to the rest of the market. If the market is bearish, the companys shares will likely fall by more than the rest of the market, providing a prime buying opportunity.

Investors looking for growth in their portfolio may want to consider the prospects of a company before buying its shares. Buying a great company with a robust outlook at a cheap price is always a good investment, so lets also take a look at the company's future expectations. With profit expected to grow by 96% over the next year, the near-term future seems bright for Beacon Roofing Supply. It looks like higher cash flow is on the cards for the stock, which should feed into a higher share valuation.

Are you a shareholder? BECNs optimistic future growth appears to have been factored into the current share price, with shares trading around its fair value. However, there are also other important factors which we havent considered today, such as the track record of its management team. Have these factors changed since the last time you looked at the stock? Will you have enough confidence to invest in the company should the price drop below its fair value?

Story continues

Are you a potential investor? If youve been keeping tabs on BECN, now may not be the most optimal time to buy, given it is trading around its fair value. However, the positive outlook is encouraging for the company, which means its worth diving deeper into other factors such as the strength of its balance sheet, in order to take advantage of the next price drop.

So while earnings quality is important, it's equally important to consider the risks facing Beacon Roofing Supply at this point in time. Every company has risks, and we've spotted 2 warning signs for Beacon Roofing Supply (of which 1 is a bit concerning!) you should know about.

If you are no longer interested in Beacon Roofing Supply, you can use our free platform to see our list of over 50 other stocks with a high growth potential.

This article by Simply Wall St is general in nature. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your financial situation. We aim to bring you long-term focused analysis driven by fundamental data. Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material. Simply Wall St has no position in any stocks mentioned.

Have feedback on this article? Concerned about the content? Get in touch with us directly. Alternatively, email editorial-team@simplywallst.com.

Link:
Is It Time To Consider Buying Beacon Roofing Supply, Inc. (NASDAQ:BECN)? - Yahoo Finance

The growing need for industrial roofing in Brampton has led a local company to make a point to regularly publish useful information for the community. Most recently the company has written about a roof treatment known as TPO. The choices that are made with regard to roof treatments, whether on a flat roof or a pitched one, can make all the difference as to whether the roof will last for five years or 25.

The latest published information is examining the need for TPO when repairing or maintaining a roof. TPO stands for thermoplastic polyolefin. Broadly, TPO is a plastic-type material that goes down on the roof either on top of existing roofing material or on a bare roof that is being built or rebuilt. It is a membrane, like a plastic sheet, and it is very lightweight and also very strong. Using this material generally means that the roof in question will have a warranty for at least 20 years. This makes the use of TPO very attractive, especially when it is factored in that TPO is less expensive than similar materials such as PVC.

The choices that are available are complex, said Wayne Cox of Cox Roofing Systems. Thats why we have made a point to create free information online to help people make decisions, no matter who they ultimately choose to work with for their roofing, Cox continued.

As a commercial roof repair services provider in Brampton, Ontario, the company endeavors to form lasting and trusting relationships with area businesses of any size. We are not interested in just making a quick buck, Mr. Cox said. Like a well-made roof, we are here for the long haul.

TPO is made from fiberglass and talc, which means that it is an environmentally-friendly material because when it is at the end of its useful life, it can be recycled back into its component parts by a recycling plant and used again. This is not the case for all roofing materials.

In addition, TPO does not shrink or shatter, which can be a problem when PVC roofing is used. PVC can absorb heat and can get brittle and shrink. TPO is not prone to those sorts of problems.

Those who are researching the use of roofing materials or commercial roofing for any size business would do well to examine the Cox Roofing Systems blog post on the topic. Mr. Cox said, We took the time and trouble to create these posts online because we want people to be informed. Not everyone knows that products like TPO and EPDM are available and, like any other business decision, having more information tends to bring about better decisions.

Another reason to use TPO is that the material can be heat-welded to create an airtight seal that prevents leaks. It also has superior chemical protection for the roof which may seem unnecessary at first glance, but it happens to be needed fairly frequently.

One of Cox Roofing Systems current clients, Brian Turner, said, We had our HVAC and vents cleaned a few years back, and the solvent/cleaner they used literally made holes in our roof. I reached out to Cox Roofing Systems and even though I wasnt yet their customer at that time, they patiently explained the problem and what caused it and made suggestions as to how to fix it both temporarily and permanently. I have used Coxs services for all of our locations ever since.

Another reason many people chose TPO is that it can be installed very quickly. The material can be installed using mechanical metal fastenings or in some cases can be treated with specialized adhesive and installed. Another option would be to use a ballast system which generally means that a layer of stones is placed on top of the TPO and the roof. With a ballast system, no adhesive of any kind is used, which does eliminate any chance of chemical smells and sensitivities in the building below.

Lastly, Mr. Cox said, TPO even comes in black and grey color variations. Interested parties who want to know more about TPO or Cox Roofing Systems services can reach them at 877-306-7031.

###

For more information about Cox Roofing Systems, contact the company here:

Cox Roofing SystemsWayne Cox877-306-7031 info@coxroofing.com56 Bramsteele Rd. Unit #12BramptonOntarioL6W 3M7

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Industrial Roofing Company In Brampton Explains the Need for TPO Roofing on Commercial Roofs - Press Release - Digital Journal

The global Roofing Panels market focuses on encompassing major statistical evidence for the Roofing Panels industry as it offers our readers a value addition on guiding them in encountering the obstacles surrounding the market. A comprehensive addition of several factors such as global distribution, manufacturers, market size, and market factors that affect the global contributions are reported in the study. In addition the Roofing Panels study also shifts its attention with an in-depth competitive landscape, defined growth opportunities, market share coupled with product type and applications, key companies responsible for the production, and utilized strategies are also marked.

This intelligence and 2026 forecasts Roofing Panels industry report further exhibits a pattern of analyzing previous data sources gathered from reliable sources and sets a precedented growth trajectory for the Roofing Panels market. The report also focuses on a comprehensive market revenue streams along with growth patterns, analytics focused on market trends, and the overall volume of the market.

Moreover, the Roofing Panels report describes the market division based on various parameters and attributes that are based on geographical distribution, product types, applications, etc. The market segmentation clarifies further regional distribution for the Roofing Panels market, business trends, potential revenue sources, and upcoming market opportunities.

Download PDF Sample of Roofing Panels Market report @ https://hongchunresearch.com/request-a-sample/50986

Key players in the global Roofing Panels market covered in Chapter 4:, Umicore Group, SPIRCO Manufacturing, The Garland Company, ArcelorMittal, BEMO, NCI Building Systems, Berridge Manufacturing, Rautaruukki, Lindab, Kingspan Group, Palram Industries, OmniMax International, Klauer Manufacturing Company, Tyler Building Systems

In Chapter 11 and 13.3, on the basis of types, the Roofing Panels market from 2015 to 2026 is primarily split into:, Color Steel Plate, Broken Bridge Aluminum, Other

In Chapter 12 and 13.4, on the basis of applications, the Roofing Panels market from 2015 to 2026 covers:, Residential Sector, Commercial Sector, Industrial Sector

Geographically, the detailed analysis of consumption, revenue, market share and growth rate, historic and forecast (2015-2026) of the following regions are covered in Chapter 5, 6, 7, 8, 9, 10, 13:, North America (Covered in Chapter 6 and 13), United States, Canada, Mexico, Europe (Covered in Chapter 7 and 13), Germany, UK, France, Italy, Spain, Russia, Others, Asia-Pacific (Covered in Chapter 8 and 13), China, Japan, South Korea, Australia, India, Southeast Asia, Others, Middle East and Africa (Covered in Chapter 9 and 13), Saudi Arabia, UAE, Egypt, Nigeria, South Africa, Others, South America (Covered in Chapter 10 and 13), Brazil, Argentina, Columbia, Chile, Others

The Roofing Panels market study further highlights the segmentation of the Roofing Panels industry on a global distribution. The report focuses on regions of North America, Europe, Asia, and the Rest of the World in terms of developing business trends, preferred market channels, investment feasibility, long term investments, and environmental analysis. The Roofing Panels report also calls attention to investigate product capacity, product price, profit streams, supply to demand ratio, production and market growth rate, and a projected growth forecast.

In addition, the Roofing Panels market study also covers several factors such as market status, key market trends, growth forecast, and growth opportunities. Furthermore, we analyze the challenges faced by the Roofing Panels market in terms of global and regional basis. The study also encompasses a number of opportunities and emerging trends which are considered by considering their impact on the global scale in acquiring a majority of the market share.

The study encompasses a variety of analytical resources such as SWOT analysis and Porters Five Forces analysis coupled with primary and secondary research methodologies. It covers all the bases surrounding the Roofing Panels industry as it explores the competitive nature of the market complete with a regional analysis.

Brief about Roofing Panels Market Report with [emailprotected] https://hongchunresearch.com/report/roofing-panels-market-50986

Some Point of Table of Content:

Chapter One: Report Overview

Chapter Two: Global Market Growth Trends

Chapter Three: Value Chain of Roofing Panels Market

Chapter Four: Players Profiles

Chapter Five: Global Roofing Panels Market Analysis by Regions

Chapter Six: North America Roofing Panels Market Analysis by Countries

Chapter Seven: Europe Roofing Panels Market Analysis by Countries

Chapter Eight: Asia-Pacific Roofing Panels Market Analysis by Countries

Chapter Nine: Middle East and Africa Roofing Panels Market Analysis by Countries

Chapter Ten: South America Roofing Panels Market Analysis by Countries

Chapter Eleven: Global Roofing Panels Market Segment by Types

Chapter Twelve: Global Roofing Panels Market Segment by Applications12.1 Global Roofing Panels Sales, Revenue and Market Share by Applications (2015-2020)12.1.1 Global Roofing Panels Sales and Market Share by Applications (2015-2020)12.1.2 Global Roofing Panels Revenue and Market Share by Applications (2015-2020)12.2 Residential Sector Sales, Revenue and Growth Rate (2015-2020)12.3 Commercial Sector Sales, Revenue and Growth Rate (2015-2020)12.4 Industrial Sector Sales, Revenue and Growth Rate (2015-2020)

Chapter Thirteen: Roofing Panels Market Forecast by Regions (2020-2026) continued

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List of tablesList of Tables and FiguresTable Global Roofing Panels Market Size Growth Rate by Type (2020-2026)Figure Global Roofing Panels Market Share by Type in 2019 & 2026Figure Color Steel Plate FeaturesFigure Broken Bridge Aluminum FeaturesFigure Other FeaturesTable Global Roofing Panels Market Size Growth by Application (2020-2026)Figure Global Roofing Panels Market Share by Application in 2019 & 2026Figure Residential Sector DescriptionFigure Commercial Sector DescriptionFigure Industrial Sector DescriptionFigure Global COVID-19 Status OverviewTable Influence of COVID-19 Outbreak on Roofing Panels Industry DevelopmentTable SWOT AnalysisFigure Porters Five Forces AnalysisFigure Global Roofing Panels Market Size and Growth Rate 2015-2026Table Industry NewsTable Industry PoliciesFigure Value Chain Status of Roofing PanelsFigure Production Process of Roofing PanelsFigure Manufacturing Cost Structure of Roofing PanelsFigure Major Company Analysis (by Business Distribution Base, by Product Type)Table Downstream Major Customer Analysis (by Region)Table Umicore Group ProfileTable Umicore Group Production, Value, Price, Gross Margin 2015-2020Table SPIRCO Manufacturing ProfileTable SPIRCO Manufacturing Production, Value, Price, Gross Margin 2015-2020Table The Garland Company ProfileTable The Garland Company Production, Value, Price, Gross Margin 2015-2020Table ArcelorMittal ProfileTable ArcelorMittal Production, Value, Price, Gross Margin 2015-2020Table BEMO ProfileTable BEMO Production, Value, Price, Gross Margin 2015-2020Table NCI Building Systems ProfileTable NCI Building Systems Production, Value, Price, Gross Margin 2015-2020Table Berridge Manufacturing ProfileTable Berridge Manufacturing Production, Value, Price, Gross Margin 2015-2020Table Rautaruukki ProfileTable Rautaruukki Production, Value, Price, Gross Margin 2015-2020Table Lindab ProfileTable Lindab Production, Value, Price, Gross Margin 2015-2020Table Kingspan Group ProfileTable Kingspan Group Production, Value, Price, Gross Margin 2015-2020Table Palram Industries ProfileTable Palram Industries Production, Value, Price, Gross Margin 2015-2020Table OmniMax International ProfileTable OmniMax International Production, Value, Price, Gross Margin 2015-2020Table Klauer Manufacturing Company ProfileTable Klauer Manufacturing Company Production, Value, Price, Gross Margin 2015-2020Table Tyler Building Systems ProfileTable Tyler Building Systems Production, Value, Price, Gross Margin 2015-2020Figure Global Roofing Panels Sales and Growth Rate (2015-2020)Figure Global Roofing Panels Revenue ($) and Growth (2015-2020)Table Global Roofing Panels Sales by Regions (2015-2020)Table Global Roofing Panels Sales Market Share by Regions (2015-2020)Table Global Roofing Panels Revenue ($) by Regions (2015-2020)Table Global Roofing Panels Revenue Market Share by Regions (2015-2020)Table Global Roofing Panels Revenue Market Share by Regions in 2015Table Global Roofing Panels Revenue Market Share by Regions in 2019Figure North America Roofing Panels Sales and Growth Rate (2015-2020)Figure Europe Roofing Panels Sales and Growth Rate (2015-2020)Figure Asia-Pacific Roofing Panels Sales and Growth Rate (2015-2020)Figure Middle East and Africa Roofing Panels Sales and Growth Rate (2015-2020)Figure South America Roofing Panels Sales and Growth Rate (2015-2020)Figure North America Roofing Panels Revenue ($) and Growth (2015-2020)Table North America Roofing Panels Sales by Countries (2015-2020)Table North America Roofing Panels Sales Market Share by Countries (2015-2020)Figure North America Roofing Panels Sales Market Share by Countries in 2015Figure North America Roofing Panels Sales Market Share by Countries in 2019Table North America Roofing Panels Revenue ($) by Countries (2015-2020)Table North America Roofing Panels Revenue Market Share by Countries (2015-2020)Figure North America Roofing Panels Revenue Market Share by Countries in 2015Figure North America Roofing Panels Revenue Market Share by Countries in 2019Figure United States Roofing Panels Sales and Growth Rate (2015-2020)Figure Canada Roofing Panels Sales and Growth Rate (2015-2020)Figure Mexico Roofing Panels Sales and Growth (2015-2020)Figure Europe Roofing Panels Revenue ($) Growth (2015-2020)Table Europe Roofing Panels Sales by Countries (2015-2020)Table Europe Roofing Panels Sales Market Share by Countries (2015-2020)Figure Europe Roofing Panels Sales Market Share by Countries in 2015Figure Europe Roofing Panels Sales Market Share by Countries in 2019Table Europe Roofing Panels Revenue ($) by Countries (2015-2020)Table Europe Roofing Panels Revenue Market Share by Countries (2015-2020)Figure Europe Roofing Panels Revenue Market Share by Countries in 2015Figure Europe Roofing Panels Revenue Market Share by Countries in 2019Figure Germany Roofing Panels Sales and Growth Rate (2015-2020)Figure UK Roofing Panels Sales and Growth Rate (2015-2020)Figure France Roofing Panels Sales and Growth Rate (2015-2020)Figure Italy Roofing Panels Sales and Growth Rate (2015-2020)Figure Spain Roofing Panels Sales and Growth Rate (2015-2020)Figure Russia Roofing Panels Sales and Growth Rate (2015-2020)Figure Asia-Pacific Roofing Panels Revenue ($) and Growth (2015-2020)Table Asia-Pacific Roofing Panels Sales by Countries (2015-2020)Table Asia-Pacific Roofing Panels Sales Market Share by Countries (2015-2020)Figure Asia-Pacific Roofing Panels Sales Market Share by Countries in 2015Figure Asia-Pacific Roofing Panels Sales Market Share by Countries in 2019Table Asia-Pacific Roofing Panels Revenue ($) by Countries (2015-2020)Table Asia-Pacific Roofing Panels Revenue Market Share by Countries (2015-2020)Figure Asia-Pacific Roofing Panels Revenue Market Share by Countries in 2015Figure Asia-Pacific Roofing Panels Revenue Market Share by Countries in 2019Figure China Roofing Panels Sales and Growth Rate (2015-2020)Figure Japan Roofing Panels Sales and Growth Rate (2015-2020)Figure South Korea Roofing Panels Sales and Growth Rate (2015-2020)Figure Australia Roofing Panels Sales and Growth Rate (2015-2020)Figure India Roofing Panels Sales and Growth Rate (2015-2020)Figure Southeast Asia Roofing Panels Sales and Growth Rate (2015-2020)Figure Middle East and Africa Roofing Panels Revenue ($) and Growth (2015-2020) continued

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NOTE: Our report does take into account the impact of coronavirus pandemic and dedicates qualitative as well as quantitative sections of information within the report that emphasizes the impact of COVID-19.

As this pandemic is ongoing and leading to dynamic shifts in stocks and businesses worldwide, we take into account the current condition and forecast the market data taking into consideration the micro and macroeconomic factors that will be affected by the pandemic.

Read more here:
Impact Of Covid 19 On Roofing Panels Market 2020 Industry Challenges Business Overview And Forecast Research Study 2026 - The Think Curiouser