UK garage – Wikipedia, the free encyclopedia

A UK garage music example (here, Visions by Ascent). It contains elements of the speed garage and 2 step garage sub-genres. Pay attention to the drum at 0:44 and the bassline at 2:28.

UK garage (also known as UKG) is a genre of electronic music originating from England in the early 1990s. The genre usually features a distinctive syncopated 4/4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 128 to 140 BPM. UK garage was largely subsumed into other styles of music and production in the mid-2000s, including dubstep, bassline and grime. The decline of UK garage during the mid-2000s saw the birth of UK funky, which is closely related.

The evolution of house music in the UK in the mid-1990s led to the term, as previously coined by the Paradise Garage DJs, being applied to a new form of music also known as speed garage. Its originator is widely recognised to be Todd Edwards, the American house and garage producer, also known as Todd "The God" Edwards. In the early nineties, Edwards began to start remixing more soulful house records and incorporating more time-shifts and vocal samples than normal house records, whilst still living in the US. However, it was not until DJ EZ, the North London DJ, acquired one of Edwards' tracks and played it at a faster tempo in a nightclub in Greenwich, that the music genre really took off.

In the late nineties, the term "UK garage" was settled upon by the scene. This style is now frequently combined with other forms of music like soul, rap, reggae, ragga and R&B, all broadly filed under the description of urban music. The pronunciation of UK garage uses UK // GARR-ij, rather than US // g-rahzh.[1]

Artists such as Grant Nelson, M.J. Cole, Artful Dodger, Jaimeson, So Solid Crew, Heartless Crew, The Streets, Shanks & Bigfoot, DJ Luck & MC Neat, Sunship (Ceri Evans), Oxide and Neutrino and numerous others have made garage music mainstream in the UK, whilst Dizzee Rascal, Wiley and Kano's arrival raised the profile of grime, an offshoot of garage.

Cole once stated, "London is a multicultural city... it's like a melting pot of young people, and that's reflected in the music of UK garage".[2]

Notable female singers who have had the genre incorporated into their songs include Lisa Maffia, Ms. Dynamite, Kele Le Roc, Shola Ama, Sweet Female Attitude and Mis-Teeq.

"'Garage' is considered a mangled term in dance music. The term derives from the Paradise Garage itself, but it has meant so many different things to so many different people that unless you're talking about a specific time and place, it is virtually meaningless. Part of the reason for this confusion (aside from various journalistic misunderstandings and industry misappropriations) is that the range of music played at the garage was so broad. The music we now call 'garage' has evolved from only a small part of the club's wildly eclectic soundtrack."

-- Frank Broughton/Bill Brewster in Last Night A DJ Saved My Life

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. After jungle's peak in cultural significance, it had turned towards a harsher, more techstep influenced sound, driving away dancers, predominantly women. Escaping the 170bpm jungle basslines, the garage rooms had a much more sensual and soulful sound at 130bpm.[3]

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UK garage - Wikipedia, the free encyclopedia