Six more buildings planned for the massive Carmel City Center development are ready to come off the drawing board.

Developer Pedcor Cos. on Tuesday unveiled conceptual designs for four mixed-use buildings, a parking garage with ground-floor commercial, and an addition to its Pedcor Square office complex. The additions are expected to cost $80 million to $100 million, and take four to five years to build.

Work is under way on The Nash, a three-story, $10 million mixed-use building that kicked off the second phase of the ambitious redevelopment project earlier this year. More than half of the commercial space there already is leased, said Bruce Cordingley, Pedcor's president and CEO.

Tuesdays announcement provided a glimpse of what else could join the sprawling commercial-and-residential hub at the corner of City Center Drive and Range Line Road. Also part of City Center are the iconic Palladium concert hall and the Center for the Performing Arts, projects that represent a public investment of about $200 million.

"This is our vision" for all but the last two or three buildings at City Center, Cordingley said, calling the designs preliminary. "We welcome ongoing input."

Cordingley said the timing and financing of projects will be determined after talks with the Carmel City Council and city development groups, expected to begin early next year.

Outgoing City Council President Rick Sharp and council Finance Committee Chairwoman Luci Snyder each expressed support for Pedcor's plans, saying that finishing the City Center project is a priority. After her public remarks, Snyder said public funds could be used to pay for roads and other infrastructure, including parking.

"That's our job," she said.

City Centers first phase included 106 apartments and 62,000 square feet of retail/commercial space. The Nash, which is going up along Range Line Road south of City Center, will have 8,000 square feet of street-level commercial space and 31 one-, two- and three-bedroom apartments on the upper floors.

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City Center expansion plans could cost $100M

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December is upon us, which means its time for the next installment in Oscar-winning filmmaker Peter Jacksons second Middle-earth trilogy, The Hobbit: The Desolation of Smaug (read our review).

Jacksons decision to adapt J.R.R. Tolkiens fairly straight-forward Hobbit novel into a sprawling fantasy/adventure movie trilogy featuring additional plot material that serves as a prelude to the Lord of the Rings trilogy continues to divide film buffs, as evidenced by the range of critical reactions and general feelings towards the first chapter, An Unexpected Journey (read our review), and to a lesser extent with The Desolation of Smaug.

Sidestepping that debate how does The Desolation of Smaug compare to the middle-chapter in the Rings trilogy, The Two Towers? One is a rousing fantasy adventure, while the other is a grandiose fantasy war epic but does one achieve what it sets out to do better than the other?

Well, in keeping with our comparison between An Unexpected Journey and Fellowship of the Ring, well examine The Desolation of Smaug and The Two Towers with regard to five different aspects: the characters, story, world, action/effects and direction. (Of course, if youre already decided which one you feel is better, feel free to jump ahead and cast your vote in the comments section of this article.)

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Thematically, the first installments in Jacksons Hobbit and Rings trilogies examine flip sides of fate choosing your destiny vs. accepting the destiny you are given which are elaborated upon in the second chapters of each respective series, through the collective experiences of the many, many Middle-eartheans that populate both films.

In The Desolation of Smaug, we get the pleasure of watching Bilbo Baggins (Martin Freeman) continue his evolution as a character, gaining more courage and sharpening his wits but remaining a polite and pleasant (if bumbling) Hobbit at his core. Meanwhile, the film better establishes why Thorin Oakenshield (Richard Armitage) is perceived by his dwarfish peers as a king-in-waiting and great leader, yet it doesntskip addressing the dangerous consequences that his actions bring (nor how Thorins stubbornness can be as much a strength as a weakness).

As a result, Bilbo and Thorin continue to make for compelling leads in The Desolation of Smaug, since we are shown heretofore unseen shades of their moral fiber and personality; including, a darkness glimpsed in Bilbo brought out by The Ring of Power (which becomes a great metaphor for how Bilbos newfound bravery/cunning is a double-edged sword) and Thorins questionable motives, as his(Noble? Selfish?) desire to reclaim the Lonely Mountain brings out the cracks in his armor (which is overtly, but still effectively, symbolized with the Arkenstone).

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‘The Hobbit: The Desolation of Smaug’ vs. ‘The Two Towers’

Furry-footed hero Bilbo Baggins is back for another adventure in"The Hobbit: The Desolation of Smaug."

Based on J.R.R. Tolkien's acclaimed 1937 novel, the second installment in Peter Jackson's trilogy comes to theaters this weekend, picking up the story from the franchise's last film, "An Unexpected Journey."

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Stars chime in on Bilbo Baggins' perilous journey back to Middle Earth in "The Hobbit: Desolation of Smaug"

Martin Freeman makes another turn as Baggins while Ian McKellan reprises his role of Gandalf. Orlando Bloom is also back as Legolas.

And there are some noteworthy additions to the cast. The filmmakers have created a new female character, Tauriel (Evangeline Lilly), who develops a crush on the dwarf Kili (Aidan Turner). "The Fifth Estate" actor Benedict Cumberbatch provides the voice of the villainous dragon Smaug.

The critical consensus for the most part has been that this sequel takes a step in a better direction from "An Unexpected Journey":

Owen Gleiberman, Entertainment Weekly: "A year ago, Peter Jackson's 'The Hobbit: An Unexpected Journey' got the job done, but it was too bright and busy and noisy, with creatures that kept popping up as if out of a jack-in-the-box. 'The Desolation of Smaug' is a more grandly somber movie, and also a much better one, with forces of boldly intense and unified malevolence."

Richard Corliss, Time: "The first film in the trifecta, 'An Unexpected Journey,' was often content to duplicate the books characters and situations, like the Xerox of an illuminated medieval manuscript. In 'Smaug,' the characters step from the books pages and leap vividly out of the 3-D screen."

Michael O'Sullivan, The Washington Post: "The second part of Peter Jacksons 'The Hobbit' trilogy goes a long way - and at 2 1/2 hours, I do mean long - toward righting the wrongs of the first movie, which was even longer."

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"The Hobbit: The Desolation of Smaug" reviews are in