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A Room of One's Own is an extended essay by Virginia Woolf. First published on 24 October 1929,[1] the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. While this extended essay in fact employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled "Women and Fiction", which was published in Forum March 1929,[2] and hence the essay, are considered non-fiction.[3] The essay is generally seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.
The title of the essay comes from Woolf's conception that, 'a woman must have money and a room of her own if she is to write fiction'.[4] Woolf notes that women have been kept from writing because of their relative poverty, and financial freedom will bring women the freedom to write; "In the first place, to have a room of her own... was out of the question, unless her parents were exceptionally rich or very noble".[5] The title also refers to any author's need for poetic license and the personal liberty to create art.
The essay examines whether women were capable of producing, and in fact free to produce work of the quality of William Shakespeare, addressing the limitations that past and present women writers face.
Woolf's father, Sir Leslie Stephen, in line with the thinking of the era, believed that only the boys of the family should be sent to school. Woolf encouraged the image of herself that because her father did not believe in investing in the education of his daughters, she was left without the experience of formal schooling. However, recent discoveries in the archive of King's College London show that Virginia and her sister Vanessa attended King's College London's Women's Department for classes in Greek and German over a number of years. In delivering the lectures outline in the essay, Woolf is speaking to women who have the opportunity to learn in a formal, communal setting. Woolf lets her audience know the importance of their education at the same time warning them of the precariousness of their position in society.
In one section, Woolf invented a fictional character, Judith, "Shakespeare's sister," to illustrate that a woman with Shakespeare's gifts would have been denied the same opportunities to develop them because of the doors that were closed to women. Like Woolf, who stayed at home while her brothers went off to school, Judith stays at home while William goes off to school. Judith is trapped in the home: "She was as adventurous, as imaginative, as agog to see the world as he was. But she was not sent to school."[6] Woolf's prose holds all the hopes of Judith Shakespeare against her brother's hopes in the first sentence, then abruptly curtails Judith's chances of fulfilling her promise with "but." While William learns, Judith is chastised by her parents should she happen to pick up a book, as she is inevitably abandoning some household chore to which she could be attending. Judith is betrothed, and when she does not want to marry, she is beaten and then shamed into marriage by her father. While Shakespeare establishes himself, Judith is trapped by the confines of the expectations of women. Judith kills herself, and her genius goes unexpressed, while Shakespeare lives on and establishes his legacy.
In the essay, Woolf constructs a critical and historical account of women writers thus far. Woolf examines the careers of several female authors, including Aphra Behn, Jane Austen, the Bront sisters, Anne Finch, Countess of Winchilsea, and George Eliot. In addition to female authors, Woolf also discusses and draws inspiration from noted scholar and feminist Jane Ellen Harrison.[7] Harrison is presented in the essay only by her initials separated by long dashes, and Woolf first introduces Harrison as "the famous scholar J ---- H---- herself".[8]
Woolf also discusses Rebecca West, questioning Desmond MacCarthy's (referred to as "Z") uncompromising dismissal of West as an "'arrant feminist'".[7][9] Among the men attacked for their views on women, F. E. Smith, 1st Earl of Birkenhead (referred to as "Lord Birkenhead") is mentioned, though Woolf further rebukes his ideas in stating she will not "trouble to copy out Lord Birkenhead's opinion upon the writing of women".[10] Birkenhead was an opponent of suffrage.[11] The essay quotes Oscar Browning through the words of his (possibly inaccurate) biographer H. E. Wortham:[12] "' the impression left on his mind, after looking over any set of examination papers, was thatthe best woman was intellectually the inferior of the worst man.'"[10] In addition to these mentions, Woolf subtly refers to several of the most prominent intellectuals of the time, and her hybrid name from the University of Oxford and the University of CambridgeOxbridgehas become a well-known term, although she was not the first to use it.
The narrator of the work is at one point identified as "Mary Beaton, Mary Seton, or Mary Carmichael", alluding to the sixteenth century ballad Mary Hamilton.[7][13] In referencing the tale of a woman about to be hanged for existing outside of marriage and rejecting motherhood, the narrator identifies women writers such as herself as outsiders who exist in a potentially dangerous space. It is important to note that Woolf's heroine, Judith Shakespeare, dies by her own hand, after she becomes pregnant with the child of an actor. Like the woman in the Four Marys, she is pregnant and trapped in a life imposed on her. Woolf sees Judith Shakespeare, Mary Beaton, Mary Seton, Mary Carmichael, as powerless, impoverished women everywhere as threatened by the spectre of death.
In another section, describing the work of a fictional woman writer, Mary Carmichael, Woolf deliberately invokes lesbianism: "Then may I tell you that the very next words I read were these 'Chloe liked Olivia...' Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women."[14][15] Woolf references the obscenity trial and public uproar resulting from the publishing of Radclyffe Hall's lesbian-themed novel, The Well of Loneliness published in 1928. Before she can discuss Chloe liking Olivia, the narrator has to be assured that Sir Chartres Biron, the magistrate of Hall's obscenity trial is not in the audience: "Are there no men present? Do you promise the figure of Sir Chartres Biron is not concealed? We are all women, you assure me? Then I may tell you..."[14] Woolf scholar and feminist critic Jane Marcus believes Woolf was giving Radclyffe Hall and other writers a demonstration of how to discuss lesbianism discreetly enough to avoid obscenity trials; "Woolf was offering her besieged fellow writer a lesson in how to give a lesbian talk and write a lesbian work and get away with it."[16] Marcus describes the atmosphere of Woolf's arrival and presence at the women's college with her lover Vita Sackville-West as "sapphic." Woolf is comfortable discussing lesbianism in her talks with the women students because she feels a women's college is a safe and essential place for such discussions.
In this paragraph, Woolf sums up the stark contrast her research has uncovered between how women are idealised in fiction written by men, and how patriarchal society has treated them in real life:
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A Room of One's Own - Wikipedia, the free encyclopedia
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My Cousin, The Emperor "makes happily gnarly music" (TimeOut NY), "stands up for all that's still right with the genre of country music" (Under The Radar), and will "make you reconsider your long-standing dismissal of country music" (The Deli Magazine). Led by Brooklyn Singer-Songwriter Jason Reischel, MCTE "explores an alt-country sound that tips its hat to the indie rock scene while still maintaining a simple twang" (WNYC). This special CMJ showcase will feature an intimate solo acoustic performance by Jason Reischel.
Elizabeth & the Catapult focus on the songwriting talents of Elizabeth Ziman, whose music makes room for pop, coffeehouse folk, and downtown jazz. In early 2014, the band released Like It Never Happened, an 11-song collection that marks the bands first since 2010s The Other Side of Zero. Ziman has also toured with Sara Bareilles, Greg Laswell, Lenka and Kishi Bashi as well as singing backgrounds for The Shins and The Waterboys and playing drums in Kishi Bashis band.
With nods to early 4AD dreampop and chiming IRS Records-era guitar rock, Line & Circle pair rhythmic urgency and emotional restlessness with melodically rich vocals reminiscent of R.E.M. and Real Estate. Their self-titled debut EP, out 10/28, was recorded live in El Sereno by Lewis Pesacov (Best Coast's "Crazy For You") and mixed in Philadelphia by Jonathan Low and Brian McTear (The National, The War On Drugs).
PLAID BRIXX was formed in early 2013 by the band's lead singer Chris Duggan, who has led bands and written music since he was ten. The band's debut EP, Chemistry, is pop with a razor's edge of rock and an aftershave of punk.
Like Peter Gabriel in a Garagethats how Fictionist describes its fourth album, a self-titled surprise romp through the bands most formative influences. Feeling liberated at the end of a contract with Atlantic Records, the Provo, UT band disappeared into area studios with producer Nate Pyfer, a 2014 Grammy nominee, for an eight-week sonic bender. The result combines Fictionists heralded art-rock sensibilities with Cat Stevens songwriting, Phoenix-style glitchy analog electronics, and CHVRCHES electro-pop architecture.
Somebodys Darling is spearheaded by lead singer Amber Farris, whose unrefined yet tender vocals belt out blistering songs that command the attention of anyone in earshot. She's oft-likened to great singers such as Bonnie Raitt, Susan Tedeschi and Erika Wennerstrom (Heartless Bastards), but theres no borrowing, and you cant really make comparisons.
Hailing from Long Island, BRAEVES creates music that seems to personify a blissful illumination, harmonizing melodies that inspire.
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The Living Room - CMJ 2014 Schedule
NBC's celebrated medical drama "ER" debuted in the fall of 1994 and aired its series finale 15 seasons later. Along the way, "ER" helped launch the careers of George Clooney, Julianna Margulies and Noah Wiley among many others. Combining the extraordinary talents of multiple award-winning producer John Wells ("The West Wing" "Third Watch"), best-selling author Michael Crichton ("Jurassic Park") and the creative team at Steven Spielberg's Amblin Television, the venerated series "ER" explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room. The highly acclaimed drama series holds the distinction of being recognized as the most Emmy-nominated series in the history of television with 124 nominations. Crichton, Wells and Zabel served as executive producers, along with Christopher Chulack, Joe Sachs and Janine Sherman Barrois.
A winner of the prestigious George Foster Peabody Award, the series also earned 22 Emmy Awards, including Outstanding Drama Series in 1996, among many accolades. In addition, the cast was honored with four Screen Actors Guild Awards for Outstanding Ensemble Performance in a Drama Series.
In its final season, the staff at County General Hospital included Abby Lockhart (Maura Tierney), a recovering alcoholic trying her best to juggle a demanding residency and motherhood while everything around her seems to be falling apart; Dr. Greg Pratt (Mekhi Phifer), an attending fighting for the chief spot on the floor as well as for a firm grasp on his love life; Neela Rasgotra (Parminder Nagra), a skilled surgical resident committed to growing in her craft as well as in her place on the surgical team; Sam Taggart (Linda Cardellini), a spirited ER nurse who is finally getting some time to explore life and love both in and outside the hospital; Dr. Archie Morris (Scott Grimes), the quirky-yet-talented attending dedicated to his work but constantly distracted by his own world; Tony Gates (John Stamos), a paramedic-turned-doctor who has overcome numerous obstacles to take on the rigorous challenges of life in the ER; Dr. Simon Brenner (David Lyons) the newest attending physician with a penchant for stirring things up, and Dr. Cate Banfield (Angela Bassett) as a tough-as-nails attending physician whose arrival shakes up the ER.
"ER" is a production of Constant c Productions and Amblin Television in association with Warner Bros. Television.
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Dave Zajac Record-Journal
Richard Heidgerd, deputy chief of the Wallingford Fire Dept., shows new bunks for volunteer firefighters at the East Wallingford Volunteer Fire Station 8, Friday, April 4, 2014. | Dave Zajac / Record-Journal
Published: October 24, 2014 | Last Modified: October 24, 2014 01:25AM
By Leigh Tauss Record-Journal staff
WALLINGFORD The Planning and Zoning Commission has approved plans for an addition to the East Wallingford Volunteer Fire Department which will include a meeting room and two small offices. The old meeting room was converted into bunks so that volunteers could stay overnight to improve emergency response times.
The next step s is to go out to bid for a contractor. Work could begin over the winter or by spring, said Fire Chief Richard Heidgerd.
Certainly as soon as possible, Heidgerd said. Were ready for that work.
The project will cost $150,000 and was already included in the 2014-15 budget. The 1,100-square-foot addition, which consists of a meeting room and two 10-by-11-foot offices, will effectively double the size of the 1,300-square-foot station.
Heidgerd said the room will be used for meetings and training. Construction will not interfere with emergency service.
The company has over 30 volunteers. Since the bunks were brought in last year Heidgerd said the company has been in very cramped quarters.
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Wallingford PZC approves firehouse expansion
A library and conference space are included in plans for an expanded museum at the Eugene Field House, the poets boyhood home in downtown St. Louis.
The expansion would be in a one-story, 4,000-square-foot addition connected to the house by an elevated, glass-walled walkway.
Members of the St. Louis Preservation Board voted Monday to grant the plan preliminary approval. The house, built at 634 South Broadway in 1845, is a National Historic Landmark and a City Landmark.
Architect Dennis Tacchi, of Eureka, designed the addition, which would be on the site of Walshs Row, a dozen attached houses demolished in 1936 except for the Field House. Its windows and stone sills recall the sites row houses.
Betsy Bradley, the citys cultural resources officer, pointed out to the board that the walkway is the only portion of the project covered by city and federal landmark preservation rules.
Fundraising for the $2.7 million project is underway. The Eugene Field House Foundation hopes to begin building the addition next year, said Kimberly Larson, the foundations director.
The addition would house an expanded version of the foundations Dred Scott exhibit. Eugenes father, Roswell Field, was a lawyer who had prepared a court appeal for Scott, a slave who had sued for his freedom.
Larson said in an interview before the board meeting the addition also would give the museum room to display a large collection of Fields poetry and writings its current owner plans to donate to the foundation.
Eugene Field was born in the Greek Revival-style house Sept. 2, 1850. He lived there only six years until his mother died. Eugene and a brother then went to live with relatives in Massachusetts.
He returned to St. Louis in 1876 to work for five years at the Evening Journal. He earned fame in 1888 for the poem Little Boy Blue. Newspaper readers knew him as a satirist. He was a columnist in Chicago when he died in 1895 at age 45.
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St. Louis board approves Eugene Field House addition
LOUISVILLE, Ky (WDRB) -- Several businesses have recently closed in NuLu but those who workthere say the changes are positive.
NuLu is known for its locally owned restaurants and boutiques, and with the news of Taco Punk closing it's made some wonder whatthe East Market District'sfuture looks like.
"NuLu is definitely becoming one of the top retail/restaurant areas," said Scott Howe with the NuLu Business Association.
Howe is also a real estate agent. He says within the last few weeks, in addition to Taco Punk, two stores -- Canoe and Alter Ego -- have also closed.
He said new plans for Alter Ego are already set in stone.
"We have a new business called Bermuda Highway. It's a men's and women's fashion store. they should be opening soon," Howe told WDRB.
He said Katie Toupin, the leading lady of Louisville band Houndmouth is the investor behind it. He said the store will also have an event space in back where musicians will play.
Howe wouldn't talk in detail about the future of Taco Punk but says there's been a lot of interest in the building.
"The space now is probably one of the most desired places in the city so someone will be in that space pretty soon," he said.
Also opening in the near future is Feast BBQ in the old Cake Flour building. Feast BBQ's other location is in New Albany.
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Vacancies left by closing NuLu businesses make room for new opportunities
RICHMOND, Va. The Scotts Addition Pumpkin Festival returns this year after a smashing success in 2013.
There will again be goodies prepared by local restaurants, craft beer, music, and lots of kids activities.
Last year over 10,000 attended the festival, which was the first in decades to close down the popular thoroughfare of the Boulevard.
This year we have expanded the area a little bit, weve added a VIP zone, said Brook Stone, the event chairman for the Scotts Addition Business Association.Weve added a larger kids zone, with more kids activities and a larger space.
Movin Mania, which is Bon Secours childhood obesity program, is a key sponsor of the event.
We feel the pumpkin festival is a family-friendly event, said Tunstall Bagley-Willis, the Movin Mania Coordinator for Bon Secours.
Tunstan Bagley-Willis, Broc (short for Broccoli) and Brook Stone talk about the upcoming Pumpkin Festival.
For kids, expect crafts, music, interactive opportunities and the mobile Class A Room will be on site providing healthy treats and fun snacks.
Weve also added our biggest feature, which is our Family Movie Night, at the Bon Secours Washington Redskins Training Center immediately following the event, said Stone.
The festival runs from noon to 6 p.m. Saturday, Oct. 25, and immediately following the event families can head over for movie night. A double-feature will air starting with Its The Great Pumpkin Charlie Brown, followed by Monsters, Inc.
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3711 Military Rd Arlington VA / MRIS# AR8487871
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Family Room Addition Bloopers
Because we can #39;t always get it right the first time! Enjoy these funny takes on site of the family room addition!
By: Lane Homes Remodeling
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Family Room Addition Bloopers - Video