Officers break glass door to free buck from room of 103-year-old woman KTTC
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Officers break glass door to free buck from room of 103-year-old woman - KTTC
Officers break glass door to free buck from room of 103-year-old woman KTTC
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Officers break glass door to free buck from room of 103-year-old woman - KTTC
Renewal by Andersen Most Awarded Brand in the J.D. Power Windows and Patio Doors Satisfaction Study PR Newswire
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Renewal by Andersen Most Awarded Brand in the J.D. Power Windows and Patio Doors Satisfaction Study - PR Newswire
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Deer caught on camera 'thrashing around' 103-year-old womans apartment before escaping through glass door - Fox News
Consumers say trust is the biggest factor in picking new patio doors and windows ConsumerAffairs
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Consumers say trust is the biggest factor in picking new patio doors and windows - ConsumerAffairs
Three Window and Door Trends That Are Inspiring Homeowners Men's Journal
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Three Window and Door Trends That Are Inspiring Homeowners - Men's Journal
Clear as Day: Trust in Product, Staff Key to Satisfaction with Windows and Patio Doors, J.D. Power Finds Business Wire
The 4 Best French Door Refrigerators of 2024 | Reviews by Wirecutter The New York Times
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The 4 Best French Door Refrigerators of 2024 | Reviews by Wirecutter - The New York Times
A CLEANING influencer has shared the simple hack she uses to keep her windows looking sparkling.
The content creator revealed the DIY-spray solution that removes grime from glass instantly.
In her video, TikTok user Len (@lenswegart) explained: "It finally stopped raining and the sliding doors are in dire need of cleaning."
The TikToker showed her audience a close-up of the dirt on her windows following the rainy weather.
Len revealed the "easy hack" she uses to wash the outside of her windows and doors.
"Mix half a cup of water, dish soap, and a quarter cup of vinegar," she said.
The TikToker continued: "Spray on glass and wipe with a microfiber pad using a Sweeper."
In a previous video, Len pointed out that the use of a Sweeper can help shorter people clean effectively.
The content creator demonstrated the easy cleaning hack to her followers.
"This cuts down so much time and makes it so easy to clean glass doors and windows," Len told viewers.
"Who needs a tall partner?" the cleaning fanatic joked.
In another clip, the influencer used a similar DIY mixture to clean the mirrors in her home.
Another content creator revealed the areas of your home you should be cleaning more often.
A third cleaning pro revealed the essential item that is needed to keep your home spotless.
Another influencer divided her audience after she shared the unique way she dries her laundry.
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Im a cleaning pro my two-ingredient DIY spray is perfect for patio doors and windows... - The US Sun
BRAVE Rio Ferdinand nabbed an intruder in his back garden and held him until cops arrived.
The ex-England ace, 44, saw the man at his South East London home while pregnant wife Kate, 31, and their kids were inside.
A source said: This was a frightening incident.
Ferdinand bravely tackled the prowler to protect his pregnant wife, kids and property.
CCTV footage from cameras at his 4million home revealed the suspect tried to open the rear patio doors to get inside the previous evening.
The man then spent the night in the garden and was confronted by Rio the next morning.
The ex-England and Manchester United star detained the prowler until the arrival of security guards on the private estate in Bromley, South East London.
Police were then called.
Rio was horrified to find the man outside his home on Friday.
A source said last night: This was a frightening incident which has left Rio and Kate pretty shaken up.
Its worrying that someone got into the grounds but Rio dealt with it and they both know it could have been a lot worse. But it caused a lot of concern.
Another source said: Rio was alarmed to see an intruder and was naturally concerned for the safety of his family.
He acted promptly and decisively and went outside to deal with any potential threat.
Rio alerted the estates security team and then went outside to confront the intruder and demand what he was doing there.
He kept him there until a security guard arrived soon afterwards and the man was led outside and detained until the police got there.
Rios heavily-pregnant wife, former Towie star Kate was inside the house with her son Cree, two, and stepchildren Lorenz, 16, Tate, 14, and Tia, 12, from Rios first marriage.
Police took the intruder to hospital after he complained of feeling unwell.
Despite the apparent attempt to get inside the Ferdinands home, the man was not arrested.
Ex-Met Police detective chief inspector Mick Neville said: Its good to see a TV celebrity and famous footballer taking action to defend his home and family.
There have been some horrendous stories about the homes of footballers being broken into.
Rio couldnt be sure what he was dealing with when he went outside to deal with the suspect.
He should be commended for dealing with it courageously.
The intruder turned out to be a homeless man who is suspected to have got on to the estate patrolled by guards via a public bridleway.
The matter was later dealt with by a community resolution with Rio and Kates consent.
The Met said: Police were called to a 70-year-old man detained by a private security guard having been found in the garden of a residential property.
He was dealt with by a community resolution for Being on Enclosed Premises for an Unlawful Purpose, an offence under the Vagrancy Act.
Kate made no mention of the drama when she posted stylish photos of herself and growing baby bump on Instagram later on Friday.
She wrote: A very busy but exciting week. Now get me home on the sofa in my pjs to my babies & hubby.
That night Kate made a surprise appearance on Mo Gilligans The Lateish Show, where Rio was a guest.
On the Channel 4 programme, Rio whose first wife Rebecca Ellison died of breast cancer aged 34 spoke of the night he first met Kate in Dubai.
He relayed a story of how he awkwardly tripped over as he escorted her to the loo.
It led to her nicknaming him The Peckham Crawler.
LATEST ACE TO BE HIT
By Thomas Godfrey
RIO Ferdinand is the latest in a spate of Premier League stars to be targeted by a robbery gang.
Raheem Sterling returned from the World Cup in Qatar last year when masked thugs stole 300,000 of jewellery from his home.
The dad of three, 28, missed Englands quarter-final to comfort fiance Paige Milian and his kids.
Ex-Man United midfielder Paul Pogbas mansion was raided while his kids slept last year as he played in a Europa League game.
The French ace, 29, called the ordeal his worst nightmare.
The homes of his ex-teammates Victor Lindelof, 28, Jesse Lingard, 30, and Hannibal Mejbri, 20, were also targeted during 2022.
Former England left-back Ashley Cole, 42, and partner Sharon Canu were tied up in their kitchen during an armed raid in January 2020.
Supt Carl Williams, ex-head of a UK intelligence unit focused on serious organised crime, said raiders scoured players social media for clues to their movements.
KATE WORRY
By Sophie King, of Tommys charity
FOR many, pregnancy can be an emotional and anxious time.
As midwives, we do our best to make sure women have the support they need to reduce stress so they can have the most positive experience possible and ultimately take home a healthy baby.
We at Tommys pregnancy charity are so sad to hear about this incident and can only imagine the worry and anxiety this created.
Everyone at Tommys sends the family our best wishes at this difficult time.
Aside from their shared passion for heroes of the civil rights movement and unexplored music history, the thing Texas artists Tim Kerr and Robert Hodge have most in common is Russel Gonzalez. A gregarious music producer who also goes by the professional moniker the ARE, Gonzalez has orchestrated a collaboration between Hodge and Kerr in the vein of the Basquiat-Warhol partnership of the 1980s.
Gonzalez is hardwired to stay alert for promotable happenings, and the idea to pair up Hodge and Kerr came after he saw paintings by the two artists side by side. It wasnt just that the works used different techniques to speak to similar themes; Gonzalez also recognized that certain aspects of the artists perspectives mirrored the legendary Basquiat-Warhol collaboration. Most obviously, they were born a generation apartone white, one Black.
Hodge and Kerr have created about forty paintings together for No Kings But Us, a pair of pop-up exhibitions Gonzalez has promoted like one of the concert tours for the nineties hip-hop group K-Otix, which he cofounded and fronted. (He later produced songs for a slew of big-name talents, including Earth, Wind & Fire; Keyshia Cole; Lil Kim; LL Cool J; and Nicki Minaj.)
Gonzalez likened his Hodge-Kerr project to creating an album. All three of us have a music background, so were kind of speaking the same language, he said. They kicked things off with a small preview show the first weekend in May at the Marfa Open Gallery, and the main event is May 20June 4 at the University of Houstons Blaffer Art Museum.
Scoring the Blaffer space was a coup for a show organized by a guy with no curatorial credentials. But Hodges name carries weight, and Gonzalezs enthusiasm is infectious. When Gonzalez pitched the idea to Blaffer director Steven Matijcio, he coaxed, Were the artists. We need you to be our Sony.
Can we be Def Jam? Matijcio joked.
You can be whatever you want! Gonzalez said. We want to make this show spectacular, like an event, not just a quiet thing. We want a line around the building. Matijcio saw No Kings But Us as a harmless experiment that could bring a whole new demographic into the museum. Gonzalez envisioned it as a one-weekend deal; Matijcio granted him two.
Gonzalez gave me a sneak preview in April at Houstons Dakota Lofts, first leading me through the lobby he turned into an informal gallery since becoming the buildings manager a few years ago. Hodge was the first artist he invited to show work there. A tenant who knew Kerr suggested adding him to the mix, and after Gonzalez met Kerr, the wheels began turning. Paintings made individually by both artists are still on display in the lobby, but an art explosion, as Gonzalez called it, filled his 1,400-square-foot apartment.
Gonzalezs place is neatly furnished with midcentury furniture, and his walls are densely hung with art he has collected. But on this day, dozens of colorful, chaotic paintings also crowded the open living-dining-kitchen area. We picked our way across the floor through piles of big, unframed pieces, also avoiding framed works that leaned against the sofa and walls. Small canvases hung from a couple of rolling racks near the patio doors. Manila envelopes stuffed with exhibition posters, many destined to be wheat-pasted on building facades and utility polesan unusual bit of analog marketing for an art exhibitionwere stacked on the dining table. About the only clear surface was the kitchen island, which Gonzalez said has been his temporary workshop for mounting and framing the paintings, which he taught himself to do. Ive really put a lot of blood, sweat, and tears into it, he said, cheerfully.
Hodge and Kerr knew of each other but didnt meet until Gonzalez brought them together. Unlike Basquiat and Warhol, who both circulated in New Yorks eighties art world, Hodge and Kerr live 165 miles aparta distance thats even further culturally, considering the two types of Texans they represent. Kerr clings to a grungy, Keep Austin Weird spirit he helped create, while Hodge is a hip-hop-influenced Houston sophisticate.
Stylistically, Kerrs work is loose and improvisational, of the moment. He doesnt want to be categorized as anything other than a self-expressionist, but for folks who want to know, hes both an indie music legend and a visual artist who earned his photography degree at UT in the seventies, studying with the great American street photographer Gary Winogrand. Hes in the Austin Music Hall of Fame as the cofounder and leader of several influential eighties Texas DIY punk bands, including Bad Mutha Goose, the Big Boys, and Poison 13. Hes done funk, too. Now he has an all-acoustic folk duo (with Jerry Hagins) called Up Around the Sun. Theyre calling us Windham hillbilly, which I think is pretty hilarious, he told me in his deep drawl during a phone interview.
Kerr always created his own visuals for album covers and posters, and he has painted skateboards and murals around the world for the past twenty years or so, by popular demandnot because he planned it that way. If you know his Unsung Pioneers of Austin Music mural at the corner of East Ninth and Red River Streets in Austin, you also know he adds a lot of text to introduce the heroes he paints, and he often signs his works Your Name Here, hoping the signature inspires viewers to create whatever moves them too. Art shouldnt just be about visual stimulation, he said. You need to educate people a little bit.
Hodge has a similarly broad practice, but he uses the formal name for it: multidisciplinary. His work is meticulously planned and detailed, and he has built his career just as purposefully, starting as a teenager at Houstons High School for the Performing and Visual Arts, then studying at Pratt and the Atlanta College of Art. He found his best mojo back home as a member of the lively community of artists and curators at Project Row Houses. His mixed-media works, many of which consider history from an African American perspective, often hang now in big museums. (One of his large painted assemblages is up currently in The Culture: Hip Hop and Contemporary Art in the 21st Century at the Baltimore Museum of Art.) Hes produced vinyl albums in conjunction with some of his shows; thats how he met Gonzalez. He mentors young muralists. He is jamming this month to finish a new suite of paintings exploring critical race theory for his next solo show at Houstons David Shelton Gallery, which opens May 26.
Hodge and Kerr began sharing canvases long-distance last August, with Gonzalez ferrying the work between Austin and Houston. The artists got a better rhythm going early this year when Gonzalez set them up for two weeks at Houstons Hardy & Nance Studios, although they still had some learning to do about each other, starting with their personal symbols. For example, Kerr initially scratched his head over Hodges frequent use of a collaged, vintage Stereo label, because he had long related that word to a skateboard brand. For Hodge its about diverse voices coming from different places. Then there were questions about what they could paint over, cut up, or otherwise deface in the shared work. The good thing was that were not that precious about what were doing, Kerr told me. Im not artiste about it, and hes not really, either.
The result is an exuberant mash-up of images and text. Some of the paintings are done on vintage schoolroom maps, and some have hand-stitched elements. Its cohesive enough to look like the work of one artist, which is more than you could say about the Basquiat-Warhol collaborations. Kerrs minimal but expressive line drawings, which he fills in with flat acrylic colors, mingle effortlessly with Hodges layers of paint and collaged, screen printed images. Their bright palettes are compatible, too.
Hodge stopped by Gonzalezs apartment while I was there. Ive collaborated before, but on single piecesnever a show this big, he said. I had to figure out how to add value without taking over.
That thought apparently didnt stick with Hodge and Kerrs painting of Rahsaan Roland Kirk, a blind musical genius active from the 1950s to the 1970s. As we examined it, Hodge explained that Kirk played multiple saxophones and flutes at once. Kerr had started the painting, sending Hodge a simple composition on paper that showed Kirk against a red background, alongside text that read Celebrate Your Time Here. Gonzalez had a picture of that version on his phone. The written sentiment struck me as Hallmarkish; was it a joke or a prompt Kerr knew Hodge would paint over? It doesnt matter now. Hodge, who dove into research about Kirk, indeed turned up the volume. He ended up covering Kerrs initial text and most of the red background with a thick layer of black and busying up the composition to mimic a Superman comic cover. He added smaller figures of Charles Mingus on bass and Roy Haynes on drums to commemorate a landmark performance on The Ed Sullivan Show in which Kirk promised listeners true Black music.
The artists didnt pass a lot of their canvases back and forth more than once, but it looks to me like Kerr couldnt resist adding some final, scribbly touches to the Kirk piece. Either that or Hodge was trying to loosen up, Kerr-style. Either way, Hodges crisp painting has been defaced with an acrylic pen. At the top it reads, It aint Superman (self). Other comments have been scrawled on, too, along with the musicians names, which is something Hodge typically doesnt do in his work. I found a clip of the Sullivan Show performance on YouTube. That cacophonous, joyful free jazz must have blown some minds in 1971. Looking at the painting, you can almost hear it.
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In Houston, a Basquiat and WarholStyle Collab With a Texas Twist - Texas Monthly