Posted: 1:22 pm Mon, January 13, 2014 By NancyCrotti Finance and Commerce Tags: AECOM, HGA Architects and Engineers, James Corner Field Operations, James/Snow Architects, Julie Snow Architects, Julie Vandenberg Snow, Louis Kahn, Midway Stadium, Mike Veeck, Museum of Russian Art, Phillips Plastics Corp., Robert Cervenka, Ryan Cos. US Inc., Saints ballpark, St. Paul Saints, Vincent James 1:22 pm Mon, January 13, 2014

Editors note: Point Person is a new monthly feature about people who are making news as a result of their involvement in high-profile projects of interest to Finance & Commerce readers.

Julie Snow, who unveiled the design for the St. Paul Saints ballpark in December, has been involved in designing the 7,000-seat stadium for seven years, long before it came to the publics attention. (Staff photo: Bill Klotz)

Architect Julie VandenBerg Snow has designed homes and private office buildings, restaurants and federal customs stations.

She has also put her stamp on such divergent spaces as the Museum of Russian Art in Minneapolis and the new St. Paul Saints ballpark.

The winner of numerous awards for her restrained and minimalist designs, Snow elicited this comment in 2011 from an American Academy of Arts and Letters awards jury: She and her studio make the marvelous happen. Elegance balanced by pragmatism she is a ballerina who can dance in work boots.

The founding principal of Minneapolis-based Julie Snow Architects likes to work collaboratively. Its a philosophy she adopted as a young woman studying architecture at the University of Michigan in the early 1970s.

Youre going to be hanging out with the guys and theyre your colleagues, said the Grand Rapids, Mich., native. The real challenge is whether or not there are really great talents in your studio.

If youve got really talented, energetic people, I dont think who you are or where you came from (matters). Youre getting pushed by other people with ideas. To me that was more interesting than gender issues.

Snow has spent her career in Minneapolis, working at HGA Architects and Engineers from 1974 through 1987, when she left to form James/Snow Architects with architect Vincent James. In 1995, she formed her current firm, which also provides interior design services, custom furnishings and furniture specifications. Eighteen people work for the firm.

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Point Person: Meet the architect for Saints ballpark

Landscape Architect migrating from Philippines to Australia
Mabuhay! This is a quick overview on how to migrate from the Philippines to Australia as a Landscape Architect. Jose Respall is a Registered Migration Agent ...

By: Jose Aniceto Respall

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Landscape Architect migrating from Philippines to Australia - Video

by Associated Press

Published: January 10,2014

Tags: bridge, Bridge of Sighs, city government, city of Natchez, community development, David Gardner, engeinner, engineering, infrastructure, Jared Acy, landscape archtiecture, landscape atrchitect, Natchez Preservation Commission

NATCHEZ The City of Natchezs Bridge of Sighs project has been approved by a local preservation commission.

The Natchez Preservation Commission on Tuesday approved a conceptual design by landscape architect Jared Acy.

The Natchez Democrat reports that the project had been delayed for past couple of months after the commission asked the City of Natchez for more detailed plans for the bridge.

The Bridge of Sighs will replicate a now-gone pedestrian bridge at the top of Silver Street. It will allow pedestrians to use the Natchez Trails to cross the street rather than fight traffic. The project has received two $100,000 grants, one from the Federal Highway Administration and another from the Mississippi Department of Wildlife, Fisheries and Parks.

City Engineer David Gardner has said the project involves using a prefabricated bridge, meaning it will be built off-site by a manufacturer and assembled on location.

Now that the projects preliminary design has been approved, Gardner said the city can create bid guidelines that include the approved design. The commissions input, Gardner said, will also be included in further design details once a builder is selected.

This project is worth of a lot of critiquing because I mean, obviously, weve got to get it right the first time, Gardner said. Its a project that is going to last generations from now, and its just critical that we make it perfect.

Continued here:
Commission approves design of new bridge

KUALA LUMPUR: THE National Landscape Department (JLN) has resumed the construction of a 3.5m high fence along a 4.7km stretch in Bukit Kiara Park, after receiving the go-ahead from the cabinet last August.

JLN director-general Esa Ahmad said the fence was necessary to curb illegal rubber tree tapping and tree felling by illegal immigrants to build settlements, both of which have long been rampant in the park.

The fence was also important to demarcate the park borders, he said.

Esa said the fence was designed according to specifications provided by the Peninsular Malaysia Forestry Department and was wildlife-friendly as it would allow animals to pass underneath.

He also refuted claims by some conservation groups that 3,000 trees were felled to make way for the fence.

"Only about 100 trees, mostly rubber trees, were cut down for the fence project," he said.

The fence is expected to be completed in March.

The slope repair and soil erosion control works at the park, which started on Oct 17 last year, is expected to be completed on Feb 5.

JLN architect Hamzah Hashim, who was also at the site, assured the public that they did not have to worry about another landslide occurring.

"We decided that the best solution was to reduce the steepness of the slope from 60 to 35, followed by the installation of nets and planting of grass along the slope to control soil erosion.

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Fence design is wildlife-friendly

Longtime Kula resident Warren McCord, 79, wears many hats. He and his family have owned and run the Kula Botanical Garden since 1968. McCord, a retired Air Force officer and landscape architect, has participated in environmental activities here for decades and is president emeritus of Maui Outdoor Circle. But since 2001, the project closest to his heart has been the establishment of a Baldwin Avenue bike path.

A less persistent person might have given up long ago.

McCord said he first became interested in the project beginning in 2001, when a bike path from Pa'ia to Makawao was prepared for the county by a Honolulu engineering firm.

Longtime Kula resident Warren McCord, president emeritus of Maui Outdoor Circle, has been an advocate for the Baldwin Avenue bike path since it was first proposed in 2001. Thirteen years later, he believes the project has a broad base of support, and would like to know what is causing the delay.

He said that plan was presented to public in July of same year and reviewed by a group of interested citizen and members of the Outdoor Circle.

"The plan," he said, "proposed widening Baldwin Avenue six feet on the north side and five feet on south side. This design eliminated all the landscaping for houses on the north side and removed every shower tree on south side."

"Needless to say, this design was unacceptable," he recalled. "What came next was a proposal by the Outdoor Circle to modify the original plan. In this version, it would run from the Makawao Cemetery to the Pa'ia Gym totally off the roadway and just below the shower trees. It called for a two-way, ten-foot-wide bicycle and recreation path and would not need to remove any trees or landscape features."

The modified plan was accepted by the county soon after.

"In order to project the shower trees planted by Ethel Baldwin around 1900 and later planting by Mayor Hannibal Tavares," McCord said, "an ordinance was drafted and passed by the council, placing all the shower trees on the exceptional tree list, which gave them legal protection."

McCord said "a second plan was prepared by the same engineering firm and presented in August 2003. This plan was based on the concept of the ten-foot-wide, two-way path below the shower trees. However, it had some grading issues, and both the county and the Outdoor Circle agreed that further thought would need to be given to the area near Rainbow Park. In order to improve the design, the Maui Outdoor Circle proposed a community design review."

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It's Been a Long Road for Baldwin Avenue Bike Path

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CMG:Landscape Architecture

If you worked on a house for five years, you'd call it a labor of love, right? What if that process took 25 years? Is there a name for that?

This is the story behind architect Paul Zajfen's epic quest in Laguna Beach.

Zajfen, a design principal at the Los Angeles firm CO Architects, bought an ocean-view site on the steep, winding bluffs of Laguna in 1989. His dream was to create a modern oasis, hugging the landscape and opening to the elements. Then things got messy.

First, a lawsuit by locals to ensure that lots on Zajfens street were buildable held up the project for about five years. Next came changes to the neighborhoods specific plan, which delayed construction for several more years. Around 2000, the architect began the painful slog through the local design review committee, a process that lasted until 2007.

Zajfen still grimaces at the thought of neighbors fighting his contemporary structure because it didnt fit into the local guidelines calling for rustic architecture. In Laguna, that means re-creations of New England, Italian or Spanish Colonial designs.

PHOTO GALLERY: Paul Zafjen's Laguna Beach house

Even though Ive done this stuff a ton of times for big clients, the process was physically affecting me more than anything Id ever experienced, Zajfen said. I thought I was going to die.

The review committee reacts to neighbors concerns, and there were plenty: the homes size, its openness, its lighting, the large amount of glass.

After half a dozen trips to the board, Zajfen finally got the citys blessing. He started construction in 2010 and recently completed the house. It displays some of the compromises necessary to get approval, including a lower profile and a discordant brown stucco entryway on the top floor that does indeed look almost rustic.

But his dream has been realized, somehow. Visiting the house can be nothing short of magical.

Originally posted here:
25 years in the making, a dream house rises in Laguna Beach

Visitors to the renovated McClatchy Park later this year could see hints of a roller coaster, carousel and zoo in new playground structures all reminiscent of the sites past as an amusement park.

It will attract parents to bring kids from all over the city, said Dennis Day, associate landscape architect with the Sacramento Department of Parks and Recreation. There is so much history in this park.

Sacramento City Council members tonight will consider granting a $2.4 million contract to Goodland Landscape Construction of Tracy to renovate a portion of the 15.2-acre site in Oak Park. If approved this month, work can start as early as April and finish in the fall.

This is the largest investment in McClatchy Parks history, said Day, adding that the park will be 125 years old this year.

The city plans to spend just under $3 million on the park makeover. The proposal calls for a new, greatly expanded playground with a water spray area for hot summer days, a butterfly garden and a picnic pavilion. A new adventure area will have play structures that will resemble a roller coaster, trolley cars and concession stand items, while a new tot area will have concrete animals, a mini train and fun house elements.

A skate park and jogging trail also will be built in response to resident demand. A basketball court will be replaced by a half-size court and a drop shot game court for younger children.

Funding for the project will come mainly from a Proposition 84 state grant and developer fees. Proposition 84, which voters approved in 2006, funds projects related to water quality, natural resource protection and state and local park improvements.

More than a century ago, the site at 3500 Fifth Avenue was an 8-acre amusement park known as Oak Park. In 1913, it was renamed Joyland, which had a three-story wooden roller coaster, a small zoo and a carousel, among other attractions. Fire destroyed most of the rides in 1920, but the park was partially reconstructed.

When Joyland closed in 1927, Valentine McClatchy bought the site. He donated the property to the city for a park on the condition that it be named after his father, James McClatchy, a founding editor of The Sacramento Bee.

The renovation will require that the playground, tennis and basketball courts be relocated, but the other existing facilities the amphitheater, swimming pool and softball field, as well as the farmers market will stay where they are and remain open during the park makeover.

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Sacramento considers McClatchy Park makeover

Landscape Architect Tampa - Call: (813) 448-6059
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Landscape Architect Tampa - Call: (813) 448-6059 - Video

It was a single tree a fairly average-size cedar elm that in any other Central Texas landscape wouldnt have seemed remarkable.

But leafless, painted white, seemingly hovering over the middle of Lady Bird Lake and accompanied by 14,000 prayer flags that lined the nearby lakeshore path, that tree became arguably the most-seen work of art in Austin in 2013.

A project sponsored and funded entirely by the nonprofit arts organization Women & Their Work, Thirst was a collaboration between artist Beili Liu, architects Emily Little and Norma Yancey and landscape architect Cassie Bergstrom. Conceived as a symbol of the more than 300 million Texas trees lost to the recent drought, Thirst withstood two floods and drew enormous attention and chatter, with images of it ricocheting around social media.

And in combination with other progressive public arts projects that debuted last year, Thirst also suggested a turning point for art in Austins public realm. In the past year, significant public art projects have been launched at the University of Texas, in East Austin and at the Contemporary-Laguna Gloria.

I think Austin is beginning to get to the point where perhaps we realize we dont have to resort to the standard conventions of public art, says Doug Dempster, dean of UTs College of Fine Arts. Perhaps were beyond the bronze age of considering heroic bronze statues as the only kind of public art.

Just a couple of weeks after Thirst debuted in late September, James Turrells The Color Inside opened on the University of Texas campus. The curvilinear chamber on top of the Student Activity Center is one of Turrells skyspaces, a roofless structure designed to capture a view of the sky.

The structures aperture is surrounded by computer-controlled LED lights that illuminate the walls with changing color during an hourlong program every sunset and sunrise and radically yet subtly alter a persons view of the heavens.

A pioneer in the use of light as an artistic medium, Turrell is one of the most important living American artists today, and the October opening of The Color Inside a $2.1 million project by UTs public art program, Landmarks garnered national attention. And the buzz continues.

Demand to view The Color Inside has been so strong, in fact, that UT officials have had to extend the reservation system to see the piece even though original plans had been to dispense with reservations a month after the piece premiered. (Viewing The Color Inside is free, and the work is available for viewing any time the Student Activity Center is open. Reservations to see a sunset light sequence are needed and can be made online at turrell.utexas.edu.)

Meanwhile, during the wildly popular East Austin Studio Tour in November, the citys Art in Public Places program launched Tempo, the citys first temporary public art initiative.

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Public art takes a leap forward