Light it up Warm, yellow hues such as those pictured here are currently all the rage. (Photo: Linda Oyama Bryan)

Jan-Gerrit Bouwman, senior landscape architect at Grant & Power Landscaping in West Chicago, says when it comes to landscape lighting trends, landscape lighting is the trend.

Lighting is everything because it makes your yards very friendly at night in the summer and the fall, he says. Its also nice to look at it from the inside out and the outside in.

Grant & Powers focus is primarily on residential design/build services. The company also offers residential maintenance, commercial maintenance and snow and ice removal.

Crayton Caudill, vice president of Redwood Landscape in Cedar Lake, Ind., agrees with Bouwman. Landscape lighting used to be an add-on but has become a must-have, Caudill says.

Landscape lighting used to be an upgrade that people would add on if they had it in the budget, he says. They didnt want to spend the $3,000 to $4,000 on it at first, but now Im seeing it grow a lot.

Redwood Landscape offers residential landscape design and installation, lighting, irrigation and maintenance, plus commercial landscape design and installation, maintenance and snow and ice management.

Caudill says this increased interest among his residential clientele has been strong for the past two to three years.

The popularity has grown as people become more educated about it and understand the value of it and understand it adds beauty to the front of a home, landscape or outdoor living space, he says.

Caudill and Redwood Landscape have launched Lumin8 Outdoor Lighting, a holiday lighting and dcor installation company, to capitalize on the increased interest in outdoor lighting and the growing holiday lighting market.

Bouwman says Grant & Power only uses LED lighting for the companys landscape and hardscape lighting projects. However, clients still want warm, yellow hues, not the blue hues of traditional LED lighting.

You get so much more light (with LED) for a smaller system, he says. While the (LED) fixtures are more expensive, the whole system lasts longer. Its actually, in the end, way cheaper.

Caudill says homeowners no longer want the traditional uplights on houses and path lights. They look for lighting level with the surface, such as hardscape lighting in seat walls, outdoor kitchens and staircases. Redwood Landscape uses in-ground products from In-lite Outdoor Lighting.

People dont always want to see the tall lights, he says. Lighting flush with landscaping that softens up a pathway Ive seen a growth in that.

In terms of the shape of the lights, Caudill says homeowners are looking for outdoor lighting that reflects the trends in interior dcor and lighting.

Increasingly, homeowners have approached him looking for the farmhouse style of lights with pendants and black or bronze finishes to match the farmhouse style thats popular in homes.

Homeowners want a modular, modern look to outdoor lighting with square and rectangular features to give their outdoor spaces clean, straight lines, he says.

A lot of people are liking more modern looks with black fixtures or brass, Caudill says.

Homeowners are also in the market for Wi-Fi-enabled smartphone controls for everything, including landscape lighting, experts say. Redwood Landscape uses the Luxor system from FX Luminaire. Another popular option is Kichler Lightings LED controllers with Wi-Fi capability that users can adjust on their own.

You can play with the brightness on some of them, which is nice, Caudill says. A lot of people like that.

He adds that a full Wi-Fi lighting system may be more expensive to install because the Wi-Fi-enabled lights designed to change colors and brightness are a more expensive product.

For a Wi-Fi system, it is a little more expensive because the lights are more expensive, he says. For an actual Wi-Fi timer, its minimal. I dont charge any more for them. The product might cost me $5 or $10 more. I have seen how people are willing to pay a little more for lights that are adjustable. Its really just an app you download.

Go here to see the original:
Lighting the way - Landscape Management magazine

El Paso County officials want to limit people from making their own trails among the rock formations.

EL PASO COUNTY, Colo. Improvements are coming to Paint Mines Interpretive Park because people are ignoring the rules. El Paso County officials have seen visitors exploring off-trail.

"There has been damage caused by increased use," Greg Stachon, a landscape architect for El Paso County said. "More people go out there and not everyone follows the rules."

Climbing on the iconic formations is prohibited. Staying on the designated trail is also important since the rock fixtures are fragile. El Paso County explained as more people visit the Paint Mines, the visitors have created their own trails among the rocks.

"When you get into the formations it's really hard to tell where the official trail stops and rock formations start," Stachon said.

The county plans to add improvements to get people back on the legitimate trail. Crews will build fencing at certain locations to delineate the official trail from the visitor-made ones. The county calls the trails made by foot traffic 'social trails.' Fences will be added to slopes that are too steep for people to walk on as well.

County officials made clear the fencing will not be around all of the rock formations. They explained it's not meant to keep people out, but to preserve the park and encourage public safety.

"I've seen families with kids on their backs trying to navigate down a steep social trail and I shake my head," Stachon said. "Because we would never design a trail over a 10% slope, let alone the 30% slope on that trail."

The project includes new signage along the trail explaining what's acceptable behavior in the park. The only signs already in place that inform people to stay off the rocks are in the parking lot.

Other improvements will focus on the tremendous uptick in visitors in recent years. County officials said crews will resurface the official trail since much of the surfacing is worn off. They will also expand the parking area by about 25 new spots.

"We want to protect this park," Stachon said. "We're glad people are visiting and getting outside. We want the formations to be here a 100 or a thousand years from now."

The improvements are expected to be done by April 2021. Some parts of the Paint Mines trail will be closed during construction.

While the Paint Mines are one of Colorado's most beautiful sights, they also have cultural significance.

The first evidence of human life at the Paint Mines was 9,000 years ago. Multiple Native American peoples have lived in the area. Artifacts have been found representing the Apishapa culture, Cody complex and Duncan complex, according to the Visit Colorado Springs website.

The Paint Mines are designated by the National Parks Service and the park is protected land.

Continue reading here:
Improvements planned to protect the Paint Mines - 9News.com KUSA

For decades, Howard Roark, the architect superhero of Ayn Rands iconic 1943 novel, Fountainhead, personified the male-dominated profession. Arrogant, individualistic, even ruthless, he possessed an ego as towering and granite-like as the skyscrapers he created.

Joseph Hillels documentary City Dreamers (First Run Features) finally lays waste to that age-old misconception. He presents us with four trailblazing women architects: Denise Scott Brown, Phyllis Lambert, Blanche Lemco van Ginkel, and Cornelia Hahn Oberlander, who have been transforming our urban landscape for more than 70 years.

For 83 of her 85 years, Denise Scott Brown thought architecture was a womans profession. As a toddler in South Africa, she watched her designer mother pull architectural blueprints up to the light. This feisty youngster had a wayward eyea strong mind as she put itarriving in the U.S. from blitz-torn London with an American can-do spirit intact. She eventually married Robert Venturi, one of the most influential architects of the 20th century, and their combined genius revolutionized the way the post-WWII mobility of trains, planes, and automobiles could coexist with their own urban visions of the future.

Based in Philadelphia, their projects have included campuses and museums here and abroad, such as the University of Pennsylvania, the Seattle Arts Museum, as well as the Sainsbury Wing of Londons National Gallery and the Nikko Hotel in Japan. Revered as a teacher, her students and notables such as Frank Gehry and Rem Koolhaas petitioned to give her the prestigious Pritzker prize retroactively after Venturi unfairly became the sole recipient. The effort was denied. (She has said the petition is her prize, a better reward.)

In one sequence, Scott Brown is seen traveling the Las Vegas Strip, assessing the value of the casino signage in that singular desert sprawl. That trip resulted in one of the most referenced texts on architectural theory.

It is this peripatetic approach that drives much of the films transitions between these four remarkable women and their stories. Director Hillel leapfrogs through time, often moving us from one locale, one construction or demolition site to another at warp speed, blurring the boundaries between cities and forcing the viewer to keep his subjects straight.

Its a big challenge, covering such figures in their twilight years, as each comes with a truckload of accolades and monuments worthy of our attention.

Take Phyllis Lambert, for instance. Born in Montreal to Samuel Bronfman, she became an heiress to a distilling empire. No lady-in-waiting, she put up a fearless battle to make her architect mentor Mies van der Rohe in charge of the construction of Manhattans Seagrams Building. And that was just the beginning. She became the founder of the Canadian Centre for Architecture and Heritage Montreal, an intrepid champion of her beloved birthplace. One of her greatest gifts to the city was her development of a low- income housing cooperative known as Milton-Parc.

Blanche Lemco van Ginkel deserves knighthood for saving Old Montreal from being destroyed by the wrecking ball. The use of aerial photography to map out ways to save treasured parts of the city and still make way for an expressway is one example. In a true modernist spirit, her vertical neighborhoods changed the face of Vancouver, allowing structures with 700 families to enjoy views of the sea on one side and the mountains on the other. She is adamant that city dreams should not be thin as air but realizable.

A leader in the field of landscape architecture, Cornelia Hahn Oberlanders urban solutions remain the perfect complement to the sky-high ambitions of her female contemporaries. Her mother wrote gardening books, and the young Cornelia felt an early calling studying the pictures. I want to make parks, she announced. She was perhaps one of the first genies in her field to develop urban green spaces, introducing the concept of green roofs in several major cities. Wandering through a former lot she designed, she still remembers the trees she seeded.

These four women architects all possess an indomitable spirit, as determined as their male counterparts to realize their visions. But in making their dreams real, they never left the communities they served behind. Hillel has managed to treat them, above all else, as the great humanitarians they are.

Author Bio:

Sandra Bertrand is Highbrow Magazines chief art critic.

For Highbrow Magazine

Image Sources:

--Noroton (Wikimedia, Creative Commons)

--First Run Features

See the original post:
City Dreamers: How Four Women Architects Took on the World - Highbrow Magazine

The U.S. Forest Service will move forward on a long-delayed project to thin and sanitize forests around Walton Lake, a popular recreation area located in the Ochoco Mountains, 30 miles east of Prineville.

The decision, authorized on Monday by Ochoco National Forest Supervisor Shane Jefferies, permits 35 acres of sanitation harvest, 143 acres of thinning, and the planting of conifers, hardwood trees, and shrubs.

Within the Walton Lake Developed Recreation Management Area, forest health issues can affect both the recreational setting and public safety, said Jeffries. Taking steps to improve forest health can have short-term effects on the scenery and other resources, but in the long-term will better meet the management objectives of the area.

Walton Lake is a popular destination for fishing, boating, swimming, and hiking. Trail users can explore meadows and old-growth forests but in recent years signs have been posted warning of the possibility of falling trees due to laminated root rot. This diseaseweakens the root systems of trees, making them susceptible to falling over.

"Walton Lake is an important recreational asset in our community that is enjoyed by residents and visitors throughout the year, yet an unhealthy forest puts these visitors in danger," said Crook County Judge Seth Crawford.

The sanitation harvest will occur in an area southeast of the lake where the vegetation is moist mixed-conifer. The goal in this area is to curb the laminated root rot infestation, provide a healthy stand of resistant tree species and increase public safety, according to the decision notice.

Grand fir and Douglas fir of all ages and sizes will be removed during the harvest. The area will be restocked with ponderosa pine, western larch, and a variety of hardwood species. Ponderosa pine already located within the area to be sanitized won't be cut as these trees are not typically a host for laminated root disease.

T2 Inc., a Sweet Home-based timber company, was awarded the service contract in 2015 to conduct the thinning and sanitation work. While the work stalled due to litigation, T2 still holds the service contract.

"Conditions have changed in the project area since that time, and we will work with our contracting specialists to ensure the stipulations in the Decision Notice are able to be met regardless of the implementation tool," said Kassidy Kern, public affairs officer for the Ochoco National Forest.

A sanitation harvest differs from a clear cut because it removes all species that serve as hosts for the disease but retains trees that are not affected. In the case of Walton Lake, Douglas Fir and Grand Fir would be removed while ponderosa pine and western larch would stay.

This effort will mitigate a public safety hazard while improving forest health in this popular recreation area, said Nick Smith, spokesperson for the American Forest Resource Council, a trade association that represents more than 100 logging companies.

We really do appreciate the Ochoco National Forests ongoing commitment to this project and hope this effort is not delayed any further by anti-forestry litigation, Smith added.

The project has invited controversy and litigation in recent years. The Blue Mountains Biodiversity Project, an environmental nonprofit based in Fossil, blocked an attempt to remove the trees in 2016 with a temporary court order. Karen Coulter, director of the organization, continues to oppose the project.

"The so-called sanitation harvest is actually a virtual clearcut that would look like a clearcut and change the character of the Walton Lake recreation area for the long-term," said Coulter. "That clearcut logging would drastically degrade the recreational values of the Lake for which it was designated as a recreational area."

Coulter said a better way forward is to keep the fir trees standing and add more hazard signage around the root rot area to address concerns for public safety.

"They have already implemented this to keep the campground open," said Coulter. "This means that they consider this a viable alternative to keep the campground open, yet the Forest Service still persists in planning heavy logging that would degrade the recreational values of Walton Lake."

Other areas around the lake will be treated with commercial and noncommercial thinning and the burning of slash piles, followed by the planting of trees, shrubs, and forbs.

Thinning is conducted to maintain existing old-growth ponderosa pine trees by reducing stand densities and reducing susceptibility to bark beetles and crown fires. Other goals include maintaining a variety of tree species and size classes to maintain the visual diversity of the recreation area.

The project will promote forest resiliency and reduce the risk of severe wildfire and insect infestations, said Irene Jerome, a forester working with the Resource Council.

"For several years we have urged the Ochoco National Forest to follow regional guidance for the management of developed recreation areas by taking aggressive action to control laminated root rot," Jerome said. "The Walton Lake Restoration Project will help contain this disease, mitigate bark beetle attacks, and promote the growth of large pines and other trees."

An opportunity to object to the decision occurred from late July to early August and two objections were filed. The Forest Service created changes to the plan in response to the objections.

The changes include not removing large young fir trees in proximity to large old-growth ponderosa pines on about 35 acres of units one and five of the project area.

Another change includes incorporating coordination with the Regional Landscape Architect during implementation to ensure that design features and mitigation measures will serve to reduce visual impacts as much as possible, according to the decision notice.

Implementation of the project is expected to occur in the late winter or spring of 2021, according to Ochoco National Forest Environmental Coordinator Beth Peer. Questions about the administrative review process can be directed to Peer. (beth.peer@usda.gov, 541-516-6463).

Excerpt from:
Thinning project approved for root rot infected trees near Walton Lake - Bend Bulletin

BIG news: new book explores form and function with Bjarke Ingels

Formgiving. An Architectural Future History,a monograph dedicated to the Bjarke Ingels Group (BIG), published by Taschen, delves into the way the mind of the architect

Bjarke Ingels is having one of his moments. On the eve of publication of the Bjarke Ingels Groups new monograph, Formgiving. An Architectural Future History, the energetic Dane is doing the rounds promoting a book that conveys his firms deep streak of technological optimism. BIGs talent for form-making is cut with a fondness for acronyms and neologisms; the firm exists within a bubble of its own making where every project is a self-contained futuristic utopia, capable of multiple functions within an iconic identity.

A parking garage doubles up as a cultural hub, a museum is also a bridge, an incinerator is an urban park, etc. etc. Formgiving brings together over 100 of these synthesizations, raising, defining and answering a few big questions along the way and continuing a hunger for publishing as way of building an image.

Within the book itself, built and unbuilt projects sit alongside each other, with each project conjuring up a narrative. These are usually along the lines of how BIGs approach has exploited a hidden facet within the clients brief to make the final design something more than what it might otherwise have been. Sometimes these aesthetic kinks writ large, like the marble faade of the Collegiate Church Tower in Manhattan or the jumbled Jenga floorplans of Frankfurts Omniturm Tower or the playful pile of LEGO for the blockmakers Copenhagen community hub.

The typical Bjarke Ingelsbuilding subverts its genre, pushing our preconceptions of cookie cutter Modernism with an audacious twist or skew. The firms most successful works tend to be low-rise, the point at which landscape and architecture blend together. The remarkable Tirpitz Museum in Denmark splinters a WWII Nazi bunker into the dunes it once dominated, shining light into what was once a very dark corner of the countrys history.

The popularity of big gestures as opposed to BIG gestures waxes and wanes with the economic climate, and like many architects of the post-Koolhaas generation, the sophistication of BIGs visuals often accelerates past such practicalities as detail or nuance. Bjarke Ingels and his team of over 500 architects continue to make a substantial mark on the world. Every now and again, something of the freewheeling spirit and audacity of Ingelss early work shines through, especially in the projects that fuse landscape with infrastructure. The talents that appeal so much to ultra-short corporate attention spans work better when theyre given space to breathe.

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BIG news: new book explores form and function with Bjarke Ingels - Wallpaper*

For Sale/Rent

If you're looking to kick back by the beach, this Bauhaus-style Cape Cod home was built for relaxation.

Photo via Keller Williams

115 Pond Ave., WellfleetPrice: $1,399,000Size: 2,162 square feetBedrooms: 1Baths: 3

If this dwelling looks like it belongs to the landscape, thats very much by design. Architect and owner Duane Smith chose to use cast concrete for the lower half of the home to mimic the concrete sea walls you see all around Wellfleet, while black-stained mahogany siding on the upper part pulled color inspiration from the bark of the surrounding pine trees. As for the homes form, Smith drew on his time studying at the Bauhaus in Germany and his affection for the experimental creations of the post-WWII Case Study House program (an effort to design efficient homes for millions of returning soldiers) to build this open, exploratory escape that looks nothing like your typical Cape Cod home.

Rather than rely on traditional doors to get from room to room, the layout leans on sliding walls. There are only two interior walls that actually intersect the exterior walls of the house, which creates a great openness and wonderful sight lines throughout, Smith says. That, and the many sheets of floor-to-ceiling glass that open the interior up to the beachside scenery.

Simple finishes such as butcher block counters, jam jar pendant lights, and polished concrete floors (with radiant heating) deliver a serene interior environment. Even the elongated staircase, affixed with metal pipe and stainless cable railings, were conceived to encourage a calm pace of life. Just coming upstairs in the morning or descending the stairs in the evening there are lovely moments to appreciate the views, the sun, the rain, and encourage you to slow down, explains Smith. Its difficult to rush in this house!

Outside, meanwhile, stalks of bamboo curate a zen look in the concrete courtyard, to which all rooms on the lower level have direct access. As for the rest of the yard, the owners decided to let nature work its magic. After building the house, they waited for growth to take back the land and then simply groomed it, planting a few specimen trees for privacy and interest. If tranquility is what youre after in the new year, youll surely find it here.

For information, contact Brian Allen, Keller Williams Realty, cape-cod-and-the-islands.kw.com.

Photo via Keller Williams

Photo via Keller Williams

Photo via Keller Williams

Photo via Keller Williams

Photo via Keller Williams

Photo via Keller Williams

Photo via Keller Williams

Photo via Keller Williams

The Boston Home team has curated a list of the best home design and home remodeling professionals in Boston, including architects, builders, kitchen and bath experts, lighting designers, and more. Get the help you need with FindIt/Boston's guide to home renovation pros.

Read more here:
On the Market: A Modern and Serene Escape in Wellfleet - Boston magazine

When nature meets design, living architecture happens. There is an emerging trend in the architectural industry to create buildings that integrate nature into the design, producing a living, thriving masterpiece.

Atlassians new global headquarters, coming soon to Central station with gardens that blur the separation between indoor and outdoor spaces or the Southbank by Beulah in Melbourne, featuring a green spine twisting up the tower faades are just some of the projects where the concepts of living architecture are being put to good use.

While architects have been introducing foliage and vegetation into buildings through green walls, green roofs and green facades over the past few years, what was once a niche element in building design, has now gone mainstream. Integrating nature into the fabric of buildings is the future of our cities because we recognise we need nature to be part of our daily lives.

However, bringing these designs to life requires thoughtful planning and consideration. Leading living infrastructure expert and founder of Junglefy, Jock Gammon says executing living design is like the strokes on a fine oil painting; the artistry lies in the sum of the skills, not one without the presence of the other.

Junglefy has delivered some of the most innovative living infrastructure projects in Australia.

One Central Park in Sydney, for instance, is renowned for its plant covered exterior, which still appears as verdant seven years after completion. This seemingly impossible project was achieved thanks to the collaboration between Junglefy, Aspect and Oculus, Turf Design Studio, Ateliers-Jean Nouvel, PTW Architects, Patrick Blanc, Frasers Property, Sekisui House, WATPAC, ARUP, WSP Lincolne Scott and others. One of the earliest examples of living infrastructure, One Central Park paved the way for the living building designs that followed.

For the Barangaroo project in Sydney, Junglefy worked with architectural practices including Hassell, Collins and Turner, FJMT, Rogers Stirk Harbour, Tzannes & Associates and PTW, along with landscape architects from Aspect Studio and Oculus. Barangaroo House by Collins and Turner extends over three levels, with the restaurants and bar taking the form of stacked timber bowls, complete with hanging gardens of natives and edible plants spilling over the edges.

This award-winning design called for bespoke solutions. The charred timber cladding, wrapping the outside of the bowls uses a Japanese technique, Shou Sugi Ban, to create the soft smoky look. The planter boxes with cascading plants were numbered by Junglefy to ensure the installation followed the precise order to preserve the gentle arc shape.

The plant selection was based on the species resilience to wind and salt, given the buildings foreshore location.

Junglefy know what plants will perform. If plants dont perform, the concept is eroded, says landscape architect Sasha Coles, director of Aspect Studio, who worked closely with Oculus and Junglefy. Junglefy also understand the importance of getting the soil right, as well as the infrastructure to support this in the long term, says Coles.

Landscape architect Roger Jasprizza, associate director of Oculus worked alongside Aspect Studio and Junglefy at both Barangaroo and One Central Park. Everything starts with the site and its unique qualities such as solar access and wind, as much as the finer grain of the site, says Jasprizza, who included a mixture of exotic and native plants at Barangaroo House.

Junglefy has the experience and innate knowledge of what plants will work and in what conditions. And if anything needs to be tested in advance of planting, it is. That experience feeds into our design, as well as the long-term maintenance which is a key consideration.

To ensure the success of a living architecture project, collaboration of expertise across fields is vital. The renovation of the University of Melbournes School for Ecosystems and Forest Sciences in Burnley by Hassell included three green roof spaces one for demonstrating plant species, another dedicated to research, testing water runoff and temperature monitoring, and a third that focuses on biodiversity. Each green roof had its own purpose and conditions, requiring the appropriate skill sets.

The idea was to put this school on the map, both locally, and internationally, says landscape architect Stephen Tan, senior associate with Hassell in Melbourne.

Junglefy is ambitious in the way it operates, pushing boundaries with research and development, says Tan.

It (Junglefy) has the ability to solve problems, given it comes from a strong horticultural base, he adds.

To tackle the inclement weather during construction, Junglefy manufactured many of the components for the rooftop gardens, such as the steel frames and grating, offsite. The collaboration between Hassell, the university and Junglefy enabled them to quickly adapt to project constraints resulting in a functional, beautiful space and a legacy for learning.

Collaborating throughout the lifecycle is so important each team has its own unique skillset and we understand how to bring these skills together to deliver the best result, says Gammon.

We have learned so much when it comes to the successful execution of living infrastructure design. The careful selection of plants, the right installation methodologies and product choice, combined with well executed maintenance systems that allow for safe, easy access must all be considered during the design phase. Not understanding these elements can be impossible to resolve post completion and the client may end up with a costly maintenance bill and plants that wont survive, he said.

More than a decade on, Junglefy has been successful in taking the concept of living infrastructure mainstream. The company continues to innovate and introduce better ways to integrate plants into the design and construction of our cities in the hope that in another ten years, our cities will indeed be living within nature.

Read more:
Is living architecture the future of building design? - Architecture and Design

From the very beginning when the Hermann Park Conservancy launched its highly fashionable Hats in the Park luncheon at the Historic Clubhouse two decades ago, guests began imagining the charming 1933 stucco hacienda as an ideal place for weddings, birthdays and other celebrations. Fast forward two decades and the clubhouse, now named Lott Hall and completely refurbished, is ready for hosting special events beginning in late January.

In fact, Lott Hall, named for Sherry and Tommy Lott who provided the lead gift of $2 million for the $6 million project, already has a wedding on the books for November 2021. One hopes that long before that a vaccine will have diluted COVID-19 fears.

Up until 1999, the Clubhouse served as the center for the Hermann Park Golf Course, which provides a verdant oak-shrouded backdrop to the building and its reimagined back garden. Once a simple grass-covered lawn, extensive landscaping and the addition of stone walkways and two stone plazas add to Lott Halls entertainment space.

Landscape architect Jack Ohly of New York-based Michael Van Valkenburgh Associates led that aspect that saw 2,000 plants and trees added to the property.

The renovation included the addition of an architecturally sympathetic porte-cochre, which so fits with the original design by Arthur Nutter that without careful examination, one would not discern the old from the new. Curtis & Windham Architects was responsible for the addition and sensitive renovations of the clubhouse which were strictly dictated by tax credit regulations.

While the construction phase of Lott Hall has taken about a year, conservancy president Doreen Stoller tells PaperCity that the planning took five years of working through the rigid requirements necessary to earn the 45 percent historic tax credit. Details on the renovation are available here.

Hermann Park Conservancy members are invited on tours of the new facility this month and what they will find is a splendid renovation.

The Lott Hall entrance has been moved to the north where the porte-cochre opens into a formal foyer. Intricate beam work and antique chandeliers overhead, slate flooring beneath and the pristine stucco walls provide a warmly historic ambience to the spaces within.

The original loggia entry has been enclosed and is, at least temporarily, labeled the brides parlor while the former ladies locker room has been transformed into the brides dressing room. The much larger mens locker room has been converted into a second entertainment hall opposite the great hall which features a fireplace and ornate iron chandeliers original to the downtown Esperson Building, which was built in 1927.

The conservancy website notes that Lott Hall can accommodate 150 seated guests at tables, and 250 guests for standing cocktail-style events. The space includes a catering preparation area, restrooms, personal spaces for the bridal party and private areas for vendors.

Reservations for Lott Hall can be requested here. The conservancyexpects to realize $500,000 in rental fees over the course of a year.

Excerpt from:
Hermann Park's Historic Clubhouse Gets a $6 Million Makeover Houston's New Wedding Wonderland? - PaperCity Magazine

NSW has chosen 100 design experts to help improve the quality of the built environment across the state.

Minister for Planning and Public Spaces Rob Stokes says the new State Design Review Panel pool has been appointed to provide independent expert advice on State Significant development and infrastructure projects and precincts.

The new State Design Review Panel will build on the great work of the pilot program launched in 2018, which guided the development of more than 100 public and private projects worth almost $9 billion, Stokes says.

In an attempt at humour, Stokes also noted that, NSW residents will also be relieved to note that the Treasurer Dom Perrottet has not been selected for the Design Review Panel.

NSW Government Architect Abbie Galvin says the expanded panel will play a vital role in shaping the design of the State at a critical time.

The unprecedented investment in infrastructure and the Governments commitment to create greener places and great public spaces create an exciting climate for panel members to play a role, says Galvin.

Its fantastic to see such a diverse panel with a wide range of skills and expertise, including six Aboriginal design and cultural experts who will help ensure Aboriginal culture and heritage are integral to the design of places in NSW.

The panel is made up of 88 independent members with expertise across a range of areas including architecture, landscape architecture, urban design, Aboriginal and European heritage and sustainability, and 12 State Government design champions.

NSW SDRP Panel Members:

State Government Design Champions:

Caption: Architectus is working on the Art Gallery of NSW Expansion Sydney Modern Project as Executive Architect in support of Pritzker prize-winning Japanese architectural and design firm SANAA. SANAA was awarded the project following a two-stage invitational design competition.

Image:https://architectus.com.au/projects/art-gallery-nsw-sydney-modern-project/

Read more:
NSW picks 100 luminaries to improve the built environment - Architecture and Design

according to the architects, meaningful social change can be achieved by following four main principles: 1. building economically, to the benefit of the client; 2. earmarking a bigger share of the budget to labor costs rather than expensive imported materials, (this also benefits the local population by empowering them with construction skills); 3. an adaptive and future-proof spatial scenario that can respond to unpredictable needs, to the benefit of the client and the island; 4. using materials and human resources from iran, to reduce construction and transportation costs and increase the GDP, to the benefit of the whole country.

image by tahmineh monzavi

architecture has the capacity be a mediator in the middle ground that converges the interests of different groups, from the state and investors to various classes and groups of people, concludes the design team. majara does so in bringing together the owners of land from the neighboring port of bandar abbas who organize an annual landart event in hormuz, the investors from the capital city tehran, and the local people of hormuz as partners in the project. see ZAV architects previous work on designboom here.

image by tahmineh monzavi

image by soroush majidi

image by tahmineh monzavi

image by tahmineh monzavi

image by payman barkhordari

image by soroush majidi

video by somayeh saeidi

image by tahmineh monzavi

image by tahmineh monzavi

image by payman barkhordari

image by payman barkhordari

image by tahmineh monzavi

image by tahmineh monzavi

image by tahmineh monzavi

image by tahmineh monzavi

image by tahmineh monzavi

image by tahmineh monzavi

image by tahmineh monzavi

image by tahmineh monzavi

diagram image courtesy of ZAV architects

diagram image courtesy of ZAV architects

diagram image courtesy of ZAV architects

diagram image courtesy of ZAV architects

diagram image courtesy of ZAV architects

topographic plan of majara residence in its context image courtesy of ZAV architects

space usage plan image courtesy of ZAV architects

section AA image courtesy of ZAV architects

section BB image courtesy of ZAV architects

section CC image courtesy of ZAV architects

project info:

name: presence in hormuz 02location: hormuz island, irancompletion year: 2020gross built area: 10,300 sqmarea: 4000 sqm landscape area: 6,300 sqm

design team architecture firm: ZAV architects website | instagramlead architects: mohamadreza ghodousi, fatemeh rezaei, golnaz bahrami, soroush majididesign assistants: sheila ehsaei,sara jafari, payman barkhordari, mohsen safshekan, kaveh rashidzadeh, hossein panjehpourlandscape: maryam yousefi, morteza adibinterior design: sara jafari, taraneh behboud, sara nikkar, mohsen dehghanlight consultant: tajang lightsupervision: soroush majidi, payman barkhordari, sheila ehsaeimodeling: somayeh saeidipresentation: fereshteh assadzadeh, somayeh saeidi, arshia hashemipour, dorsa tavakoli, sara fallahzadeh

owner: ali rezvaniclient: ehsan rasoulofstructural design: behrang baniadam, rouhi touskicivil engineering: farhad beigielectrical engineering: pejman moradian mechanical engineering: saeid afsharianculinary manufacturer: matbakh araenvironment consultant: salman rasouli, roya yazdizadehaccommodation consultant: nasim mosavarphotography: tahmineh monzavi, soroush majidi, payman barkhordarivideo: somayeh saeidi

construction team project constructor: amir tehrani nobahariconstruction manager: hormat ghasemiconstruction vice-manager: ramin koulaghani, amin timasmechanical constructor: javad irandegani, hamid haji posht-e-golfloor constructor: davoud etemadifenestration builder: mehra companyinterior plaster: gholamali abbasiexterior plaster: esmaeil salimiconstruction painter: farzad moharamilogistics: nabiollah timas, borhan pouyan, ali ghanbari, ayoub owj hormozi, khalil owj hormozi, abdolhamid hormozi, davoud hormozi, ali ghalandari zehi, farhad shadan, assad gedri, abbas gedri, ali ghazi, majid bazmandeh, ali nasernia, rahmat ghalandari, davoud mohtaji, morteza mohtaji, mohammad vahedi, mosayeb zarei, kambiz naroui, yasser naroui, nassir narouii, din mohammad naroui, mojtaba farhadi, abbas nasaji, esfandiar khorshidi, khoubyar khorshidi, jalal bameri, ghassem bameri, enayat karami, reza amirian, eshgh ali, nabi akrami, mohammad moallemi, sajad gholampour, seyfollah rasouli, ali golzari, soheil khedmatkari, hosein zohouri

philip stevens I designboom

dec 07, 2020

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ZAV architects builds a village of domes on iran's hormuz island - Designboom