The Global Interior Design Software Market report consists of the latest discoveries and technological advancements recorded in the industry, along with an analysis of the factors and their effect on the markets future development. The report focuses on the current businesses and the present-day headways, and the future growth prospects for the Interior Design Software market.

This report covers the current COVID-19 effects on the economy. This outbreak has brought along drastic changes in world economic situations. The current scenario of the ever-evolving business sector and present and future appraisal of the effects are covered in the report as well.

The Global Interior Design Software market size will reach XX Million USD by 2027, from XX Million USD in 2019, at a CAGR of XX% during the forecast period.

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The global Interior Design Software marketreport gives a 360 approach for a holistic understanding of the market scenario. It relies on authentically-sourced information and an industry-wide analysis to predict the future growth of the sector. The study gives a comprehensive assessment of the global Interior Design Software industry, along with market segmentation, product types, applications, and value chain.

The study also delivers accurate insights into the market in the forecast duration and other key facts and figures pertaining to the global Interior Design Software market.

Leading Interior Design Software manufacturers/companies operating at both regional and global levels:

AutodeskDassault SystemesTrimbleSmartDrawDecolabsRoomtodoSpace Designer 3DPlanner 5DHome Hardware StoresRoomSketcher

The report also inspects the financial standing of the leading companies, which includes gross profit, revenue generation, sales volume, sales revenue, manufacturing cost, individual growth rate, and other financial ratios.

Research Objective:

Our panel of trade analysts has taken immense efforts in doing this group action in order to produce relevant and reliable primary & secondary data regarding the global Interior Design Software market. Also, the report delivers inputs from the trade consultants that will help the key players in saving their time from the internal analysis. Readers of this report are going to be profited with the inferences delivered in the report. The report gives an in-depth and extensive analysis of the Interior Design Software market.

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Interior Design Software Market has maintained a steady growth rate in the past decade and is predicted to grow at a higher growth rate during the forecast period. The analysis offers an industry-wide evaluation of the market by looking at vital aspects like growth trends, drivers, constraints, opinions of industry experts, facts and figures, historical information, and statistically-backed and trade valid market information to predict the future market growth.

The Global Interior Design Software Market is segmented:

In market segmentation by types of Interior Design Software, the report covers-

Residential SectorNon-Residential Sector

In market segmentation by applications of the Interior Design Software, the report covers the following uses-

ArchitectsEngineersContractors

This Interior Design Software report umbrellas vital elements such as market trends, share, size, and aspects that facilitate the growth of the companies operating in the market to help readers implement profitable strategies to boost the growth of their business. This report also analyses the expansion, market size, key segments, market share, application, key drivers, and restraints.

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Interior Design Software Market Regional Analysis:

Geographically, the Interior Design Software market is segmented across the following regions: North America, Europe, Latin America, Asia Pacific, and Middle East & Africa.

Key Coverage of Report:

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In conclusion, the Global Interior Design Software Market report provides a detailed study of the market by taking into account leading companies, present market status, and historical data to for accurate market estimations, which will serve as an industry-wide database for both the established players and the new entrants in the market.

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Interior Design Software Market (2020-2027) Report Offers Detailed Insights about Different Players Operating Within The Interior Design Software...

Alexandra Champalimauds career as an interior designer had a dramatic beginning. In 1975, she, her husband and their young son fled Portugal in the wake of the countrys Carnation Revolution. They arrived in Montreal, knowing no one, without jobs or connections. But Champalimaud, who spoke French, began looking for work as a designer. She found it, eventually starting her own small firm, an endeavor that brought her to New York in 1994 to reimagine the Drake Hotel. In the States, a promising career received an injection of rocket fuel.

Alexandra ChampalimaudCourtesy of Champalimaud

Theres nothing like the United States in terms of opportunities, she says. Its extraordinary, the momentum that one can have.

Indeed. Champalimauds eponymous company has designed some of the worlds most iconic hotels, from The Plaza in New York and the Bel-Air in Los Angeles to the recently completed Raffles in Singapore. On the latest episode of the Business of Home podcast, Champalimaud shares the story of her meteoric rise and she and her firms CEO, Ed Bakos, discuss how theyre addressing the challenges of the COVID-19 era.

This episode was sponsored by Buildlane and Industry West. Below, listen to the episode and check out a few takeaways from the conversation. If you like what you heard, subscribe to the podcast (free of charge!) to get a new episode every week.

ReinventionWhen Bakos joined the firm seven years ago, he reimagined the companys internal structure. Rather than a collection of siloed teams, he implemented a flat management system, where everyone worked on everything. Rather than see ourselves as a small group thats subdivided, [we came] together around something we called one studio, says Bakos. It was the idea of this creative collective, a workshop mentality. Wed all be involved with making things at all levels.

Champalimaud CEO Ed BakosCourtesy of Champalimaud

The change isnt without its challengesit can be difficult to find the right team members and coordinate the efforts of a large group. But the benefits are many: Champalimaud is more nimble than ever, says Bakos, and able to capitalize on a diverse group of talents (the 50-person staff speaks 14 languages among them).

Zoom is good?Like all other New Yorkbased design firms, Champalimaud has been working from home for months now. There are difficulties, and both Bakos and Champalimaud expressed enthusiasm for a return to in-person design meetings. But the socially distanced era, they say, has changed the dynamic of the firm in positive ways. There is a freedom of expression. There might be others who, in my presence normally in a conference room, they might not want to be quite as involved, says Champalimaud. But when their job is to talk about X, Y and Z of this project, they do so. People feel they have been set free in some ways. They have to be more expressive to get their ideas across. Bakos agrees, adding that theres a benefit to client meetings where the entire staff is able to sit in on Zoom and pick up on nuances that would normally go unheard behind conference room doors.

React, dont overreact In contemplating the effect of the pandemic on her own firm and the industry at large, Champalimaud cautions against overcorrecting. [Its essential] that we take into consideration this incredible point of view, of complete health and wellness for the guest, she says. But its something to be taken in carefully measured steps. Buildings have lobbies and restaurants, and I believe versions of all of that are going to remain forever. Attitudes are changing every day. What we are not lacking is creativity. Common sense will prevail.

Link:
Alexandra Champalimaud on what will (and won't) change in hospitality design - Business of Home

Gale Taylor had never seen a cross on the side of the road.

She never had to place a roadside memorial in her front yard even after her 5-year-old daughter, Penny Jo, was struck by a vehicle on Memorial Day in 1979.

I can see her right now with those long, skinny legs running up the driveway and across the road, Taylor said. I saw the car coming and I knew it was going to happen. When the car hit her, she went up in the air a good 20 feet, and she looked like a rag doll. I thought she was dead.

I never thought about a cross then because I had never seen one on a road, but I thank God every day that she was alive.

Penny Jo Noble Strain, 45, died at 10:02 a.m. Wednesday, March 4, of this year after she crossed the center line on Cunningham Road, hitting an ABF Freight System Inc. tractor trailer head on, according to the accident report. A white cross mysteriously appeared on the same day in the curve where Penny died.

And after her mother searched for the person who placed it there through asking family members and joining a social media group, she finally discovered who put the little white cross at the site of her daughters fatal crash.

Sandra Buck was merely driving down Cunningham Road on the day Penny died to visit friends when she saw a cleaning crew sweeping debris from the wreck.

Knowing her Facebook friend, Penny, had died there, Sandra turned her car around and headed to Roses Discount Store on Herritage Street.

I went to buy a cross. I found one with Christmas flowers on it, and I replaced the flowers with roses, Sandra said. The ground was so hard, but the cleaning crew helped me place it in the ground.

Sandra sent Penny a friend request on Facebook a little over a year ago after she saw pictures of Pennys pug posted on her page and both shared a love for pets.

I found out she died and I was in shock, Sandra said. I didnt know her personally, but I wish I had met her because we would have been close friends.

Sandra read the Free Press article on June 3 regarding Taylors search for the person responsible for the cross and quickly messaged Taylor.

I had to do something, Sandra said. I didnt do it to be a hero. Im just that type of person. I try to do acts of kindness all the the time.

Sandras act of kindness touched Taylor.

Right this minute, when there is so much unrest in America, Sandras act of kindness gives me hope in mankind, Taylor said. That cross means something to me. It represents my childs life and death.

Penny was born on July 28, 1974, on a Sunday morning as Taylor felt a little guilty she wasnt in church but was excited to see her firstborn.

The young mother and her husband, Larry Noble, tried to have a baby for almost a year and Larry had already picked out the name Penny and Taylor added Jo.

She was my first child. I came home, jumping up and down. I was 21 and I was so thrilled, Taylor said. I remember the first time I felt her flutter in my tummy and I laid down on the floor so I could feel it better so I could get all the little flutter feeling that I could because I was so excited.

Taylor eventually gave birth to two more daughters, Amber and Julie.

She held her baby Julie while nearly 3-year-old Amber played in her room as Taylor called 911 on Memorial Day 41 years ago.

Penny was searching for a ball that had rolled across Neuse Road in a curve when she was struck by the vehicle.

I was playing with my Little People house and I knew something had happened, Amber Hoyt said. I got about halfway in the driveway when my mom told me to go back into the house.

The rotary phone cord stretched until it lost its spiral as Taylor spoke to the 911 operator outside her house and watched her daughter lying in the middle of Neuse Road. After speaking to the operator, Taylor ran to the road to see her daughter.

Taylor watched her daughters legs swell, causing her shorts to tighten. Penny broke her pelvis, suffered a concussion, and had internal bleeding.

It seemed like it took forever for the ambulance to get there though. I thought she was going to die before the ambulance ever got there, Taylor said. But when they got there and loaded her up, they didnt turn the siren on. I was in the ambulance with her and I was like, Why dont we have the siren on? My child is dying. I really thought that they knew she was going to die and didnt bother to turn the siren on.

She didnt die.

Penny stayed in the hospital for one month.

I still have flashbacks, Taylor said. It took a long time to recover from that.

Penny graduated from South Lenoir High School in 1992 and took general business classes at Lenoir Community College. Afraid of immunization shots, Penny avoided four-year colleges and chose to take night classes at North Carolina Wesleyan College. She received her masters degree in business at East Carolina University.

She worked at Moen and MasterBrand Cabinets as either a supervisor or a materials manager and went on to become a self-employed interior designer before her death.

She was great with interior design, Taylor said. She could make something out of nothing.

Taylor retired from education after teaching at Kinston High School and Woodington Middle School. She moved to Raleigh seven years ago with her husband, Keith Taylor, to be near her two granddaughters.

She received the call of her daughters death around 11:30 a.m. on March 4.

Her dad called me that morning, and he hasnt called me in 25 years, Taylor said. I knew something terrible was wrong because I dont ever remember him calling me.

Amber was working in Raleigh when her father called her. She walked to her office and began crying.

I fell apart, Amber said. I asked him if he had called my mom and Julie. He had, so I went to see my mom.

Its hard to believe that somebody you love and that was inside of you is dead. And Im never going to see her again on this earth, Taylor said. That part is hard because anything can remind you of her.

Penny was buried in a plot beside her great grandmother at the Deep Run Original Free Will Baptist Church.

Taylor contacted Rice Monuments, Inc. in Kinston for a headstone and spoke with sales manager Lisa Casteen, who worked with Penny at MasterBrand.

I didnt know her but I remembered working with Penny at MasterBrand, Casteen said. I told her I go by the cross every day on my way to work.

Taylor asked her family if they had placed the cross on Cunningham Road but no one had. She then joined the Word of Mouth Kinston Facebook group on May 15 and asked if anyone knew who put the cross there. No one knew.

I got emotional because thats where my baby died and someone cares, Taylor said. I texted Pennys dad and asked my daughters and no one put the cross there. I then joined that group thinking someone on there might know but no one said anything.

Lisa said it could have been the truck driver.

ABF sent a white orchid to Taylor after her daughters death, and she wondered if the truck driver, 50-year-old Mark Shane Donathan, placed the cross on the side of the road.

Taylor now knows who placed the cross in the curve on Cunningham Road.

She now has some peace.

I miss my precious Penny more than there are words in the unabridged dictionary, Taylor said. But, somehow, now my burden has been lightened.

Read the original post:
Mother finds person who placed cross at the site of her daughters fatal crash - Kinston Free Press

Drake, in a Kapital sweatshirt and 1017 ALYX 9SM pants, with Rafauli in the lounge

Remember the chintzy, pimped-out McMansions that were a staple of the long-running MTV series Cribs? The Toronto home of mega recording artist Aubrey Drake Graham is something else altogether. Measuring 50,000-square-feet, with amenities such as an NBA regulation-size indoor basketball court crowned by a 21-square-foot pyramidal skylight, Drakes astonishing domicile certainly qualifies as extravagant. But instead of vast expanses of cheap drywall and mountains of ungainly furniture upholstered with a hot glue gun, stately Drake Manor, as envisioned by Canadian architectural and interior designer Ferris Rafauli, is a marvel of old-world craftsmanship, constructed of limestone, bronze, exotic woods, and other noble materials. Every detail of the sprawling property has been meticulously conceived and executed. And there isnt a Scarface poster in sight.

Dubbed The Embassy, the house takes its cues from traditional Beaux Arts architecture, distilled and slightly abstracted to imbue the classic idiom with a more contemporary spirit. In form, materials, and execution, the structure is a proper 19th-century limestone mansion. But the exterior profiles are more minimal and the lines are a bit cleaner, says Rafauli, who heads his own namesake luxury design/build firm based in Ontario. This isnt stucco, paint, and fake gold. Thats not what Drake wanted, and thats not what I do.

Once youve chosen a certain style, you can dance within that style, the designer observes. Drake insists, Its overwhelming high luxury. That message is delivered through the size of the rooms and the materials and details of the floors and the ceilings. I wanted to make sure people can see the work Ive put in over the years reflected from every vantage point.

The scale of the rooms set the tone for the home experience from the moment one enters the vast entry hall. The epic great room, which soars to 44 feet high, pumps up the volume even further. At one end of the space, a bespoke concert grand piano by the venerable Austrian piano maker Bsendorfer designed in collaboration with Japanese artist Takashi Murakami and Rafauli sits nestled within a portal defined by floor-to-ceiling panels of macassar ebony set alongside bronze screens fronting more antique beveled mirror. Drakes world completely revolves around music, so he wasnt going to buy just any piano. This prized possession is an authentic marriage of artistry, craft, and quality, Rafauli notes.

In the great room is Lobmeyrs iconic Metropolitan chandelier, originally designed by Hans Harald Rath for the Viennese maker to decorate the Metropolitan Opera in New York City in 1963. With more than 20,000 pieces of hand-cut Swarovski crystal, the dazzling light sculpture is the second largest installation of its kind in the world. The furnishings, here as throughout the home, were all custom designed by Rafauli in materials that range from dyed ostrich skin and mohair to macassar and bronze.

The bedroom is where I come to decompress from the world at the end of the night and where I open my eyes to seize the day, he says. The bed lets you float, the shower lets you escape and gather your thoughts, and the closet makes you want to talk to yourself while youre getting dressed. As always, God is in the details. The bed and bed base, which weigh roughly one ton and cost more than many peoples entire homes, is from Rafaulis new line for Hstens, called Grand Vividus. The headboard, accented with antique mirror and channel-tufted leather, encompasses a whiskey-and-champagne bar on the reverse side. The nightstands feature mother-of-pearl inlays, and the bedding incorporates an Alexander McQueen hummingbird tapestry from The Rug Company.

10 photos of Facebook CEO, Mark Zuckerbergs California Home

See original here:
15 photos of the Toronto mansion of superstar rapper, Drake - Architectural Digest India

Designer Adam Nathaniel Furman has picked out 10 projects that represent the New London Fabulous movement of "designers who resolutely seek out beauty, complexity and joy".

They include works by designers Yinka Ilori, Camille Walala and Morag Myerscough, architect Space Popular and artist Rana Begum, as well as Furman himself.

Other projects are by Lakwena Maciver, Edward Crooks, 2LG Studio and Katrina Russell-Adams.

Furman defined the movement in a live interview with Dezeen last week. He described the style as "design and architecture as a visual and cultural pursuit, which is highly aesthetic, sensual and celebratory of mixed cultures".

The movement is a backlash against the minimalist style that has dominated architectural discourse in the media and schools, Furman said in the interview.

Selecting 10 projects for Dezeen, Furman expanded on his definition of the movement, which has not been coordinated but has arisen out of the context of contemporary London.

"In an age of closing borders, simplistic narratives, and shrinking horizons, there is a new generation of designers who resolutely seek out beauty, complexity and joy in the face of an adverse political and economic climate, who embody the cultural melting pot of London," he said.

"At a time when liberalism, internationalism and multiculturalism values embodied by the city are under sustained attack and vilification they are defined by their total delight in the liberating power of a kind of no-holds-barred aesthetic expression that collectively looks like a huge and extremely colourful 'fuck you' to all those calling time on diversity and the celebration of difference."

Perry Rise by2LG Studio, 2018

London interior-design duo 2LG Studio converted this south-London house into their own home and studio. The four-bedroom home in Forest Hill features a series of bright, pastel-hued rooms as well as areas with bolder colours, such as the sea-green sitting room.

2LG Studio was founded by Russell Whitehead and Jordan Cluroe. The duo describe their work as "simplicity, elegance, functionality and [a] signature use of colour."

How I Started Hanging out with Home by Space Popular, 2018

London duo Lara Lesmes and Fredrik Hellberg of Space Popular liberally reference historical forms in their riotously colourful projects, which often exist only in virtual reality.

This is done to ensure virtual environments are full of stylistic references that human users can relate to in cyberspace, which has no inherent form and would otherwise be alienating.

"In that world, style is almost everything," Hellberg told Dezeen in a live interview conducted as part of Virtual Design Festival last month. "Because if you don't have style in a virtual environment, if you don't allow yourself to speak any language that you might need to communicate something, then you'll be extremely limited."

How I Started Hanging Out with Home was an exhibition held at MAGAZIN in Vienna in 2018. In it, the London studio imagined a future where buildings the increasing agency of domestic appliances leads to buildings taking on human features.

Still I Rise by Lakwena Maciver, 2017

London artist Lakwena Maciver paints large-scale murals combining colour, pattern and type, often communicating messages of hope and faith.

Still I Rise is a 2017 mural at the Juvenile Detention Center in Fort Smith, Arkansas, USA, commissioned as part of citywide project that saw artists paired with local landmarks. Maciver's contribution is inspired by writer and civil rights activist Maya Angelou's poem of the same name.

Rosebank Arcade by Edward Crooks, 2019

Whitechapel-based Edward Crooks created a large-scale wall and floor installation to transform Waltham Forest's busiest pedestrian thoroughfare into a colourful artwork.

The piece is designed to appear like a fragment of a grand civic arcade, with arches pained on the walls and a 20-metre-long pattern on the floor.

Happy Street by Yinka Ilori, 2019

Yinka Ilori is a designer who combines colour and pattern based on his heritage. Located at Thessaly Road in Battersea, this was his first installation in the public realm. For the project, the British-Nigerian designerenveloped a railway bridge in his signature motifs.

Designed as part of the 2019 London Festival of Architecture, the permanent installation called Happy Street consists of 56 patterned-enamel panels that line both sides of the road under the bridge.

Temple of Agape by Morag Myerscough and Luke Morgan, 2014

DesignersMorag Myerscough and Luke Morgan created the colourful Temple of Agape for the Festival of Love, which took place at London's Southbank Centre.

The structure is adorned with neon signs displaying words relating to love, along with a quote by Martin Luther King Jr that reads, "I have decided to stick with love."

Furman described Myerscoughas "my hero" and said: "She shares her knowledge with younger designers and has really opened up the way for the type of work that we're doing now."

Salt of Palmar hotel by Camille Walala, 2018

French artistCamille Walalahas been based in London since she completed her studio at Brighton University in 2009 and is known for large-scale public installations.

For this project, completed at the boutique Salt of Palmar hotel in Mauritius, Walala combined the bold monochromatic stripes seen in much of her work with sea blues and sunny yellow to complement the island's landscape.

Gateways by Adam Nathaniel Furman, 2017

Furman designed a series of ceramic-clad gateways for this 2017 installation at London Design Festival to showcased the history of Turkish tiles.

The four four-metre-high structures were each clad in a different type of tile employing decorative hand-painted tiles, contemporary flooring tiles, colourful square tiles and bevelled metro tiles.

The tiles were decorated using a "500-year-old technique of hand painting," Furman told Dezeen in a live interview for Virtual Design Festival last month. tiles. "I think, at the time, this was the most photographed installation at the London Design Festival."

Haus by Katrina Russell-Adams, 2020

Southeast London printmaker and visual artist Katrina Russell-Adams abstracted symbols and shapes found on architectural plans to create a pattern pained across the facade of architecture firm BAT Studio.

The artist worked with the founders of BAT Studio to produce several black and yellow relief elements that are included in the installation, which was funded by community arts organisationWood Street Walls.

No. 700 Reflectors by Rana Begum, 2016

Artist Rana Begum creates artworks that incorporate geometric patterns, often inspired by Islamic art and architecture.

As part of the redevelopment of King's Cross she combined 30,000 white, red and orange reflectors to create the 50-metre-long No. 700 Reflectors artwork that stretched the length of Lewis Cubitt Square.

Continue reading here:
Ten projects that represent the colourful New London Fabulous style - Dezeen

Can it really be thatQueerEye(Netflix) is on to its fifth season already? After a brief trip to Japan, the Fab Five have gone back to basics, although any notion that the whole-life-makeover experience they bring to deserving strangers is something basic really does their work a disservice. This is a deep dive into finding out who people are and what they need, and it is always as moving as it is entertaining.

By now, their brand of self-love, self-care, self-improvement and self-acceptance is laser-focused. There is nothing that can surprise the gang except maybe the mid-episode reveal that one participant is the brother of a famous pop star. The only real change here is that the headquarters have moved from Atlanta to Philadelphia. Jonathan Van Ness remains eternally watchable, even when hes simply shouting We love safety! and I love an alley! (That is alley, and not ally, though Im sure he loves both.) Food expert Antoni Porowski even shows up in a T-shirt emblazoned with Nothing irrational about my love for the National, a knowing nod to his seemingly endless supply of band T-shirts. This is a format so good that the five of them know it doesnt need a makeover.

In the opening episode, they meet Noah, a pastor who runs an evangelical church, who is struggling with his identity as a gay man. Through numerous heart-to-hearts, he learns to cook for himself, keep his appearance tidy and, crucially, he gets some major work done on his dilapidated parsonage. Most of the participants in this show need some new furniture and a lick of paint, but in this case, the walls are quite literally crumbling away.

Even though there is a reveal, they resist milking it with any hugely dramatic before-and-after moments, instead showing most of the tweaks as they go along. Still, its narrative of transformation gives it the irresistible appeal of Changing Rooms combined with What Not to Wear, with the added benefit of 20 years of social progression.

But its the life-coaching that ramps up the emotional intensity. Usually thats up to Karamo Brown, whose range of slogan T-shirts rivals Antonis collection of indie band merch (Cry today, smile tomorrow reads one). In the heavyweight opener, though, its mostly left to interior designer Bobby Berk to talk to Noah. When they meet, Berk makes his disdain for the church known. I was pre-warned, which is why I wore my fireproof suit, he jokes, dryly. Regular viewers will know his painful history with organised religion. The pair bond over their experiences of homophobia in the church, and both come to a new understanding about their place in the world. It would take a hard heart to deny the power of conversations as frank as this one. Its a reminder that for all of its positivity, the show is not afraid to ask difficult questions and offer difficult answers.

If this is an accurate portrait of the US, then it is a hopeful one. There is a mobile dog-groomer who is the tallest woman in her family at 6 3, a newly qualified paediatrician who gave birth six weeks before her final medical residency and an earnest teenager fully embracing politics and activism who is in danger of burning out. Ryan is a DJ on the Jersey Shore, at least by night, though by day he is a property manager for the family firm.

The nice thing aboutQueerEyeis that it pushes your feelgood buttons in the way you would largely expect the transformative power of a nice haircut, some carefully chosen and well-fitted clothes, a living space that suits the persons needs is clearly not to be underestimated but it also takes the occasional swerve into the surprising. You might be forgiven for thinking that the advice to Ryan would be to knuckle down, now that he is in his late 30s and wants to find a family, but instead, they encourage him to follow his heart, into the club.

This fifth season arrived with such haste that I checked my Netflix to see if I had finished the fourth. I still had three episodes to go. Five seasons of any show is a lot, in such a short period of time (the first run aired in 2018), but the beauty ofQueerEyeis that its adaptable and could run for years. Perhaps it will. It seems churlish to object to a show as wholesome as this on the grounds that there is too much of it. Its not as if there is an excess of love and understanding in the world. In its most poignant moments, and there are many, this show is compassionate, humanising and completely heartening.

Continued here:
Queer Eye season five review makeover show remains a thing of beauty - The Guardian

When downtown L.A. restaurant Red Herring updated and upscaled its former Eagle Rock iteration, the project also became a bold debut for interior designer Marissa Zajack, who used her background in film and television to tell a vibrant and transportive visual story.

The relocated Red Herring opened in December 2019, the love child of husband-and-wife team Dave Woodall, the chef, and Alexis Martin Woodall, president of Ryan Murphy Productions. Zajacks credits include graphic design for shows and movies such as Zombieland, New Girl, Bombshell and the upcoming The Boys in the Band on Netflix.

Martin Woodall met her when they worked on Murphys 2006 movie Running With Scissors, and since then has tapped Zajack for design advice and small jobs at the old restaurant, which closed early last year. The scope and undertaking of Red Herring 2.0 was new territory for them both.

I didnt exactly know what I was getting myself into, but was so honored that Alexis asked me, Zajack said. Years working in the art department on TV and film is similar in some ways to the interior design process, but there were definitely things that didnt carry over, which were new and exciting for me, like understanding building codes and the durability of materials.

Her background in graphic design, however, proved a huge asset for detailed aesthetic continuity she digitally designed the interiors, furniture, fixtures and marketing, and even handled the branding, down to business cards and way-finding signs.

Zajack commissioned artist Mike Willcox for the restaurants show-stopping mural, a colorful art deco-inspired jungle scene spanning the entire back wall of the dining room. She printed his artwork on wallpaper, then aged it to make it feel vintage less computer-generated and more painterly and unearthed with history.

Thematically, Zajack said the whole decor was about celebrating the spirit of California, past and present a place that was fun and sexy, timeless yet modern, where you could go day to night.

She even imagined a fun back story: Some fabulous woman owned it that had wonderful dinner parties for all of her fabulous friends; a Dorothy Parker type. Decadent, elegant and whimsical, but nothing too serious. It had to be joyful.

How did you get your start in design?

I grew up in Southern California; my dad was an advertising photographer and my mom worked in his studio. I went to college for fine art at ArtCenter in Pasadena, and then got interested in fashion and worked for Libby Lane in Beverly Hills. Then I segued to working in the art department for film and television for about 15 years. I was really interested in graphic design in film because you could really tell a story through the graphic elements, especially if youre working on a show or film thats based in a different time period.

What are some of your aesthetic trademarks?

The graphic element, like custom wallpaper and adding graphic geometry into a space. For furniture, I really like soft curves and use a lot of blush and brass elements. Ive called upon some of the artists I worked with on the restaurant in other projects, like the lighting designer Dora Koukidou, who is out of Greece. I loved her light fixtures and I wanted a custom piece for the bar area at the restaurant, for a bold statement.

The color scheme is amazing.

I love the way Mike Willcoxs work and the rest of the colors go together. Theres a delineation from the bar area to the dining area, which is a lot more jewel-toned because theres a lot going on with the mural. But in the bar area there are more pastels and washed corals. They feel cohesive but also two very different spaces at the same time.

What projects are you working on right now?

Im working on my own home at the moment, which is really exciting. Its in a historic building in Koreatown on Wilshire called the Talmadge. Red Herring was a full build-out, but this is working on a historic interior and beautifying something that is already beautiful. One of the first rooms you walk into is filled with molding and hidden bookcases; its pretty spectacular.

Because youre working on your own home during social distancing, could you offer any advice on ways we can all elevate our spaces during this time?

A lot of it is being super frugal and using whats on hand. Im organizing and finding treasures that might have been hidden in a closet. Or repurposing something out of the archives and breathing new life into your space. And water your plants, because you want to keep them around during this.

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Chet Callahan of Chet Callahan ArchitectureLos Angeles

Blending historical precedents with progressive ideals, architect Chet Callahan imbues spaces with what he calls romantic functionalism.

We create form through careful consideration of the natural, the built environment and the future uses of the site, he said. We aim to create environmentally sensitive buildings and enhance our clients and our communitys experience.

A case in point is Mr. Callahans renovation of a 1934 Spanish-style home in the Los Feliz neighborhood of Los Angeles to fit the needs of its new ownersa young family of four.

He preserved the historical architectural details of the house, including the plaster cove moldings, the wooden floors and the wrought-iron embellishments. And he made it one with the landscape by adding large picture windows to, as he said, bring green leafy views inside.

He treated the interior spaces as a blank slate, painting the walls art-gallery white to accommodate the familys colorful contemporary art collection and added sleek yet comfortable furnishings.

The living room, for instance, features a faux-beamed ceiling with plaster corbels that is illuminated by a glittering crystal chandelier reminiscent of a full moon. The furnishings, which include a plum-colored tufted sofa in velvet, speak of the past, while the spare white bookshelves, where volumes are arranged by the color of their covers, bring the room into the present tense.

The new interventions, he said, have been rendered with minimal ornamentation as a juxtaposition to the existing features of the home, the clients vibrant art and the surrounding garden.

Before opening his eponymous firm in 2017, Mr. Callahan, who is 39, worked for Marmol Radziner + Associates, XTEN Architecture and AGPS.

His firm has worked on a variety of projects, including a multi-generational compound in Culver City; an artists complex in North Hollywood; and the re-envisioning of Los Felizs oldest estate.

A two-time winner of Interior Design magazines Best of Year (2007 and 2014), Mr. Callahan, became interested in design at a young age.

I used to watch my dad build furnitureand just about everything else, he said. And I went antiques shopping with my mom.

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A bedroom is a space you retire to at the end of the day. It is your happy space where you come to and want to feel a sense of calm to help you recharge for the next day or at least that is what it is supposed to be! Given our cramped spaces and hectic times, bedrooms are no longer sacred. But that doesnt mean we cant aspire and have bedroom goals to rival the best of Instagram! The bedroom designs showcased here today are modern, elegant, minimal and most of all give you the detachment and escapism from our daily grind and inspire you to be the best version of yourself.

Every bedroom deserves its privacy, after all, it is the place where you can let yourself be. Vasyl Ambroziaks bedroom visualization gives you this privacy but without the boring walls! Using a glass wall to partition between the bedroom and the raw concrete exterior wall, Vasyl adds an explosion of green in place of a boring old wallpaper. In fact, as the plants change with the season, you get a unique backdrop and of course the calmness of being surrounded by such a green space. Isnt it perfectly zen?

While the previous design pays homage to everything green, this design by Matts Miliaukas respects the earthy shades. Using muted shades of stone grey, the highlight of this room is the lava-like backlit wall, making this room perfect for anyone who prefers a darker color scheme. The aesthetics of this design bring to mind a lair or a covered room that highlights your nocturnal nature.

Mostafa Hardanis bedroom design plays up textural elements to create focal points. The wooden highlight wall behind the bed is lit up and the beautiful minimal lighting lets the wooden texture do all the talking. Not to forget the vertical green wall adds some natural purification to the room, helping you sleep better.

A high vaulted ceiling, a wooden pedestal that stretches up to the ceiling in an unbroken line, and the subtle light underneath the bed this bedroom interior by Taras Kaminskiy & Veronika Mulieieva named Urban Jungle has tranquility. The light under the bed makes the bed almost levitate, inducing a calming effect the moment you step into this room, draining away all your worries.

The thrill of a floating bed! Stephen Tsymbaliuks use of this floating bed amplifies the airy/spacious feeling that is the key element of this bedroom design. The open walk-in closet behind the darkened glass adds a modern touch whereas the trees creating a backdrop behind the bed amplify the feeling of floating up between the trees.

Philipp Pablitschkos shot of this bedroom surrounded by nature is the first on my post-quarantine travel bucket list! Almost magical in its aesthetic, the vertically slanting windows on the sides of this bed create the drama and escapism we all are surely craving after being stuck in this urban jungle during quarantine!

White is one of the most difficult colors to achieve visual contrast with, but designer Nazar Tsymbaliuk uses textured walls to achieve this difference and harmony. The project is named Gloria and located in Greece, the interior complements the traditional white and blue color scheme that the traditional Greek architecture is renowned for.

Polyviz Visualization Studio created this render using leather to add a touch of ruggedness to this bedroom. From the headboard to the base of the bed, the dark brown leather upholstery creates the perfect setup on which to accent your bedroom.

Designed for an apartment in Iceland, designer Stephen Tsymbaliuks textured wall looks almost alive with its dynamic 3D pattern. The floating bed, muted bathtub, minimal design all come together to create an ideal bachelor pad for the modern man.

Nazar Tsymbaliuk uses an almost Japanese inspired aesthetic with wooden slats to create a partition as well as highlight this bedroom design. Using a platform to elevate the floor bed, there is a peaceful aesthetic flowing through this bedroom, inspiring inner peace.

Seeing these designs, we cant help but bring out our notepad and get inspired to make changes to our current setup after all, whats the point of all this time to ourself if we cant use it to get ourselves come out better on the other side of the post corona world!

Continued here:
Bedroom Designs to inspire you with the best interior design ideas! - Yanko Design

Anne Zuckerberg had a reputation as an in-demand interior designer with an eye for tasteful antiques.

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Coronavirus: The ones we lost The Palm Beach Post is chronicling the lives of the people in Palm Beach County who died in the pandemic.

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One day in 1958, a free-spirited New Jersey homemaker with a creative streak took out an ad in the local newspaper: Confused in choosing fabrics? Think you cant afford a decorator? Call me."

Soon, Anne Zuckerbergs phone started ringing. Sporadically at first. Then seemingly nonstop.

In the ensuing decades, Zuckerberg built a reputation as an in-demand interior designer with an eye for tasteful antiques and a talent for sprucing up living rooms, penthouses and lobbies across New Jersey and New York. An early client was Skitch Henderson, the Grammy Award-winning New York Pops conductor and first Tonight Show bandleader.

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But Zuckerberg wanted more. With boundless energy, she traveled the world, became an artist later in life and partied with friends at Palm Beach galas into her 90s.

It seemed like nothing could stop her. Then came the coronavirus pandemic.

The deadly respiratory disease somehow found Zuckerberg in late March, perhaps, as her daughter suspects, while she was recovering in a rehab facility from a broken hip suffered two months earlier when she fell at her Sapodilla Avenue apartment in West Palm Beach.

Struggling to breathe on March 31, she was taken to Good Samaritan Medical Center. She died April 4, about two months shy of her 95th birthday.

To think that that virus took her down in a matter of days is just uncanny," said her daughter-in-law, Marybeth Zuckerberg. She walked every day. She had better legs than most 60-year-olds. Annie was a fighter to the very end."

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Zuckerberg moved to West Palm Beach years ago to be close to her friends, who included Palm Beachers and members of the local arts community. She appeared in Palm Beach Daily News photos at the Armory Art Centers Mad Hatters luncheon, Miami Ballet receptions and Kravis Center galas.

She was a great person who lived life to the fullest," said Susan Bloom, one of her closest friends. We lost a good one."

The daughter of a builder, Zuckerberg was always drawn to the arts. During her three decades as an interior decorator, she dabbled in painting interpretive portraits as a hobby.

But when she retired, she painted prolifically," said her son, Sid Zuckerberg. She did some amazing stuff. Some she gave away and sold."

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Just five years ago, a collection of her paintings was displayed at the Cultural Council of Palm Beach County gallery in downtown Lake Worth Beach.

"We were proud to showcase Ms. Zuckerberg's artwork in a 2015 solo exhibition at the Cultural Council," said Dave Lawrence, the councils president and chief executive. This is a big loss for Palm Beach County's artist community, but we will continue to honor her legacy in our hearts and creative endeavors."

For creative inspiration, Zuckerberg seemed to tap the past, even though her ideas were progressive.

She loved Marie Antoinette. She thought she was Marie Antoinette reincarnated," said her daughter, Elish Kodish. She was just a really independent spirit ahead of her time."

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In an interview in 1969, Zuckerberg acknowledged her consternation 11 years earlier when she decided to place the newspaper ad seeking clients, against the wishes of her husband.

I love glamour and design but was always hiding in the background. It took guts to launch my career but I knew I had to do it," she told The Record of Hackensack, N.J., for a story under a headline touting her as a New-Look Designer."

To gain more experience, she joined the staff at Tony Art Galleries in Englewood, N.J., where she developed a knack for arranging displays that caught the attention of frequent customers like Rat Packer Joey Bishop and comedian Buddy Hackett.

She would make vignettes with different antiques in the store, and from there she got jobs. Thats how she built her career," said Kodish, who took over Anne Zuckerberg Associates when her mom retired. She had a very top-echelon clientele."

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Kodish wouldnt divulge the names of her mother's clients. But in 1969, they included Henderson, the orchestra conductor for whose Manhattan home she selected upholstery fabric, and the owners of the Hazel Bishop cosmetics company, inventor of the first long-lasting lipstick, according to her profile in The Record.

She attributes her success to hard-nosed aggressiveness, a trait she had to cultivate in order to make her presence felt," the story said.

The story also described the antiques inside Zuckerbergs home in Teaneck, N.J., a Louis XV sofa covered with black linen next to a glass top cocktail table, an early Dutch bombe chest with marquetry, a Japanese table she stripped down and bleached, and walls painted cognac.

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"She wasn't one of these designers that did pretty little things. She really, architecturally, did all kinds of buildings, complicated lighting, custom furniture," Kodish said.

My mom worked well into her late 80s. She would have worked forever. She loved her work."

A year ago, after turning 94, Zuckerberg danced at her grandson's wedding. She enjoyed living by herself at The Metropolitan, a condo building not far from Cityplace and the Dreyfoos School of the Arts.

Her main focus was on her friends," Sid said. She had a very active social life. Her friends were much younger than she. They wanted her around. She was the life of the party."

One day in January, in the kitchen at her condo, she took a wrong turn and went down. She broke her hip," Sid said. Although she was a very robust person, still, she was 94."

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After successful surgery at Good Samaritan Medical Center, she was released to a rehab facility to recuperate. She was doing well," said Sid, who visited her for two weeks before going back home to Connecticut.

After she was rushed to Good Sam on March 31, she was put on a ventilator. She was diagnosed with pneumonia. A coronavirus test came back positive on April 2, two days before she died.

Her family praised the compassionate hospital staff for setting up a video conference call so they could say their final goodbyes.

I keep feeling like she's in Mexico on vacation and she's going to come home," Kodish said, but that's not going to happen."

jcapozzi@pbpost.com

@JCapozzipbpost

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Lost to coronavirus: Free-spirited interior designer was 'life of the party' into her 90s - Palm Beach Post