Dutch commercial photographer Roelof Bos has, like many of us, been looking for a creative outlet ever since his professional work ground to a screeching halt. But while many photographers have opted for in-door projects or porchraits, he wanted to create something more stylistic and striking.

Thus was born Lockdown, a series of poignant twilight portraits of his fellow countrymen (and women) coping with isolation in various ways.

The imagery is highly stylized and symbolic. By shooting at blue hour and compositing multiple shots, hes able to capture photos that feel simultaneously intimate, and symbolic of the dark and lonely times were living through. Each image seeks to tell a complete story in a single frame.

But dont take our word for it. Roelof was kind enough to share his experience in detail, explaining how the project came to be, how it has evolved, and what each individual image represents. Scroll down to hear the story from Bos himself.

Here in the Netherlands we also experienced a sort of lockdown (of course). Not as tight as in other countries, yet it had a serious impact. I was thinking about what other photographers or artists were doing in reaction to this lockdown, and I felt some light urge to do something myself, especially while my workflow had dropped.

But taking family shots at home (porch photography I believe you call it) or portraying care workers for example isnt really my thing too journalistic.

In my daily work as a commercial photographer I most like to work with art-directors who have a great concept, which then can be turned into photographic images by choosing the best location, model, lighting, etc. and when necessary combining several images into one composite. All to achieve an image that tells the story at its best. As a painter more or less.

Recently, while I was walking my dog at twilight, I saw people in their homes with the lights on during the magic moment when the sky is still blue. It struck me that this time of daywhich is known to me (and many photographers) to produce a nice look when day turns into nightwas in fact perfect to show the isolation of people, locked in their homes as seen from the outside.

You could shoot a whole house with its environment in near darkness with just one room lit with a person standing there.

Despite the small seize of the person in relation to the entire image (necessary to emphasize the isolation/loneliness), because of the lighting, your eyes immediately go to this person and thus to the story of the image. The images could be very beautiful while simultaneously tapping into current events, and the dark setting of the images are also symbolic for the dark times of this pandemic.

At first the plan was to just show people in their homes, doing basic things like staying connected on their smartphones with friends. So this was the first one, a daughter of friends in my village:

The result was a composite of the houses at the right time of twilight, the best shot of the girl (different lights in the bathroom were explored) and an added night sky shot of the stars. I also added some fake light pollution for suspense. The light on her face is actually from the phone. No strobe used.

I posted it on my Facebook, mentioning that it was my plan to make it a series and hence the invitation to participate in being a host/model for a new photo. This resulted in two more images, but the rest were arranged by myself.

Sometimes I was triggered just by the house and the location itself, the story then arose together with the model/owner of the house. For instance in this shot:

I used a big light stand as a tripod (height in photo is approximately 4 meters) and off camera strobe with warm filter (1 CTO) in the street for the guy. However, I used the house from a shot without the strobe and added the cat from yet another shot, and added the sky and moon. The whole shoot took only half an hour at most, but it took several hours in Photoshop to make it look like this.

In most images of the series it is a search for the ideal composition as well as finding a balance in the different brightnesses in the images. Often, I had to darken large parts of the image to not let your eyes be distracted by bright parts in the empty spaces. To obtain the right proportions, I sometimes transformed houses or moved or removed elements which were otherwise attracting too much attention.

The more the series evolved, the more the plan for the image was in my head beforehand, soI began searching for people and locations to best suit the idea. And sometimes I met people whose story or situation were already interesting enough to make it a good image.

For instance this man: he loved old wall-maps (used for education purposes). Thats how the idea arose to show someone who longs to travel.

Although you could use the available light from the living room, I did use a strobe indoors, radio-triggered from camera (again with warming filter).

People tend not to be able to stand still for half a second, and I didnt want to raise the ISO too much because most of the times I shot really wide. I wanted to have the ability to crop afterwards (to avoid making the wrong framing decision because I was losing the light) and sometimes the crop was severe. To end up with a messy grainy person is not what you want. The sky was not replaced, but stars were added.

I noticed that people were more into decorating and construction work in their houses, so I added my friend who is just in the middle of expanding his house.

Ironically, as the model in the shot it looks like hes making a lot of hours constructing it by himself, while the whole project is done by a building company. This shot was pretty straightforward, although I used different exposure values for the house to give the black wood some visible structure. Stars and Venus added.

After the first images and the good reactions I got from social mediaI posted on Facebook, Instagram, LinkedIn and TwitterI really got inspired to keep going. At the same time, there were special days coming.

The 27th of April is Kingsday (birthday of the king, all flags in the streets and normally much festivity), and the 4th of May is Memorial Day (victims of WWII, 75 years this year) and Liberation Day (comparable with VE-day I think). So I starting making images especially for these days, to be posted on these very daysimages that would be relevant to both the lockdown situation as well as the day itself and how different people were experiencing them.

For Kingsday, I did this one, with a wife singing the national anthem and a husband who dislikes that and rather enjoys his beer:

For Memorial Day, I asked my wife to play The Last Post, flag is at half-mast to show mourning, and I added a black edge on the image as well. This shot was taken during daytime, partly because I had a different shot planned in the evening, and partly because the Last Post is at 8pm, a time when it is still not twilight.

To emphasize the mourning, I added the dark sky.

Then came Liberation day (VE-day). Now I could add more layers into the story. Celebration of freedom in a time when one is restricted to ones home. My father, who has witnessed WWII as a child, saw the bombers fly over his house. Now he sees pigeons (symbol of freedom) as a squadron flying freely outdoors, while he is stuck at home.

This shot took heavy manipulation. I adapted the house (got rid of window and wall on the left), added a flag, a new sky in the reflection, as well as the pigeons of course. My father is taken from a separate shot with strobe, indoor shots mixed with reflection in windows:

Then there was going to be a Supermoon. This phenomenon is often over-hyped (IMHO) so this shot is a wink to that hype: a boy searching for the moon yet its behind him. The size of moon is also highly overdone by design.

The camera is my own, because while I was hoping for a real telescope with star tracker, I insisted on getting the photo posted on May 7th so there wasnt enough time. In the end, the boy (instead of the dad) was willing to pose, so actually a camera on tripod suits the situation betterits more of an amateur look.

This shot was captured with strobe once again, and I added some red to the sky.

The last image to mention is the reference to the holiday season, camping on your own property. All the images in this series were taken by myself, but to add to the feel of a holiday in beautiful nature I came up with the idea of adding the northern lights as a backdrop for a befriended couple in the camper.

Although I have lots of skies and landscapes in my personal stock, I had no northern lights shots. The dont occur on our latitude, so I would have travel to Norway to shoot it. I could have bought a stock image, or use a creative commons image from Wikimedia, but I would rather make it myself, just for the sake of the fact that the whole series was made by me.

So, instead, I searched for clouds more or less in the shape of these northern light flames and transformed them in post, changing the color and stacking several clouds in different opacities, some with motion blur, to get a sky as shown.

All images were taken with a 50MP full-frame camera (Canon 5DsR), mostly with a EF 16-35mm f/4L lens, except the moon photo, which was taken EF 70-200mm f/4L, and the moon itself, which was shot on with an EF 100-400mm f/4.5-5.6L + 1.4x teleconverter.

When flash is used, it was a Godox AD360 in a softbox, always with a 1 CTO warming filter to imitate tungsten light.

A big thank you to Roelof for sharing these images and the story behind them. To see more of his work and browse the entire Lockdown collection, visit his website or by giving him a follow on Instagram.

Originally posted here:
Striking Twilight Portraits Capture the Loneliness of Lockdown - PetaPixel

The LED Secondary Optic report provides independent information about the LED Secondary Optic industry supported by extensive research on factors such as industry segments size & trends, inhibitors, dynamics, drivers, opportunities & challenges, environment & policy, cost overview, porters five force analysis, and key companies profiles including business overview and recent development.

LED Secondary Optic MarketLatest Research Report 2020:

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In this report, our team offers a thorough investigation of LED Secondary Optic Market, SWOT examination of the most prominent players right now. Alongside an industrial chain, market measurements regarding revenue, sales, value, capacity, regional market examination, section insightful information, and market forecast are offered in the full investigation, and so forth.

Scope of LED Secondary Optic Market: Products in the LED Secondary Optic classification furnish clients with assets to get ready for tests, tests, and evaluations.

Major Company Profiles Covered in This Report

Ledlink Optics, Carclo Optics, Auer Lighting, LEDIL Oy, FRAEN Corporation, GAGGIONE (Lednlight), Bicom Optics, Darkoo Optics, Aether systems Inc, B&M Optics Co., Ltd, ShenZhen Likeda Optical, HENGLI Optical, Brightlx Limited, Kunrui optical, FORTECH, Chun Kuang Optics, Wuxi Kinglux Glass Lens

LED Secondary Optic Market Report Covers the Following Segments:

Segment by Type:

Reflector, LED Secondary Lens, Others

Segment by Application:

Street Lighting, Commercial Lighting, Architectural Lighting, Indoor Lighting, Automotive Lighting, Others

North America

Europe

Asia-Pacific

South America

Center East and Africa

United States, Canada and Mexico

Germany, France, UK, Russia and Italy

China, Japan, Korea, India and Southeast Asia

Brazil, Argentina, Colombia

Saudi Arabia, UAE, Egypt, Nigeria and South Africa

Market Overview:The report begins with this section where product overview and highlights of product and application segments of the global LED Secondary Optic Market are provided. Highlights of the segmentation study include price, revenue, sales, sales growth rate, and market share by product.

Competition by Company:Here, the competition in the Worldwide LED Secondary Optic Market is analyzed, By price, revenue, sales, and market share by company, market rate, competitive situations Landscape, and latest trends, merger, expansion, acquisition, and market shares of top companies.

Company Profiles and Sales Data:As the name suggests, this section gives the sales data of key players of the global LED Secondary Optic Market as well as some useful information on their business. It talks about the gross margin, price, revenue, products, and their specifications, type, applications, competitors, manufacturing base, and the main business of key players operating in the global LED Secondary Optic Market.

Market Status and Outlook by Region:In this section, the report discusses about gross margin, sales, revenue, production, market share, CAGR, and market size by region. Here, the global LED Secondary Optic Market is deeply analyzed on the basis of regions and countries such as North America, Europe, China, India, Japan, and the MEA.

Application or End User:This section of the research study shows how different end-user/application segments contribute to the global LED Secondary Optic Market.

Market Forecast:Here, the report offers a complete forecast of the global LED Secondary Optic Market by product, application, and region. It also offers global sales and revenue forecast for all years of the forecast period.

Research Findings and Conclusion:This is one of the last sections of the report where the findings of the analysts and the conclusion of the research study are provided.

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While New Jersey is famously known as the Garden State based on its bountiful produce, numerous forces here and abroad indicate that the delicate balance between food growers and consumers is reaching a dangerous tipping point. Among key concerns, the world population is currently growing faster than the food supply, agriculture accounts for nearly 25% of the greenhouse gases that contribute to global warming, and modern commercial farming practices have led to a rise in dangerous and costly food-borne and antibiotic-resistant illnesses. Closer to home, a recent report by the U.S. Department of Agriculture revealed that between 1982 and 2007, New Jersey lost a greater share of its agricultural land to development than any other state in America, putting further strain on a local industry already under pressure.

Proving that necessity is the mother of invention, however, a new crop of innovators is tackling these challenges head-on.Based on the benefits of vertical farming a process by which crops are grown indoors in vertically stacked layers within highly controlled environments New Jerseys numerous vertical farms represent a bright spot on the Garden States agricultural horizon.

A Strategic Solution

Vertical farms lead back to the need to build a world in which the current food system must support the needs of an expanded population with a rapidly dwindling set of resources, said Irving Fain, founder and CEO of Bowery Farming, a 5-year-old, Kearny-based indoor farming company thats addressing the impending climate and food crisis by using the power of technology to grow fresh, high-quality produce closer to the point of consumption. With two commercial indoor farms located in Kearny and a third recently launched in the Baltimore/Washington, D.C. area, Bowerys model and proprietary technology,BoweryOS, enable the growth of high-quality crops year-round, regardless of weather or seasonality, using zero pesticides and over 95% less water, Fain said.

Were re-appropriating industrial space to grow crops indoors at a rate thats 100 times more productive per square foot of land than that of traditional agriculture, noted Fain, who said that Bowerys data-rich systems and ability to control the entire growing process enable it to trace every individual crop back to its original seed and deliver superior produce to restaurants and stores (including Whole Foods and Stop & Shop locations) within days of harvest.

Five miles away in Newark,AeroFarmsconverted a 75-year-old, 70,000-square-foot steel mill into the worlds largest indoor vertical farm in 2015 (soon to become the worldssecond-largestwhenAeroFarms completes construction of its new 150,000-square-foot vertical farm in Danville, Va.).Growing a range of fruit, vegetables and greens (under the Dream Greens label) without sun or soil in a fully controlled, indoor environment using a patented aeroponic growing system for faster harvest cycles, predictable results, superior food safety and less environmental impact, the companys annual yields are reportedly 390-plus times higher per square foot than conventional farming. Harvesting up to two million pounds of highly nutritious, premium-quality produce per year, AeroFarmswas recently named one of Times Best Inventions of 2019.

Farming 8,000 square feet of grow space within a historic greenhouse in Newarks Branch Brook Park, Radicle Farm grows hydroponically using a nutrient film technique (NFT) and flooded tray system. Though not a vertical farm per se, vertical growing makes sense within densely populated urban areas, and field farming and ground-level greenhouse growing will also continue to play a major role for quite some time, said Radicle Farm Co-Founder Tony Gibbons.

Hackensack-based Greens Do Good is proving that vertical farms can not only be rooted in food delivery but in social responsibility as well. At the 3,600-square-foot facility, which opened in April 2019, all proceeds from the growth of its dozens of different microgreens, lettuce and herbs all grown without soil, pesticides or herbicides go to REED Next, a nonprofit organization that provides continued education, life experience and work opportunities to adults with autism.

We believe that growing healthy food with minimal impact to the environment is the future of farming, and Greens Do Good is transforming the way our local community sources healthy produce by providing the freshest ingredients in a sustainable and socially responsible way, said Jennifer Faust, REED Foundations director of Communications. In a state like New Jersey, where urban communities dont have the space, access or optimal year-round outdoor growing conditions to provide fresh produce, Greens Do Good is solving that problem by creating a sustainable social enterprise that not only helps individuals with autism, but provides our community with produce thats deliveredhyperlocallyon the same day its harvested, 365 days a year. At its core, Faust said, were a community partner providing sustainable produce to local businesses while supporting adults with autism, a greatly underserved population.

With a similar desire to support its community, Bowery works closely with Table To Table, a food rescue program that delivers perishable food to organizations that serve the hungry in Bergen, Essex, Hudson and Passaic counties and also has developed lesson plans to aid local teachers and students in discussions about the modern agricultural landscape and its challenges.

Building A Better Future

Often located in urban settings in order to bring agriculture back to city centers, vertical farms incorporate the utmost in sustainable products and practices. At Bowery, for example, energy-efficient LED lighting mimics the spectrum of the sun for crops, while rooftop solar panels, a clean gas backup generator and a battery energy storage system further reduce the companys energy use and carbon emissions in New Jersey. In addition, Bowery uses over 95% less water by recirculating it continuously and only replenishing the amount thats used by the plants or lost during daily operations, Fain said.

Part of a current network of 2,000 vertical farms in America within an industry thats estimated to grow to over $3 billion by 2024, New Jerseys vertical farms are proud of the contribution theyre making to meet the states food challenges while transforming agriculture around the world.

Bowery was founded on the fundamental belief that technology applied at scale can solve difficult and important global problems, with agriculture sitting at the nexus of many of these issues, and our mission is to grow food for a better future, said Fain, whose company was honored as one of Fast Companys 2019 Most Innovative Companies in AI. Based on its benefits and success, he said, we see indoor farming becoming an even more meaningful and integral part of the farming and agriculture industries in the next 5 to 10 years and look forward to continuing to experience the positive impact of vertical farming on the environment.

Vertical And Indoor Farms In New Jersey

Following is a selection of several vertical and indoor farms located throughout the Garden State:

Read the original here:
Growing up in the Garden State: Vertical farms prove to be bright spot on N.J.'s agricultural horizon - Jersey's Best

Huaweis flagship smartphone lineup, the P series, has, since the start been associated with the Chinese device makers attempts at redefining mobile photography. For years, it has done exactly that.

It prompted the move from the messy 2-megapixel front-facing cameras that dominated the high-end smartphone market to todays diverse and very elaborate selfie shooters.

In recent years, since the P20 series dropped, its attempt at improving smartphone photography by doubling down on features like zoom and shooting at night have borne fruits with flagship device after flagship device in the series being rated highly by both ordinary users and reviewers alike.

That is for the upper end of the smartphone spectrum, though. On the budget front, what is Huawei doing?

That is where the Huawei Y7p, the newest budget Huawei device available in the Kenyan market, comes in, making a case for Huaweis budget Y series lineup that has, recently, given us gems like the Huawei Y9 Prime 2019.

Like other devices in the Huawei Y series, the Y7p is a good balance between price and features it costs just Kshs 18,499.

For that, one gets a triple camera setup at the back and a solo shooter on the front.

The triple cameras at the back of the device are as follows:

On the front is an 8-megapixel image sensor.

I have been taking the Huawei Y7p through its paces over the last one week and here are my quick observations:

Huawei Y7p zoom

Note: the sample images used in this article have been resized and their resolutions reduced. This may have some effect on the quality as presented in this article.

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Huawei Y7p: The p is for photography? - Android Kenya

CELEBRITIES from around the world came together for the One World: Together At Home concert, organised by Lady Gaga, this weekend.

Highlights of the concert are being shown tonight, on BBC1, but the full eight hour version saw stars including the Rolling Stones, Paul McCartney, and Elton John coming together to send a message of support to healthcare workers fighting the coronavirus.

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And as well as providing the planet with some much-needed musical healing, the online gig gave us a rare glimpse into the fabulous homes of A-list stars.

From Oprah Winfrey's simple chic lounge to Jimmy Fallon's log cabin look, the backdrops displayed on the online sets were just as weird and wonderful as we'd hoped.

Here are our favourites...

Singer Jessie J belted out some of her greatest hits, including Bang Bang, from her Los Angeles home.

But fans were distracted by her huge, living room and stark white decor, with inset ceiling lights - asking if she actually lived a hotel lobby.

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One viewer Tweeted: "Guys, is this Jessie J's house or a hotel reception? Look how much light."

A second said: "Damn Jessie J just went #PitchPerfect on everyone. Her house also looks like a Marriott lobby."

That house really IS about the Price Tag.

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The prize for the most bonkers home of the night went to Jimmy Fallon, whose enchanting New York pad looks like it was designed for a big kid.

The US chat show host's log cabin-inspired home was decked out entirely with wood and featured fantastical looking pillars and beams.

But viewers were bowled over by the indoor slide, running parallel to the staircase, that daughters Frances, five, and Winnie, six, must make good use of.

Twitter user Lady Nikki marvelled: "Ok @jimmyfallon has a slide in his house, thats legit goals. Rich people THATS how you spend your money properly."

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Jennifer Lopez is used to lighting up a room, but on Saturday she took her lights outdoors.

The Jenny From The Block singer, who sang Barbra Streisand's classic People, appeared to live in an enchanted forest as she sat at the base of a twisted tree wrapped in hundreds of lights.

The 50-year-old star added to the magical mood with a couple of chunky candles.

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John Legend has won an award or two - and he wants everyone to know it.

The All of Me star performed at the piano in front of a shelf full of gongs, including four Grammys and a Golden Globe, which he won in 2015 for the song Glory.

The ego-massaging display wasn't all we got to see of the spacious Los Angeles home he shares with wife Chrissy Teigen.

The pair were also filmed on their creamy white couch, backed by a shelf full of books including one titled Understanding The World.

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Chat show queen Oprah seemed proud of her living space - giving viewers the widest shot on camera - and so she should be.

The stunning white decor in her Chicago home gives it a light airy feeling and the deep mahogany desk perfectly matches the wooden trim of the chairs.

Even her books fit the ordered decor - colour-coded for their matching cream and white spines and organised in neat blocks that would make Mrs Hinch proud.

Tidy house, tidy mind must be Oprah's motto.

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Leigh-Anne's style lives up to Little Mix's name, as it appears to be inspired by a cocktail bar.

The 28-year-old star was joined by her bandmates for a long distance version of their hit Touch, and showed off a glittering backdrop of glass shelves and mirrors, dotted with fancy looking bottles, glasses and jars at her Surrey mansion.

Behind her, above a marble fireplace, were framed gold and platinum discs earned by the band.

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Matthew McConaughey is famously down-to-earth and laid back - so why would he bother tidying up before sending his message of peace and love to the world?

The Mad Mike star was broadcasting from the less than glamorous setting of his office, in his Texas mansion with a stuffed bookcase in the background.

A printer and stationary were visible on the side along with a little statue of a cherub.

No sign of those bongos that got him into trouble 20 years ago - when he was arrested for playing them naked.

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Taylor Swift didn't show of much of her stylish New York apartment during her performance of her moving ballad Soon You'll Get Better.

But the water lily wallpaper caught the eye of her fans.

Perhaps the 30-year-old singer was trying to bring a little bit of the countryside into her 17 million city pad.

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Rocketman legend Elton moved his grand piano to the garden of his luxury home in Beverly Hills, bought for 26.5 million in 2015, to knock out I'm Still Standing for his fans.

Husband David Furnish acted as sound producer and cameraman for the 73-year-old's performance.

But viewers were quick to notice a basketball hoop and two basketballs lying on the ground - suggesting the pair have been using lockdown to shoot a few hoops with sons Zachary, eight, and Elijah, six.

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Ellen recently compared lockdown to 'being in prison' but, if the backdrop here is anything to go by, her garden beats any exercise yard in the world.

Oh, and the 19.5m mansion is also right on the beach in Montecito, California.

The 62-year-old chat show host sat in a vast sitting room to give her message on the coronavirus to the nation, but the view out the full length windows was pretty impressive.

She even brought one of the trees inside, in a huge stone pot.

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At the other end of the scale, Charlie Puth had the most relatable lockdown surroundings - performing in a messy bedroom with an unmade bed.

The 28-year-old singer is living at his parents' LA home during the coronavirus crisis and contributed a moving rendition of See You Again from his bedroom.

PROUD AUNTIEHolly Willoughby says she 'hasn't stopped crying' as she introduces niece

Exclusive

BLAZING ROWGemma Collins and AJ Pritchard spark fury with bonfires despite lockdown plea

New startPhil Schofield 'moves out of family home & into London flat after coming out'

DOTING DADDeclan Donnelly grins as he and wife Ali play with daughter Isla in the park

Spoiler

LEFT FOR DEADCorrie's Yasmeen STABS abusive Geoff after he attacks her with a knife

posh CLASHPiers fumes at Susanna as she defends Victoria Beckham over staff furlough row

But fans were quick to notice his faux pas with one tweeting: "Shoutout to #CharliePuth for an extraordinary performance #TogetherAtHome (whispers) couldve made your bed though, just sayin."

Whatever the setting - from Oprah's million dollar mansion to Charlie's boy bedroom - the stars proved we are all in this together by pulling off the long distance concert and providing hours of entertainment.

Plus a great snoop inside some very impressive homes.

Link:
Inside the weird & wonderful celeb homes of One World gig, from Jessie Js hotel lobby to Jimmy Fallons ind - The Sun

I realize that the idea of joining is pretty far down the list of things that sound like a good idea right now. When I walk past someone on the way to store or when Im simply out to get a breath of fresh air I give them a wide berth, much wider than the six feet recommended by the CDC. The only person I want to touch right now is my wife (and only after shes washed her hands), and Im guessing that most of you probably feel the same way.

The following is an excerpt from my book, The Witchs Wheel of the Year: Rituals for Solitaries, Circles, and Covens, and while I thought I was done running excerpts from that particular work, it just feels right to do so currently considering the circumstances. Im guessing a lot of us are going to be doing solitary Beltane rites, and this rite has the extra added bonus of being a bit of a self affirmation. If you are like me right now you might very well need a magickal pick me up!

Stay safe my friends, and Ill see you on the other side of this! Blessed Be!

_____

In my covens version of the Great Rite, we often use the words the magick of joining. For many decades, joining in the context of Witchcraft (and especially Wiccan-Witchcraft) revolved around ideas limited to male-female energies. This sort of narrow thinking has never worked for me because nature and the greater universe have never embraced such absolutes.

The universe was created at the big bang when matter and force collided, resulting in gas and dust hurtling through space and forming galaxies, suns, and planets. Closer to home, wonders like the Grand Canyon arose due to the erosion of rock by water and wind. The life in my backyard garden came to be because I put seeds in the ground, where they were nourished with dirt and water and then eventually came up from the ground and embraced the life-giving power of the sun. Nothing exists in a vacuum, and we are all influenced and prodded along by the people and circumstances around us.

Even solitary practice is a bit of a misnomer, because if we are practicing the Craft properly, we arent alone while we do it. In the circle, we are surrounded by the forces of earth, air, fire, and water. For many of us, there are also goddesses and gods lending their power and their presence in our rites. Magick may not have a consciousness of its own, but its most certainly something we can feel during ritual and when performing spellwork.

When we practice magick, we are fusing energy with our intent to achieve a desired outcome. We are applying our wants and needs to a natural force that would otherwise not have an agenda. Magick by its very nature is an act of joining. Intent alone is not enough, and simply lighting a candle and walking away is not enough either.

At Beltane, I probably feel the magick of joining more acutely than at other times of the year. Some of this is because of the holidays associations with sex and dalliances, but a lot of it is because many things outside have all joined together quite recently. The green grass in my front yard is a reminder of how the earth and sky have come together to produce something truly wondrous, and signs of new life are everywhere in early May. There are bugs buzzing around in the air and bird songs on the breeze. Its all so magickal and all the result of different forces coming together to create something new.

This ritual utilizes the magick of joining in a twofold way. The working begins with a personal affirmation, followed by an invitation for deity to settle down right alongside of us. Many of us typically call our deities into ritual, but rarely do we ask them to be right up next to us. This ritual does that to remind us that we are never truly alone while performing a solitary rite. If you want to adapt this into a ritual for more than one person, the affirmation can be turned into a drawing down the moon experience, which takes the idea of joining to an entirely different level!

For this part of the rite, youll need some sort of essential oil. Because of the season, I suggest choosing something floral to help connect with the natural world. If youre using a pure essential oil, make sure to add a base oil (such as olive) so it doesnt burn or hurt your skin.

The second part of the working utilizes the chalice and athame and is a magickal version of the symbolic Great Rite. There are many Witches who see the athame and chalice in such situations as representative of a penis and a vagina, but an athame is not a penis nor is a cup a vagina. Both tools are simply representative of natural forces, and how we interpret them is really up to us. In this rite, the chalice is representative of the things we wish to bring into our lives, while the athame is representative of our will or intent. (And if cups and knives do bother you, replace them with whatever works for you!)

If you dont have an official working athame and chalice, any old cup will do, as will a kitchen knife, a wand, or even your finger! Witchcraft doesnt require a bunch of tools, despite what books like this one might suggest. This ritual can be done indoors or out, and at any time of day.

Materials Needed

Standard altar setup Essential oil Charcoal tablet for incense (If indoors, be sure to buy a type of charcoal designed for indoor use, which is easily picked up at any metaphysical/New Age store.) Chalice (containing wine or other liquid) Cakes (or whatever food you wish) Athame/knife Powdered or natural incense

The Ritual: The Magick of Joining

Start by taking a deep centering breath and look over your altar to make sure everything you need for the ritual is there. When you feel ready to start the ritual, begin by stating the rituals intent:

I come here this night (or day) to celebrate the festival of Beltane. Tonight I shall weave my will and walk in step with the natural world and the Goddess and God who dwell within it. I shall make magick and celebrate my connection with those deities I walk with. Blessed be!

Place a bowl of water on your altars pentacle and then place three measures of salt into it using your fingers or athame. Sprinkle or place the salt in the water, then mix the two elements together with your blade. Then say:

Earth and water have joined together so that I might purify myself and this place as I prepare for these my rites. By the power of the Lord and Lady, all negativity shall be banished so that I might celebrate the mysteries of May. So mote it be!

Sprinkle the water about your ritual space and yourself. Ill generally place a few drops on my head and my heart and, while doing so, picture the mundane concerns that get in the way of my magickal self melting away. If youre doing the ritual inside, be sure to sprinkle your water in any corners or entryways. Once the water has been sprinkled, take your charcoal tablet and light it. Once its lit, place it in a dish or holder where it can burn safely, then place that on your altars pentacle and sprinkle your incense over it while saying:

Fire and air have joined together so that I might charge myself and this space as I prepare for these my rites. By the power of the Lord and Lady, I assert that I and all within this working space are prepared for magick so that I might celebrate the mysteries of May! So mote it be!

Walk around your ritual area with the incense, feeling its energy and heat charge your space. When this is done, make sure to waft some of the incense smoke upon yourself. As you truly smell the smoke, imagine it charging you, awakening all the magick and energy inside of you. When this is done, prepare to cast the circle using your athame (or preferred tool).

Casting the Circle/Calling the Quarters

Begin casting the circle in the east, walking around your ritual space clockwise. Use your athame, sword, wand, or finger to cast the circle.

By my will and the power of the Lord and the Lady, I cast this circle! May all within it assist me in my magick, and may all negative energies and those that would wish me harm stay beyond its boundaries. This circle is a protection and a doorway between the worlds! By my will, it is done. The circle is cast. So mote it be!

Call the quarters starting in the east, moving clockwise from there. If youre using candles, you can light them at the conclusion of each quarter call.

Spirits of the east, spirits of air and wind, join me tonight in this place! May I feel your power and energy upon the breeze as I celebrate this Beltane night. Hail and welcome!

Spirits of the south, spirits of fire and sun, join me tonight in this place! May I feel your warmth and see your light as I celebrate this Beltane night. Hail and welcome!

Spirits of the west, spirits of water and sea, join me tonight in this place! May I feel the life-giving energy you bring to all things as I celebrate this Beltane night. Hail and welcome!

Spirits of the north, spirits of earth and mountain, join me tonight in this place. May I feel your powers with every step I take as I celebrate this Beltane night. Hail and welcome!

Now call to the Lord and Lady (or any specific deity you choose). If you have candles to light in their honor, do so after each invocation.

Lovely Lady, Great Goddess, Mistress of the Heavens, Earth Mother, join me tonight in my rites! Allow me to feel your presence and power in all that I do. Draw me closer to the wonder of this world and the magick and mystery of high spring. Let me feel your energies as I celebrate this Beltane rite. Hail and welcome!

Horned One, Great God, Lord of the Sun, Jack in the Green, join me tonight in my rites! Bless this Beltane ritual with your powers of growth and rejuvenation. May I feel your presence and power as I work my magick and will. Be with me both within and without the circle. Hail and welcome!

The Working

Take your anointing oil and hold it in your dominant hand for a few moments. As you hold it, think about yourself in a positive manner. Know that you are a worthy child and a devotee of the Lord and Lady and a powerful Witch. Take societys expectations for appearance, dress, and decorum and throw them out of your mind. You are a beautiful creature worthy of love and acceptance, and you have both of those things within the Craft. Infuse your oil with these ideas; let this true image of yourself move through your body, through your arm, into your hand, and then into your oil. When the oil is warm and charged in your hand, reach out to the deity you are closest to:

Great Lady, Goddess of the Witches, on this sacred night of joining, I ask that I truly feel your presence in this ritual space. May I feel your love for me fill up this circle. Draw me ever closer to your mysteries. So mote it be!

Now anoint yourself with the oil, starting at the feet.

Blessed be my feet, which have brought me to thee.

Using the finger of your dominant hand, lightly dab each foot with your oil before moving to your knees.

Blessed be my knees, which kneel upon your green earth.

Dab each knee before moving to your heart.

Blessed be my heart, which loves and feels love.

Dab the oil between your breasts before moving to your lips. For your lips, youll probably want to dab the oil on your upper lip (right below your nose) or on your chin.

Blessed be my lips, which have allowed me to call thee.

Finally, dab some oil on your forehead, representative of your spirit.

Blessed be my spirit that seeks thee.

Then say:

I am a Witch and worthy of the love of my Goddess! It is she who walks with me upon the path of the wise. Dear One, be with me in my circle, for I am your child and my love for thee is pure and true!

Let all go still for a second and reach out with your senses for a sign from her (or him). Deities do not always communicate like we humans do. Be alert for an odd breeze or a patch of warm energy next to you. I often feel the Lord and Lady as if they are standing right behind me, with one of their hands upon my left shoulder. As you wait for a sign, concentrate on them, think of them, and reach out to whoever it is you wish to be in your circle. They will come. Once youve felt them, thank them for reaching out to you before moving on with the rest of the ritual.

With your dominant hand, pick up the chalice of wine on your altar and look into it. Let your eyes unfocus and sink into the wine in the chalice. The chalice is representative of the earth and all of the potential it holds. As you look into the cup, imagine all of the possibilities in your life and see them within the wine. When one of those possibilities that youre especially attracted to swirls in front of your eyes (or in your imagination), hold onto it for a second and try to visualize it more clearly.

It could be something like you having a new (happier) job, or you engaging in a hobby or pasttime youve been putting off for a while. Whatever it is, focus on it. If its something you truly want, hold the image. If its not, let it go and repeat the steps above to see what else comes up.

When you finally come across a possibility that appeals to you and is one you truly and absolutely want, pick up your athame. Let all of the want and need for this possibility go racing through your body and direct it toward the hand holding your athame. This is your true will, and the athame was designed to wield such energies. Slowly insert the athame into the cup, joining the possibilities, energies, and potential of the earth with your own will as wielded by the athame. As the athame enters the wine, say:

By my will, this thing shall be! Possibilities and potential reached this Beltane night!

When the athame enters the wine, your will shall fuse the idea youre trying to manifest with the energy in the cup, creating a magickal elixir. If youve put enough energy into the wine, it might even feel a bit electric to the touch or when you drink it. Take the cup to your lips, drink, and say:

In Beltanes cauldron, all is possible! May it be so!

Drink deeply from the cup, remembering to set aside a little bit for the gods. (Alternatively, you can pour some upon the ground now if youre outdoors.) Let the energized wine flow through you, and open yourself up to its energies. Let that energy fill every cell of your body, and know that you will be using that energy over the next few months to achieve your goal.

Set the cup down and pick up a cake (or whatever food you wish) with your non-dominant hand. Place your athame back into the chalice, then touch the tip of your blade to the cake, saying:

By the powers of the Lord and Lady, I bless this cake. I thank them for their gifts. Blessed be!

Eat the cake, saving some for the gods as an offering. Enjoy the energy of your Beltane rite for just a few moments more, then move on to thanking the gods and dismissing the energies you have gathered.

Farewells to the Lord and Lady

Great Goddess, you have stood beside me tonight in my ritual, and for your presence I am truly grateful! Remind me in the days ahead of my worthiness as a Witch and that I am loved by you. I thank you for being a part of my rite and my life.

Great God, thank you too for lending your energy and exuberance to my rite. Thank you for all of your gifts and standing beside me. I am a Witch. I am a child of the gods. Blessed be!

Dismissing the Quarters/Taking Down the Circle

Starting in the north, dismiss the quarters, moving widdershins and extinguishing any candles for the quarters (if lit).

Spirits of the north, spirits of earth and mountain, I thank you for joining me in this space and watching over my rite. May I feel your power in the summer days ahead! Hail and farewell!

Spirits of the west, spirits of water and sea, I thank you for joining me in this space and watching over my rite. May I observe and delight in your gift of life in the summer days ahead! Hail and farewell!

Spirits of the south, spirits of fire and sun, I thank you for joining me in this space and watching over my rite. May I feel your warmth upon my face as we journey toward the summer! Hail and farewell!

Spirits of the east, spirits of air and wine, I thank you for joining me in this space and watching over my rite. May your warm breezes bring us the gift of rain this summer season. Hail and farewell!

Using your athame, wand, or finger, release the circle, starting in the east and moving widdershins.

By my will and the power of the Lord and Lady, I did cast this circle. I now release it and all of the energies I have raised within. May my magick leave this space and hold true, bringing to me that which I desire. The doorway between the worlds is now closed, but what was done here I shall carry with me, and the love of the Lady and Lord will be forever with me. The circle is open. So mote it be!

Before leaving, thank the Lord and Lady for your Beltane rite and take any libations outside in honor of the deities who stood with you this night. Hail the May!

_________

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The Witchs Wheel of the Year: Rituals for Circles, Solitaries, & Covens should be available just about everywhere.

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A Solitary Beltane Rite: The Magick of Joining - Patheos

Among the various business aspects indoor farmers need to consider, a proper artificial lighting is undoubtedly a key element. While a tailor-made lighting design can be costly, failing to ensure adequate lighting conditions could prove even more expensive. If plants do not receive the right kind and amount of light, that may jeopardize the business itself.

Helping growers grade a lighting design and educating them on the key steps of the engineering process is vital, says Keith Thomas, commercial director at the Tungsrams Agritech division. During the installation of a new lighting solution, the initial step is to determine the specific objective. Is the aim receiving more light using the same amount of electricity, reducing energy consumption or increasing the yield, size and nutritional values of plants? Or is the goal to reach the highest possible light homogeneity?These targets may not always be compatible. If we want to be precise, each scenario calls for a different approach," explains Kristf Rakonczai, lighting design engineer at Tungsram Agritech.

From natural irradiation to the right lampIt is of outstanding importance to determine the minimum targeted light hours and the DLI (Daily Light Integral) requirement for the given crop during light deprived periods of the year. The objective of installing supplemental lighting is to fill the gap between the lowest level of natural irradiation and targeted DLI. Selecting the right lamp is the alpha and omega of a lighting design and this requires establishing the ratio between HPS and LED, toplight and interlight luminaries.When opting for an exclusively LED solution, it is worth bearing in mind that different light spectrums deliver different PPF outputs for the same wattage. LED luminaries provide optimal lighting for the crop in terms of spectrum and intensity, and this combined with the right climate conditions can maximize results. A properly executed lighting design is based on the measurable parameters of the growing facility (see below).

Methods used for calculating the values underlying the lighting design are also of key importance. When assessing light homogeneity, it is critical to see the density and position of reference points at canopy level where the PPFD is measured. At the outer edges of the growing area light intensity from artificial lighting usually drops off, but given that these areas in a greenhouse receive more natural light as it is, the sum light level of the canopy may be equalized. Experts recommend examining specific sections of a greenhouse rather than the whole measured area. Following this logic, it is enough to engineer a typical middle or side sector and then multiply it for the whole greenhouse.

Although solutions may vary from company to company, a quality lighting design handout is always based on a number of critical considerations and contains several elements, Kristf Rakonczai stresses. These include the detailed position of the luminaries, the length and width of the calculated area, the density of reference points, the distance between canopy and the glass of the lamp, as well as average, min-max PPFD values expressed in mol m-2 s-1, light homogeneity and the lightmap.

Even though some elements of a lighting solution may seem self-evident, it is critically important to seek assistance from professional experts for a lighting solution tailored to a given location, Tungsram Agritech Commercial Director Keith Thomas concludes.

Click here for the key lighting design parameters for glasshouses.

For more information:

Tungsram Lrinc UtasiAgronomistlorinc.utasi@tungsram.com

Keith ThomasCommercial Leaderkeith.thomas2@tungsram.com

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Lighting up business prospects in indoor farming - hortidaily.com

QY Research has added a new report titled, Global Smart Indoor Lighting Market 2019 Share, Size, Forecast 2025 to the Smart Indoor Lighting archive of market research studies. The report throws light on the key factors impacting the growth of the market. According to the report, the market size of Smart Indoor Lighting is anticipated to reach above US$ XX Mn by the end of 2025 and in 2018, the market size was greater than US$ XX Mn. The Smart Indoor Lighting market is projected to exhibit an inactive CAGR of XX% between 2019 and 2025.

The report on the global Smart Indoor Lighting industry is just the resource that players need to strengthen their overall growth and establish a strong position in their business. It is a compilation of detailed, accurate research studies that provide in-depth analysis on critical subjects of the global Smart Indoor Lighting industry such as consumption, revenue, sales, production, trends, opportunities, geographic expansion, competition, segmentation, growth drivers, and challenges. As part of geographic analysis of the global Smart Indoor Lighting industry, the report digs deep into the growth of key regions and countries, including but not limited to North America, the US, Europe, the UK, Germany, France, Asia Pacific, China, and the MEA. All of the geographies are comprehensively studied on the basis of share, consumption, production, future growth potential, CAGR, and many other parameters.

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Key Drivers of Global Smart Indoor Lighting Market

Growing need for workers safety in volatile and electric environment

Rapid growth of the electronics industry

Benefits such as electrical and shock resistance to induce demand for Smart Indoor Lighting

Widespread application across laboratories, hospitals, high-tech manufacturing, utility plants, and car manufacturing

The global Smart Indoor Lighting market is valued at xx million US$ in 2020 is expected to reach xx million US$ by the end of 2026, growing at a CAGR of xx% during 2021-2026.

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The following manufacturers are covered:Philips LightingAcuity Brands LightingGeneral ElectricOSRAM LichtHoneywell InternationalCooper IndustriesDigital LumensLegrandLutron ElectronicsSchneider Electric

Segment by RegionsNorth AmericaEuropeChinaJapan

Segment by TypeFluorescent LampsLight Emitting DiodesHigh Intensity Discharge Lamps

Segment by ApplicationResidentialCommercialIndustrialOthers

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The research report is broken down into chapters, which are introduced by the executive summary. Its the introductory part of the chapter, which includes details about global market figures, both historical and estimates. The executive summary also provides a brief about the segments and the reasons for the progress or decline during the forecast period. The insightful research report on the global Smart Indoor Lighting market includes Porters five forces analysis and SWOT analysis to understand the factors impacting consumer and supplier behavior.

Market Segment Analysis of Smart Indoor Lighting

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Mergers & acquisitions and novel product launches to expand their business reach

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Smart Indoor Lighting Market size in terms of volume and value 2019-2025 - Jewish Life News

By Christina HalfpennyFrom the April 2020 Issue

Now easier to install and use and backed by in situ energy savings research, networked lighting controls (NLCs) are gaining traction in commercial facilities of all kinds. Navigant Research recently projected that global annual revenue for NLCs will expand at a compound annual growth rate of 17.6%, reaching $6 billion in 2028, and the U.S. Department of Energy estimates that more than a third of installed luminaires in commercial buildings will have network connectivity by 2035.

Steady expansion of NLCs is happening for a variety of reasons, including their ability to integrate with other facility systems such as building management systems and security to make buildings smarter, and significant energy savings potentialnearly 50% more than is possible with LED lighting alone, according to a 2017 DesignLights Consortium study. More than 50 utilities across North America currently offer incentives to encourage the commercial installation of NLCs by offsetting upfront costs.

For facility owners and managers, theres clearly opportunity to be had. Beyond energy savings, NLCs are a pathway to more intelligent use of building space, increased personal control and comfort, and better building diagnostics. Through NLCs, for example, facility managers can receive daily diagnostic reports about lights that are out or in need of attention, and can easily reconfigure lighting controls in response to changes in the space or to address complaints.

NLC technology also facilitates the sharing of data with other building systems, enabling functions ranging from parking elevators on the most occupied floors and facilitating navigation to available meeting rooms, to telling first responders where people are during emergencies.

The question is how to capture the potential benefits of NLCs, to ensure that investments in the technology are prudent. Research and the experience of early adopters indicates there isnt a one-size-fits-all answer.

The DesignLights Consortium study of NLCs installed in 114 buildings of various types offers pointers on how to maximize energy and cost savings. The study found average savings from NLCs (compared to savings from LEDs alone) to be 47% (ranging from 82% for warehouses and 63% for office buildings to 23% for assembly buildings (i.e., convention centers, theatres, places of worship) and 28% for schools). Importantly, however, the study found that NLC energy savings are influenced more by actual site-specific characteristics than by general building types.

NLC systems produce the greatest savings at sites with long operating hours, large swings in occupancy throughout the day, and that are less than 100% occupied, resulting in lower overall traffic, our research concluded.

In addition, this study demonstrated that you reap what you sow: proper startup and configuration of NLCstaking time to physically walk through a facility and choose appropriate lighting levels and occupancy delay settings for each space, for exampleis essential for energy savings. Without proper configuration, NLCs may have minimal impact or, in some cases, could even increase energy use.

Fortunately, several NLC systems are now available with mobile apps that simplify the configuration process.

Lack of interoperability (the ability of lighting systems and/or components to work together to operate as intended, typically facilitated by being able to share a common defined set of information) is another issue that can limit NLC energy savings. Historically, states a report by Memoori Research, a lack of standardization has meant lighting control systems have been largely proprietary and non-interoperable, increasing costs, and making them difficult to install and to reconfigure.

Recognizing interoperability as a characteristic that can unlock new energy savings and lead to greater adoption of NLCs, the DLCs latest version of Technical Requirements for Networked Lighting Control Systems includes a multi-year plan to enhance the interoperability of controls approved for the DLCs searchable online Qualified Products List (QPL). Strengthened energy monitoring features are part of the NLC5 policy, which is expected to become effective in June 2020 following another round of stakeholder comments this spring.

Also on the horizon later this year are findings from new research by the DLC and Northwest Energy Efficiency Alliance (NEEA) intended to update the 2017 NLC study by looking at more building types, sites and controls companies. This Networked Lighting Controls Energy Characterization Study will investigate operational best practices to achieve higher energy savings through NLC projects and will be available for use by NEEA, DLC member utility companies, and efficiency organizations to support the development and expansion of NLC incentive programs.

Configured correctly and used in the right places, NLCs are full of energy savings promise and can optimize the quality of light provided in both indoor and outdoor spaces. Realizing the energy saving potential hinges on factors within the control of facility management professionals, including choosing the right NLC system for your needs and keeping staff trained on how to operate and maintain it (or hiring a contractor to do so).

Through ongoing research and annual updating of our NLC technical requirements, the DLC is continuing to improve the value proposition of networked lighting controls in the commercial and industrial sector. By increasing customer understanding and confidence, we anticipate facilitating broader adoption of this transformative technology.

Halfpenny is executive director and CEO of DesignLights Consortium. In her position, she drives success through strategic planning, stakeholder engagement and collaboration, and continuous improvement of business systems. Halfpenny established the DLC as an independent nonprofit with the mission to drive efficiency through lighting. As Executive Director, she works to identify opportunities for broad scale energy savings and innovation that can be realized with applied planning and implementation tactics. Halfpenny has more than 15 years of experience in energy efficiency and clean energy policy and practice.

Do you have a comment? Share your thoughts in the Comments section below or send an e-mail to the Editor at [emailprotected]

Check out all the latest facility management newsrelated to Energy Management & Lighting.

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Networked Lighting Controls: Realize The Savings - Facility Executive Magazine

Global Smart Indoor Lighting Market is valued at USD XX million in 2019 and is projected to reach USD XX million by the end of 2025, growing at a CAGR of XX% during the period 2019 to 2025.

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The Essential Content Covered in the Global Smart Indoor Lighting Market Report:

The following manufacturers are covered:Philips LightingAcuity Brands LightingGeneral ElectricOSRAM LichtHoneywell InternationalCooper IndustriesDigital LumensLegrandLutron ElectronicsSchneider Electric

Segment by RegionsNorth AmericaEuropeChinaJapanSoutheast AsiaIndia

Segment by TypeFluorescent LampsLight Emitting DiodesHigh Intensity Discharge Lamps

Segment by ApplicationResidentialCommercialIndustrialOthers

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In terms of region, this research report covers almost all the major regions across the globe such as North America, Europe, South America, the Middle East, and Africa and the Asia Pacific. Europe and North America regions are anticipated to show an upward growth in the years to come. While Smart Indoor Lighting Market in Asia Pacific regions is likely to show remarkable growth during the forecasted period. Cutting edge technology and innovations are the most important traits of the North America region and thats the reason most of the time the US dominates the global markets. Smart Indoor Lighting Market in South, America region is also expected to grow in near future.

Key questions answered in the report

*What will be the market size in terms of value and volume in the next five years?

*Which segment is currently leading the market?

*In which region will the market find its highest growth?

*Which players will take the lead in the market?

*What are the key drivers and restraints of the markets growth?

We provide detailed product mapping and analysis of various market scenarios. Our analysts are experts in providing in-depth analysis and breakdown of the business of key market leaders. We keep a close eye on recent developments and follow latest company news related to different players operating in the global Smart Indoor Lighting market. This helps us to deeply analyze companies as well as the competitive landscape. Our vendor landscape analysis offers a complete study that will help you to stay on top of the competition.

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Smart Indoor Lighting Market Demand Analysis, Statistics, Trends and Investment Opportunities to 2023 - Jewish Life News