Restoration works continue at the Red House on Abercromby Street, Port of Spain on November 20. - Jeff Mayers

HOUSE Speaker Bridgid Annisette-George said the Red House restoration is scheduled to be completed this month and Parliament will complete its move to the location in January.

She was speaking at the opening of the sitting of the House on Monday.

"The Red House is the home of TT's Parliament and the seat of democracy."

She recalled that this "monumental and historic" building required urgent restoration and in 2011 a decision was made to temporarily relocate both Houses of Parliament and all auxiliary facilities to the current location at Tower D, International Waterfront Centre, Port of Spain.

She said the House had been informed that restoration and refurbishment of the Red House and the adjacent Cabildo Parliament Complex would be completed by December 31, 2019.

"This means that over the next six weeks the process of relocating the Parliament of TT, its auxiliary facilities and staff from Tower D to the Red House and the adjacent Cabildo Parliament Complex will take place."

Annisette-George said this "arduous task" will require all of Parliament's resources, particularly its staff, to ensure a smooth transition. She stressed that the relocation will result in a temporary disruption of the auxiliary services usually at members' disposal. She reported that sittings of both Houses and committee meetings will stand adjourned and administrative services may become temporarily unavailable during the transition period.

She said it is anticipated the move and the resumption of all services should be completed by January 20, 2020. She expressed the House's heartfelt appreciation to the Clerk of the House, the acting Clerk of the Senate and the Parliament staff for sacrificing their holiday season to complete the relocation project. Attorney General Faris Al-Rawi later reiterated that after the building is vacated it will be used for civil courts.

The Red House restoration was done by Udecott and cost approximately $441 million.

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Speaker: Parliament in Red House by January - Trinidad News

Parliament will make its long-awaited return to its home at the restored Red House by January 20, 2020.

House Speaker Brigid Annisette-George made the announcement as she gave an update on the relocation of the Parliament.

Parliament has been housed at Tower D at the Waterfront Complex since 2011 while restoration works were carried out at the historic Red House.

During Mondays sitting of the Parliament, Annisette-George said full restoration works on the Red House and Cabildo Parliament Complex are scheduled to be completed by December 31.

She said it would take six weeks to relocate the Parliament, auxiliary facilities and staff.

This would result in a temporary disruption of some auxiliary and administrative services, while some sittings of both the Upper and Lower Houses and some committees would stand adjourned during this transition period.

The House Speaker advised, however, that the move and the resumption of services would be completed by January 20, 2020.

Annisette-George assured that the Clerk of the House will make every effort to keep the members of the Parliament up to date on all developments concerning the move.

She extended thanks to the Parliament staff and the Clerks of both the Upper and Lower houses who will have to work through the Christmas season to ensure that the relocation remains on schedule.

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Parliament back at the Red House January 20 - Loop News Trinidad and Tobago

The spectacular stained glass at Sherborne Abbey is only part of what makes this building one of the grandest in England, as John Goodall explains.

Every Tuesday afternoon, we delve into the Country Life archives to find something special from the magazines illustrious past.This week, we look back at the 2013 Christmas special issue, in which our architecture editor John Goodall explained the history of Sherborne Abbey.

In 705, Sherborne had been chosen by King Ine as the seat of a vast bishopric that extended across the modern counties of Cornwall, Devon, Dorset, Somerset, Wiltshire and Berkshire. From 909, the see underwent the first of several transformations when it was subdivided by the foundation of a cathedral at Wells, wrote John.

Under its founding bishop, St Aldhelm, Sherborne was served by a community of priests or canons, but, in about 990, one of his successors, Wulfsin (or Wulfsige), re-formed the community as a Benedictine monastery. Soon after Wulfsins death in 1001, miracles were reported at his tomb and Bishop Aelfwold (104558) created a great new church as an appropriate setting for his predecessors relics.

That church was re-developed byBishop Roger (110339),Justiciar of England and Chancellor of Henry I, who was clearly impressed by what was there before. There could be no more powerful testimony to the grandeur of the Anglo-Saxon church than the fact that Roger did not raze it to the ground (the usual approach of Norman rebuilders), wrote John.

Sherborne Abbey. Credit: Dr John Crook/Country Life

The full article explains more of the machinations following the buildings history, from the day in 1437 when it was burnt down by local residents and how it survived the Dissolution. On this page, however, were focusing on what it looks like inside as it stands today a story which John expanded upon in the final section of his piece:

In its present form, the interior was shaped by a series of restoration campaigns launched in 1848 and absorbing an estimated 36,000 over the subsequent 40 years. A fundraising campaign instigated by the vicar, Rev John Parsons, and supported by the enormously rich Earl Digby permitted the restoration of the nave and transepts under the direction of R. C. Carpenter.

Earl Digby died in 1856, but, the choir was restored in his memory by W. Slater, a pupil and partner of Carpenter, at the expense of his nephew and heir George Digby Wingfield-Baker. This project culminated in the creation of a spectacular decorative scheme that includes a cycle of stained glass by Clayton and Bell: a Passion cycle in the east window and a huge array of saints, bishops and kings in the clerestorey windows.

Stained glass at Sherborne Abbey. Credit: Dr John Crook/Country Life

Across the walls and vault extends a complex scheme of painted decoration executed by J. G. Crace. Laid before the high altar are three memorial brasses made by Waller of London, one to the Earl and two to his distant forebears. Finally, in 188485, the tower was again restored.

Further changes have followed in the 20th century. The medieval Lady Chapel fell out of use at the Dissolution and was partly rebuilt as a war memorial in 1921 by W. D. Care. More recently, another major restoration campaign was brought to successful completion in 1983.

Among its modern curiosities, Sherborne has the heaviest eightbell peel in the world and includes one recast bell reputedly given by Cardinal Wolsey. Its inscription runs: By Wolseys gift I measure time for all/To mirth, to grief, to church I serve to call.

There is also a fire bell dated 1653: Lord quench the furious flame/aris, run, help put out the same. In the light of history, the legend could be read as a collective pledge of the parishioners to cherish the abbey as they clearly do and not to burn it down again.

John Goodalls full article, was published in Country Life on December 2013.

Iron can be wrought into the most delightful staircase balustrades. John Goodall chooses some favourites from Country Lifes outstanding archive.

There are many nominations for the oldest home in Britain in this piece from the Country Life archive, John Goodall

New discoveries in the archives at Belvoir are fleshing out the history of this outstanding castle. John Goodall delves into

Link:
Sherborne Abbeys stained glass: The spectacular Victorian addition to a building with 1300 years of history - Country Life

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OKLAHOMA CITY (KFOR) - It's a development planned to help women in need. However, some folks fighting against new neighbors will have to wait a little bit longer for the answer.

It's a proposed development for single mothers in the north part of the metro near the Oklahoma CityEdmond line. After an hours-long meeting Thursday afternoon, the Planning Commission delayed their vote.

Community members on both sides of the argument presented to the commission why their opinion was best for the community.

Members with the nonprofit charity Beautiful Restoration agreed to amend some of their plans, but residents living in the Rush Brook community say that's not enough.

A big crowd showed up for the fight over tiny homes. The issue at stake, a 16-acre development to temporarily house single mothers while they work to get back on their feet. But people living near the Danforth and Western property complained about the type of clientele who might be staying at those homes, worrying it will decrease their property value.

That is what Rush Brook is. It is a dynamite neighborhood. Everybody is sweet to everybody, everybody helps, everybody takes care of everybody. It is wonderful. This is destroying our neighborhood, said one person.

The meeting became a back and forth between the applicants attorney and concerned neighbors.

Officials with Beautiful Restoration agreed to not host any outdoor events at the former Governor's Mansion on property, downsizing retail space and moving the intended parking lot away from the already existing homes.

But neighbors in the North Oklahoma CityEdmond area say they still don't support it.

I think undeniably there is better ways we could be using this property if we took away everything they proposed and just had the tiny homes left. I don't see how that is best use, and I don`t see how we are going to come to an agreeance on anything else. I think the property in itself, better tax dollars is better spent in other ways, said another neighbor.

The planning commission fought back, saying it is not their responsibility to decide who can or cannot live somewhere. They voted to hear another round of arguments early into the new year.

I am sorry. I get it. We understand the concern about property values. We understand the concern about safety. We get it. I promise we get it. But we don`t need to talk about the occupants anymore, it is not something we need to talk about, said the Planning Commission chairman.

This meeting will continue January 23. The planning commission will decide then if they plan to present it to the City Council for a final vote.

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Decision for proposed tiny home development will have to wait a little longer - KFOR Oklahoma City

The median home price in Sonoma County is $660,000 according to the latest Press Democrat housing report compiled by staff writer Martin Espinoza and Compass real estate agent Rick Laws. That is more than double the median listed price for homes across the nation. According to Zillow, homes listed on its site average around $285,000 while they sell for $48,000 less than the asking price on average.

With the possibility of floods and fires in our future, some Sonoma County residents are pondering relocation.

In other cities across the nation, $285,000 can buy you a whole lot more house. In the Charlotte, North Carolina, suburb of Gastonia, you can buy a recently remodeled historic four-bedroom, three-bathroom home for $274,900.

205 W 5th Ave, Gastonia, NC. Property listed by Jenna Calhoun/ My Townhome, mytownhome.com, 207-807-0083.

In the Amador County town of Pioneer, $265,000 buys you an immaculate two-bedroom home in the woods near some of Californias best trails for hiking.

27568 Cedar Court, Pioneer, CA. Property listed by Brenda Cannon/Coldwell Banker, coldwellbanker.com, 209-304-2473.

If you are willing to shell out a few more bucks, for $499,900 can buy you a historic farm in Astoria, Oregon with 1920s Craftsman, several outbuildings and 1.65 fertile acres.

40232 Hunt Ln, Astoria, OR. Property listed by Christy Chaloux Coulombe/ Windermere, christycoulombe.com, 503-724-2400.

What does the U.S. median home price buy in Sonoma County you may ask?

Click through our gallery above to see homes priced at or slightly above* the national average.

*With only a couple move-in-ready properties listed under the median, we expanded our list to $315,000 to offer a more robust sample.

The rest is here:
What you can buy for just over the national median home price in Sonoma County? - Santa Rosa Press Democrat

Indianapolis | $1.5 MillionAn 1889 Victorian with seven bedrooms and four and a half bathrooms, on a half-acre lot

This property is in the Old Northside neighborhood, a historic district with many elegant homes, less than two miles northwest of downtown. (Among them is an Italianate Victorian several blocks southwest, where President Benjamin Harrison lived.) The builder came from a lumber family, and this house displays a rich variety of woods, including cherry, mahogany and oak. At one point, it was the clubhouse for a fraternal order. A two-year renovation was completed last year.

Size: 9,097 square feet

Price per square foot: $165

Indoors: The original wood doors inset with gridded glass open to a marble-tiled foyer, followed by a reception room. Turning left, you enter a library with casement windows, a nonworking, exposed-brick fireplace with a wood-slab mantel and industrial-style floor-to-ceiling bookshelves.

Beyond is a series of rooms: a breakfast room with a beamed ceiling and a terra-cotta fireplace, which opens to a kitchen with a large marble-topped island and a custom stainless steel hood and, finally, a family room with a coffered ceiling and French doors opening to a large rear deck with an outdoor kitchen.

Pocket doors off the reception room on the other side of the staircase take you into a dining room with a coffered ceiling, wall paneling and a green-tile fireplace. Past the dining room is a home office with a curved wall and honeycomb floor tile. A nearby area beside the back door is outfitted with coat hooks and a phone-charging station.

On the second floor are four bedrooms with attached bathrooms, including a master with walk-in closets on either side of a decorative fireplace, a changing room and a bathroom with twin marble-topped vanities, a soaking tub and a multispray slate shower. There is also a large laundry room with black-and-white Moroccan-style wall tile that matches the kitchens backsplash.

The third floor has two additional bedrooms with hardwood floors and dormers, and a family room or game room.

The original carriage house was expanded several years ago to include a five-car garage at the base. One of the bays is extra high for the storage of a camper or boat. The second floor contains a two-bedroom apartment with a living room that has a gas fireplace, a corner kitchen with stainless steel appliances and an elegant bathroom.

Outdoor space: The house has a fenced front lawn, a curving front porch and a large rear deck with a trellis roof, an outdoor kitchen and a firepit.

Taxes: $40,129 without a homestead exemption (2018)

Contact: Joe Everhart, Everhart Studio, 317-916-1052; everhartlistings.com

A 1997 conversion created this three-level unit in a building on the North Park Blocks in the citys Pearl District. The Willamette River, Union Station and Powells City of Books are within blocks of the condominium. The area is filled with restaurants, high-end doughnut shops, breweries, art galleries, boutiques and theaters.

Size: 2,050 square feet

Price per square foot: $729

Indoors: Elizabeth Raftopoulos, a fashion and interior designer, created the look of this fourth-through-sixth-floor unit. You enter a large loft room with wide-board French white-oak floors and a nook with coat hooks and storage under a metal staircase. Off to the side is a bead-board-paneled half bathroom with a marble-and-brass sink.

The open kitchen has custom dark-navy cabinets and an island with an Italian marble waterfall countertop. Among the appliances are a six-burner Wolf range, a Sub-Zero refrigerator with a glass door and an Electrolux wine cooler. A living area is at the end of the room, with Restoration Hardware glass-globed pendant lights, near a wall of casement windows.

The entire second level is taken up by a suite with a sitting area hung with Restoration Hardware hemispherical brass ceiling lights. Next to it is a bedroom with steel-framed glass walls on two sides, around which curtains can be drawn for privacy. The bedroom opens to a bathroom with a walk-in shower with black-granite tile and a marble-topped vanity.

The top-floor master bedroom has a sliding barn door and a niche for a desk. The en suite Italian marble bathroom includes built-in storage, a double vanity and a walk-in shower with controls and showerheads mounted on opposite walls. An interior steel-framed glass wall next to the Victoria & Albert Barcelona bathtub admits light from the bedroom windows and offers treetop views. This level also has a laundry room with a stacked washer and dryer and a granite-topped cabinet.

Outdoor space: A door from the living room opens to a terrace, and there is access from the master to a roof deck with planters. The unit looks out to the mature trees in the North Park Blocks. Parking for one car is in an attached garage.

Taxes: $13,171, plus a $658 monthly homeowners fee

Contact: Susan Suzuki, Sasha Welford or Todd Peres, Debbie Thomas Real Estate, 503-226-2141; debbiethomas.idxbroker.com

A previous owner built this house with reclaimed oak barn-wood siding and a metal roof. It has about 150 feet of frontage on the Animas River, popular for kayaking, rafting and fishing. Durango is a city of about 19,000 in southwestern Colorado, at an elevation of 6,500 feet. This home is two and a half miles northeast of the terminus of the Durango & Silverton Narrow Gauge Railroad, which makes a daily 50-mile trip north to Silverton, Colo., in summer. It is just east, across the river, from restaurants, markets and other businesses on Main Avenue. The campus of Fort Lewis College is three miles south.

Size: 2,068 square feet

Price per square foot: $725

Indoors: A cluster of attached, gabled forms creates interior spaces with vaulted ceilings. The double-height great room, for instance, rises 20 feet from its cherry floor to its ridge beam (made of fir from a Boeing airplane hangar in Seattle). Floor-to-ceiling windows offer river views, and a ladder ascends to a windowed loft.

Off the great room is a kitchen with raised-panel cabinetry, marble countertops and a white subway-tile backsplash. An attached dining room has direct outdoor access.

There is a ground-floor master bedroom with picture-rail molding and built-in wardrobes flanking glass doors that open to a river-facing back deck. The master bathroom includes a marble-topped vanity and a walk-in steam shower lined in glass subway tile and furnished with a bench.

Both upstairs bedrooms have vaulted ceilings. One has a cantilevered balcony overlooking the river. The upstairs bathroom has white paneling, a rustic wood vanity and pale-aqua glass tile on the bathtub wall.

Outdoor space: The property has shrubs and flowering trees, stone and gravel paths, and wood and metal-mesh fencing. There is also a wood-fired hot tub.

Taxes: $6,684 (2018)

Contact: Hannah Chary, Wells Group Real Estate, 970-799-5011; wellsgroupdurango.com

For weekly email updates on residential real estate news, sign up here. Follow us on Twitter: @nytrealestate.

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$1.5 Million Homes in Indiana, Oregon and Colorado - The New York Times

This majestic 1825 Federal home on the banks of the Hudson River was designed by architect Barnabas Waterman for shipping entrepreneur Anthony Rutgers Livingston. Steeped in history, the house has undergone an extensive yet sensitive restoration. Enter into a grand hallway with Double Parlors to the right and a formal Dining Room on the left. Original Federal flourishes abound with acanthus leaf capitals and entablatures, Corinthian columns, Keystone cap arches and intact mantels and crown moldings. Seven wood-burning fireplaces! The high ceiling heights and tall windows throughout provide extraordinary elegance, light and comfort. A thoughtful Kitchen renovation, with 1/2 Bath for 21st century convenience. Upstairs is a Full Bath and four spacious and airy Bedrooms, the Master with ensuite Bath. The walkout lower level of the house features a Family Room with fireplace, a full bath and the original 1825 kitchen with hearth and beehive oven. A stroll past the boxwood garden and pergola leads to a 3-bay Garage with finished Studio and 1/2 Bath above, perfect for artist, home office or additional guests! Convenient to NYS Thruway, Catskill, Lumberyard Performing Arts; 15 minutes to Hudson, 2 hours to NYC.

The Hudson River is right outside the door. Endless hours of enjoyment can be had observing river activity: the ever-changing ebb and flow of the river current and the parade of boats and ships gliding by.

Any individual or family who can envision a contemporary lifestyle in a turnkey historic Hudson Valley home right on its own waterfront.

This house is perfect for entertaining, both inside and outand even on the river.

Water activities from kayaking to a canoeing, on a sailboat or a larger craft. This house is all about having fun on the river. Plus, its just a short two-block walk to the middle of Athens to enjoy a meal or a brew at Crossroads Brewery, Food Studio or The Stewart House Pub.

The immediate surrounding area offers opportunities to visit the homes of the American Hudson River School painters Thomas Cole and Frederic Church. High quality performances are available nearby at The Lumberyard Center for Film & Performing Arts and at The Bridge Street Theatre in Catskill. And the dynamic little city of Hudson, N.Y., is only a short ferry or bridge crossing away.

Anthony Livingston, the gentleman who built the house, mortally wounded a man over a legal dispute one night on the streets of Hudson. Although he was jailed, the judge dropped the charges but Livingston left town anyway. Since then six more owners have lived happily in this historic, Hudson River home.

CLICK TO LEARN MORE

INTERESTED? Contact:

Christine Jones

The Kinderhook Group Real Estate

cjones@tkgre.com

518-751-4444

646-256-4797

38 South Front Street

Hudson, N.Y.

INTERESTED? Contact:

Paul Barrett

The Kinderhook Group Real Estate

pbarrett@tkgre.com

518-751-4444

518-755-3296

38 South Front Street

Hudson, N.Y.

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Majestic Federal on the Hudson | - theberkshireedge.com

Next to the stunning Pencarn sandy beach on the Conwy coastline stands a stone-built historic little cottage that looks out to sea.

A beach house that once served the owners of Gwrych castle, it was a place where the family would come to enjoy the beach whilst having comfortable facilities nearby.

In fact, the cottage was originally part of the castle estate near Abergele and enjoyed for many decades by the Lloyds of Gwrych through to the era of the Countess of Dundonald, the last member of the family to use the property until her death in 1924.

The house then went through a number of owners, one of which added a large side extension wing in the 1970s.

But turn back the clock just two years and this pretty building called Ty Crwn was in trouble.

In need of urgent renovation, the roof was falling off, there had been a fire and the building was now on the local council's empty homes list.

Outside there were large sections of the original exterior stonework painted bright orange, ivy swallowing up the remaining and original stone structure and overgrowth reaching 6ft high in places.

Inside, not many original features survived except a cast-iron log burner covered in undergrowth and birds' mess.

A trustee of the castle had bought the cottage from the previous, long-term owner with the idea of restoring it, but due to ill-health reluctantly had to sell it.

Not being a listed building, the property was very lucky that the new and current owner, also keen to bring the cottage back to its former and traditional glory, was architectural historian Dr Mark Baker.

Mark is well-known within the historic building restoration world, and beyond, as the passionate expert who set up a preservation trust with the view to saving Gwrch Castle after falling in love with it when he was just 12 years old.

Originally from Prestatyn, after years of fundraising and campaigning by Mark and the trustees of the castle, the structure was eventually bought in June 2018 to much celebration by local residents keen that the castle be owned by a group pf people passionate about its survival and restoration.

And then the castle's beach house was up for sale, and Mark couldn't resist buying it.

However, Mark didn't even view the property before he bought it for around 150k.

Mark says: "I wanted it to be more of a surprise but I knew it was a wreck.

"But I also knew that it was very solidly built and what had been burnt down was a later addition and the historic core had survived.

"The condition was awful, it was little more than a shell. Part of the roof had been blown off in storms, there was no security - you could walk straight in - the windows had gone, the doors had gone and there were areas of collapse.

"The atmosphere when I first went in was very forlorn but very dramatic, even picturesque with the windows smashed and the wind howling in, like something out of an 1820s Gothic novel!

"And the front room was like a 1970s pub, painted a red letter box colour; it was hideous!"

But the charm of the beach house, even in its wrecked state, had captivated Mark, so a year of restoration and renovation began.

But this was no ordinary renovation project.

Mark explains: "The cottage is so distinctively linked to Gwrych Castle and its estate, you can feel it's part of something bigger. It was important to link the two buildings."

The castle is about 500 yards from the beach house and forms part of a route that the family and visitors used to travel, from the castle to a structure on the hillside called Emily's Tower where they would have lunch.

The party would then travel down to the beach house where they would spend the rest of the day.

Mark says: "My long-term aim is for the cottage to become part of the original castle estate again because there's a lot of history at this site, you can feel it within the building."

Originally the beach house was only three rooms and, after some careful consideration, how they were originally used was the starting point for the restoration. The only change is that the original parlour is now a luxurious bathroom.

Mark and his team of construction experts, who have also been working on the restoration of the castle, wanted to take a historically accurate approach to make the cottage as authentic as possible, but also adapt it for modern life.

At first glance, it appeared that apart from the original stonework hiding under bright paint colours, nothing much inside had remained, but the cottage actually became very helpful in showing Mark its past.

Most of the original plasterwork had been hacked off over the years, to expose the limestone walls, which were then painted. But luckily a section of the original plasterwork survived in the kitchen.

From analysis of the composition of the horse hair, beach sand and lime in this plaster, an authentic mix was recreated and used throughout the property.

There was also an original gem waiting for Mark in the front lounge.

He explains: "There was a tiny section of the cottage underneath the stairs that was untouched.

"We took the 1970s stairs out and discovered a section of plasterwork and skirting, and this was enough to recreate the room.

"It was painted in a yellow ochre which is a typical, traditional early 19th-century colour and used elsewhere on the castle estate.

"We had seen it used in the castle in the high status rooms so using it in the cottage means we can, again, link what the family were doing to the decor in the castle and what was in existence at the beach house.

"It makes sense for the cottage to be influenced by the interiors of the castle; they had the same colour scheme at both buildings, as part of the overall estate."

When the structural work inside was completed, Mark's attention again turned to interior design and furnishing and accessorising the beach house.

Mark says: "I wanted the bedrooms to be peaceful so their colours are influenced by the sea location and what would have been used at the castle as well.

"It's called Fowler Olive by a designer called John Fowler and the lamps are Laura Ashley, all second hand. I have tried to reuse and upcycle as much as possible.

"A lot of the artwork is to do with the castle so we've got pictures of different members of the family and from Country Life magazine. The painting in the sitting room we found at the castle and believe it's of a former estate manager. I was keen that the art tells the story of the cottage and the estate."

One of Mark's favourite items within the beach house is the restored Victorian bath, with its position free-standing in the middle of the room making the space feel opulent. In fact, if he is pushed to choose his favourite room, the bathroom just about wins.

But the cottage is full of items chosen wisely or that has a unique story.

Mark says: "The mirror was donated by one of the trustees of the castle as a housewarming present, the beds are a pair of French early 20th-century brass frames dating back to the Arts and Crafts period.

"All the appliances obviously are new, but the fireplace came from my property in Cardiff."

One of the eye-catching rugs was bought on eBay and came from Croft Hall in Shropshire, an impressive country home designed by celebrated architect John Nash.

Mark laughs: "It only cost 40 because it was in a bit of a state, but that's been restored too."

So as the restoration journey continued, Mark gave each of the three original cottage rooms a purpose as well as its distinct interior design.

The kitchen now has a rustic design boasting bespoke carpentry by the castle carpenter who was employed by Mark to bring this room to life.

The bathroom is where the original parlor would have been, and the front, high-status room is a comfortable sitting room.

All spaces have engaging views either of the sea and/or the castle in the distance.

Each colour, furniture item or accessory within the cottage has been carefully considered, from the pair of Egyptian obolus and head of Medusa referring back to the family's past foreign travels to the remade, authentic sash windows.

But there needed to be additional space added to the property, and luckily the footings of an original extension at the rear of the cottage could still be seen.

Still wanting the beach house to be as authentic as possible, Mark decided to add the two bedrooms at the back of the property rather than recreate the 1970s extension at the side.

But he also didn't want the bedroom extension to be intrusive or seen from the front of the property.

So after advice from good friend Dr Greg Stevenson, experienced in authentically recreating historic properties through his company Under The Thatch, Mark opted for a tin-shack style extension.

With the roof tucked under the eaves of the main house and the walls positioned in from the cottage exterior walls, the extension is virtually unseen from the front of the property.

Mark never thought about giving up or regretted his decision to restore the property, but there was one huge challenge that caused major headaches; the bright orange external paint.

He says: "The worst thing was definitely removing the orange, that was the most difficult and it took almost two weeks. I don't know what they used but it was very high-quality, unfortunately!

"We had to get it blasted, so that was not fun, it was very, very messy but it enabled us to go back to the original look of the house and reveal the beautiful limestone underneath."

Now the beach house is finished, after draining a restoration budget of about 40,000, Mark hopes he has created a slice of history for people to enjoy and literally step back in time.

He says: "We know the central part of the cottage is 18th-century and is the oldest surviving part and that the front room can be dated to the 1830s.

"I like the views through the property, where you can get different lines of sight, you can see different spaces just looking in one direction and this creates depth.

"The views from the kitchen through to the high status room at the front take you on a journey from a rustic 18th-century feel into opulent Georgian Jane Austin-style room.

"I wanted it to feel like the Lloyd family had just stepped out, like they could just walk in through the door at any time but I also wanted to make it feel like it was 1820, 1920 and 2020."

And now that high security and car parking has been added Mark has just launched the property on Airbnb so guests can enjoy this historic atmosphere and the beach side location for themselves.

He says: "It's now time for the beach house to pay its way, we need funds to restore the garden, which includes the foundations of a medieval roundhouse that was once built on the site which we've made into a garden feature."

And for the 34-year-old who never stops restoring period properties, there's still more to do after the garden has been landscaped and planted with cuttings from the castle grounds.

Mark says: "In the next five years the plan is to put the slate roof back on and reinstall the Gothic style cast-iron window we found in the rubble in the garden, back into its rightful place.

"My biggest fear is that because the beach house isn't listed, someone could own it in the future, knock it down and build something brand-new on the site.

"So the aim is to get it listed in the future and give it the protection that it needs to survive in the future."

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The incredible renovation of a historic castle's former beach house where you can now stay - Wales Online

The House By The Cemetery, the outrageous Italian shocker from The Godfather of Gore, Lucio Fulci, is getting a 4K restoration! The Blu-ray release is coming this January from Blue Underground. This baby is packed with special features spanning 3 discs!

Check out the Blue Underground trailer below, then read on for all the details!

A young family moves from their cramped New York City apartment to a spacious new home in New England. But this is no ordinary house in the country: the previous owner was the deranged Dr. Freudstein, whose monstrous human experiments have left a legacy of bloody mayhem. Now, someone or something is alive in the basement, and home sweet home is about to become a horrific hell on earth.

Catriona MacColl (THE BEYOND), Paolo Malco (THE NEW YORK RIPPER), Ania Pieroni (TENEBRE), Carlo De Mejo (CITY OF THE LIVING DEAD), and Dagmar Lassander (HATCHET FOR THE HONEYMOON) star in this outrageous Italian shocker from The Godfather of Gore, Lucio Fulci (ZOMBIE). Blue Underground is now proud to present THE HOUSE BY THE CEMETERY in a new 4K restoration from the original uncut and uncensored camera negative, fully loaded with exclusive new and archival Extras!

Uncut? Uncensored? Hell yeah! Check out the new cover artwork!

Ooh, the soundtrack to boot! Sweet!

Great stuff! A grindhouse classic, for sure. Its great to see Blue Underground continue this 4K restoration trend for Fulcis work. Youll remember they did The New York Ripper not long ago. I wonder whats next?

The $49.95 suggested retail price is a bit steep, in my opinion. Fortunately, Amazon has our backs. You can pre-order the movie on Amazon for $35.49. That will at least leave you a little extra for beer and popcorn!

Its been a while since I saw this one. Im looking forward to revisiting.

What do you think? Will you pick up a copy of The House By The Cemetery 4K restoration Blu-ray in January? Tell us in the comments!

Visit link:
'The House By The Cemetery' 4K Restoration Coming Soon - PopHorror

CULTURE

David Battistella

December 10, 2019 - 16:21

Ive been keeping a secret for three years. In April 2016, I started to document the conservation process of the magnificent South Door of the Florence Baptistery. The embargo was lifted on December 6, 2019, when the 14th-century portal crafted by Florentine artist Andrea Pisano returned, restored, to public view.

The Opera del Duomo Museum has completed the arduous task of restoring all three original bronze doors originally created for the Baptistery of San Giovanni in piazza Duomo. Fine replicas can be seen on the octagonal building today and are better placed to bear the brunt of the elements (heavy rain in the autumn and ardent heat in the summer) as well as the acid rain and smog that tarnished the original works, which now enjoy the secure shelter of the well-appointed museum.

Deep inside the Opificio delle Pietre Dure (the organization that oversaw the conservation of the three sets of doors over 35 years), I documented the entire process from the moment the doors were painstakingly removed from the Baptistery through to being placed in their new home in the museum. Its hard to imagine anything predating the cupola in Florence, but these doors were actually a fixture on the Baptistery prior to the construction of Brunelleschis Dome and before Lorenzo Ghiberti heated and poured his first bronze sculptures to create the North Door and the famous East Door, dubbed by Michelangelo as the Gates of Paradise when he first saw them.

The historical significance of the work cannot be overlooked as the doors use a long lost and dangerous technique of fusing the gold to the bronze using mercury, which has been abolished as it can produce deadly results for the artisans. The technique and workmanship from the early 1300s would lay the basis for generations of Florentine artisans, who learn bronze sculpture techniques to this day. The formella named Visitation, for instance, would later seem to form the basis for Pontormos paintings.

Filled with awe on so many levels, I watched as the door began its journey from a deep green mold- and grime-covered work to the polished gold and dark brown bronze that it is today in the museum. First came the process required to move the door, which weigh in at a total of 6,500 kilograms per side. An enormous crew had to transport the portal from the Baptistery to the restoration location and eventually place them perfectly behind glass in the museum.

The amount of detail and step-by-step care that went into this conservation, which cost 1.5 million euro is an unparalleled study on how to conserve precious works of art and how not to destroy them in the process. Countless testing and retesting is conducted prior to moving on to the next step in the process. Florentine pride in their heritage is manifest as each person who came into contact with the work, myself included, experienced and appreciated the work, while proceeding with utmost care to preserve every detail. My job was to document each phase from various points of view.

As a documentary filmmaker, this was pure documentary process as I understood that each phase was going into an archive for future generations to be able to study and appreciate. Many of these techniques have been lost over time and to know that a filmed archive of the process now exists is profoundly rewarding. The footage will be added to the Opera del Duomo archive and can be used by scholars, artists, art conservators, archivists and news organizations in the future as a detailed testament of how the process unfolded.

The doors are part of the permanent collection of the Opera del Duomo Museum and can be viewed for the cost of a regular ticket.

Excerpt from:
My secret doors: filming the restoration of Pisano's masterpiece - The Florentine