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Organizers Seek African-American Actors to Fill Cast
DULUTH, Minn. The Lake Superior Community Theatre is planning a production of August Wilsons Pulitzer Prize and Tony Award winning play, Fences.
Fences is the story of the Maxsons, an African-American family in 1950s Pittsburgh.
The director, Paul Deaner, wants the production to be as authentic as possible, which means he needs an african american cast to fill the roles. Deaner knows finding the actors he needs would be difficult up the North Shore.
Duluth is the market we have to talent search for the show, said Deaner, the Executive Director of the Lake Superior Community Theatre. Its a big stretch for us, literally in mileage and in a shift in our dynamic of how were producing.
Fences was adapted into a movie in 2016, starring Denzel Washington and Viola Davis. Duluths Helen Davis is familiar with Fences and was the first one to get information Wednesday. Davis, who says she acted in high school, hopes to land the role of Rose Maxson.
Ive watched the movie over and over again and I feel I can have some compassion with this movie, said Davis. It brings us out for our culture and community to act and it brings out more, so people really understand what Fences is about.
Two more information sessions are scheduled. The first is Thursday from 10 a.m. to 7p.m. in the Denfeld High School cafeteria. Another is planned for Friday from 10 a.m. to 7 p.m. at the Duluth Neighborhood Youth Services Washington Center.
After the information sessions, Deaner will start contacting prospective actors about actual auditions.
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Theatre Company Plans "Fences" Production - Fox21Online - FOX 21 Online
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It seems like everywhere I go in Jackson and Josephine counties, I see green shadecloth enclosures and spiffy new wood fences that obviously surround cannabis gardens. To my eye, they are far more offensive to look at than the plants themselves. Are those fences required by law? If not, why do the growers use them? If they are required, what were the legislators' goals in requiring fencing.
Rogue River Bill
Hey, that's quite a handle you've got, Rogue River Bill. And, yes, we've heard more than our share of complaints about those fences, particularly the tarp fences.
In general, 8-foot fences are required to obscure the view of the plants, though there are plenty of folks, including growers, who think long wooden fences are just plain ugly.
When Oregonians decided they wanted to legalize marijuana, there was much concern about keeping those plants away from the prying eyes of children.
Rules for the recreational pot program mandate that grows be shielded from public view, with one option to accomplish that featbeing the construction of an 8-foot fence.
However, a solid fence isnt required in every case, and growers can obtain waivers from the state,according to the Oregon Liquor Control Commission, which also oversees legalized marijuana.
If the grow site isn't close to a road, or is somehow obscured from public view, the fence wouldn't be required. Unfortunately, many of these grow sites are located near freeways, highways and other areas. In fact, despite the tall fences, pot gardens can still be seen from certain vantage points.
There has been a move afoot to allow growers to install other types of fences, but legislators haven't signed off on that idea yet.
Growing hemp has also become popular, and because it is an agricultural crop overseen by the Oregon Department of Agriculture, it doesn't even need a fence. Hemp plants look very similar to regular marijuana, but don't produce the high.
The only thing we can say, Rogue River Bill, is that after a few years, those massive fences will weather and hopefully become less obvious.
Send questions to Since You Asked, Mail Tribune Newsroom, P.O. Box 1108, Medford, OR 97501; by fax to 541-776-4376; or by email to youasked@mailtribune.com. Were sorry, but the volume of questions received prevents us from answering all of them.
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Since You Asked: Pot fence requirements are built into the rules - Mail Tribune
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SAUGERTIES, N.Y. >> An 18-year-old town resident who ran through several backyards and vinyl fences in the hamlet of Glasco early Thursday, and appeared to be under the influence of some sort of substance, was taken to a hospital for evaluation, according to the police chief.
Quincy McKenzie, of 35 Sterley Ave., was arrested about 5:11 a.m. after police responded to a 911 call reporting a man yelling in the backyard of a residence on Edgewood Drive in Glasco, police said.
When officers arrived, McKenzie ran through several backyards and through two vinyl fences and continued screaming until an officer was able to subdue him, Police Chief Joseph Sinagra said. He said the officer was about to use a taser on McKenzie but was able to control him without it.
McKenzie was charged with the misdemeanors of criminal mischief (two counts), obstructing governmental administration and resisting arrest.
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Sinagra said McKenzie suffered only minor bruises from hitting the fences.
The chief said McKenzie was sweating profusely and officers had reason to believe he was on some sort of a controlled substance. Sinagra said he knows McKenzie and that bizarre behavior was not typical for him, which is why officers took him to the HealthAlliance Hospitals Broadway Campus in Kingston for evaluation.
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Saugerties teen charged, hospitalized after damaging fences in ... - The Daily Freeman
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GARDEN CITY, Kan. -- Most know of the luxurious life of Major League Baseball players. Some know of the hardships players face in minor league baseball. But only a few know what players in independent professional leagues go through.
The travel is taxing and the money is barely enough to cover groceries for a month. None of that is deterring Mason Mayberry.
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2012 BG grad is swinging for the fences, gaining experience in Pecos League - Sentinel-Tribune
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Overview
Soon to be a Major Motion Picture starring Denzel Washington and Viola Davis
Winner of the Pulitzer Prize for Drama and the Tony Award for Best Play
"In his work, Mr. Wilson depicted the struggles of black Americans with uncommon lyrical richness, theatrical density and emotional heft, in plays that give vivid voices to people on the frayed margins of life."The New York Times
From August Wilson, author of The Piano Lesson and the 1984-85 Broadway season's best play, Ma Rainey's Black Bottom, is another powerful, stunning dramatic work that has won him numerous critical acclaim including the 1987 Tony Award for Best Play and the Pulitzer Prize. The protagonist of Fences (part of Wilsons ten-part Pittsburgh Cycle plays), Troy Maxson, is a strong man, a hard man. He has had to be to survive. Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the 1950s are yielding to the new spirit of liberation in the 1960s, a spirit that is changing the world Troy Maxson has learned to deal with the only way he can, a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less.
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From the Publisher
"Fences leaves no doubt that Mr. Wilson is a major writer, combining a poet's ear for vernacular with a robust sense of humor, a sure sense for crackling dramatic incident, and a passionate commitment to a great subject."The New York Times "A blockbuster piece of theater, a major American play."New York Daily News
"An eloquent play... a comedy-drama that is well-nigh flawless."New York Magazine "A moving story line and a hero almost Shakespearian in contour."The Wall Street Journal
"A work of tremendous impact that summons up gratitude for the beauty of its language, the truth of its character, the power of its portrayals."Chicago Tribune
Sacred Fire
Troy Maxson is an angry man. He is an embittered ex-con who has built inner fences around his emotions that no oneneither his son Gory, his wife, Rosa Lee, nor his best friend, Jimcan cross. A proud and bitter man who was prevented by racism from playing major league baseball, Maxson is at fifty- three years of age a garbage collector. While his job allows him to successfully provide for his family, handling garbage represents for him a grim metaphor of his life. As he did during a bit in prison, he once again feels confined, and those who love him most, who depend on him most, suffer most for it.
Through Troy Maxson, playwright August Wilson personifies the man who grew up during the heat of Jim Crow: first proud, hopeful, and passionate in expectation; then emotionally withdrawn and disillusioned from incessant battles with life. Wilson also masterfully illuminates both the strength that lies within community and the adverse impact of a psychology of inequality that devastates the African American male and, in turn, his family and relationships, potentially disintegrating that same community.
Wilson's Pulitzer Prizewinning play offers a bleak picture of what happens to black males when their aspirations go beyond the fences within which they are confined. The fences of a racist society are compounded by the fences black men have often created to ward off loved ones who remind them of their failures. These fences only harbor. pain and hasten an inevitable asphyxiation. Fences is a gripping portrait of a black man dying.
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August Wilson was a major American playwright whose work has been consistently acclaimed as among the finest of the American theater. His first play, Ma Rainey's Black Bottom, won the New York Drama Critics' Circle Award for best new play of 1984-85. His second play, Fences, won numerous awards for best play of the year, 1987, including the Tony Award, the New York Drama Critics' Circle Award, the Drama Desk Award, and the Pulitzer Prize. Joe Turner's Come and Gone, his third play, was voted best play of 1987-1988 by the New York Drama Critics' Circle. In 1990, Wilson was awarded his second Pulitzer Prize for The Piano Lesson. He died in 2005.
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Fences by August Wilson, Paperback | Barnes & Noble
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Custom Fences in Basking Ridge, NJ | York Fence
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Shop The Home Depot for high quality Fencing Materials. There are many reasons to enclose the ... boundaries of your property using any one of a variety of fence types. Your home is the most important investment that you will ever make, and few other features increase your home's marketability than an attractive fence. At The Home Depot, we have a wide variety of high quality fence materials to take care of your entire yard fencing needs.
The king of all perimeter fencing is the wrought iron fence. Beautiful and highly secure, wrought iron is highly durable and can match any design you have. An aluminum fence offers much of the same beauty as wrought iron, but is more economical while needing less upkeep. Both types make for an excellent backyard fence and will prevent intruders and unwanted guests from entering your yard.
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You can count on The Home Depot to help you get your fencing project done right. Our materials will complement any landscape while will providing durability and security. More
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Fencing - Fence Materials & Supplies at The Home Depot
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Fences – Shmoop -
September 26, 2016 by
Mr HomeBuilder
August Wilson was born Fredrick August Kittle on April 27, 1945. His parents were Frederick Kittel, a German immigrant, and Daisy Wilson, an African-American woman. The playwright never saw much of his father growing up. He was mostly raised by his mother, in an apartment with no hot water, in Pittsburgh's Hill District, a mostly black neighborhood. When he was 20, August Kittle officially became August Wilson. He ditched his absent father's name altogether, aligning himself with his mother, her family, and her culture.
Wilson faced lots of racial discrimination in school. This reached a peak in high school, when he was accused of plagiarism. He'd written an excellent twenty-page paper on Napoleon. His teacher didn't believe a black person could write so well and called him a cheater. When the principal backed her up, Wilson dropped out of school. He continued to educate himself in the Pittsburgh Public Library. It looks like he did a pretty good job of it, too: he swiftly became one of the greatest American playwrights of all time.
Though Wilson began his writing career as a poet, he was attracted to the theatre. Along with his friend Rob Penny, he founded Black Horizons theatre company in Pittsburgh. Later on, Wilson's play Jitney got him accepted to the Playwright's Center in Minneapolis. It was there that he first started to think of himself as a playwright instead of a poet.
A few years later he found himself at the O'Neill Playwrights Conference with his play Ma Rainey's Black Bottom. There he met the director Lloyd Richards, an African-American man who just so happened to be dean of Yale's Drama School as well as artistic director of the highly influential Yale Repertory Theatre. From there, Wilson's career was made. Richards premiered many of Wilson's plays at Yale Rep and also directed his first six plays on Broadway.
August Wilson is most famous for his ten-play cycle that chronicles the African-American experience in the 20th century. This set of plays is sometimes called the Pittsburgh Cycle, since all but one (Ma Rainey's Black Bottom) is set in Wilson's hometown. The cycle is widely considered to be one of the most significant contributions to American drama. Its plays have won just about every award a play can win, including eight New York Drama Critics' Circle Awards, a Tony award for Best Play, and two Pulitzer Prizes.
Fences won Wilson his first Pulitzer Prize. What's amazing is that when the play first came to Broadway, Wilson's Joe Turner's Come and Gone was already playing there. This made Wilson the first black playwright to have more than one play on Broadway at the same time.
Fences was an all-out hit and is widely considered to be Wilson's biggest commercial success. It premiered at Yale Rep under the direction of Lloyd Richards and starred James Earl Jones as the deeply flawed Troy Maxson. Besides the Pulitzer Prize, the play won tons of Tonys and Drama Desk Awards.
Some say that Troy Maxson may be based on David Bedford, Wilson's stepfather. Bedford had many similarities to Troy, like the fact that he was once a talented athlete and had spent time in prison for murder. It's also been said that Rose may be based on Wilson's mother Daisy. Notice the flower names? Hmm. Wherever the play came from, its successful Broadway run cemented Wilson's reputation. It proved he could play in the big leagues. Though he died too early of liver cancer at the age of 60 he has taken his place among the greats of American playwriting. (If you want to learn more about Wilson, check out the August Wilson Center's website.)
Although Fences focuses on the African-American experience in its portrayal of a black family struggling to get by in 1950s Pittsburgh, the appeal of the play is universal. The conflict at the center of the play is one that could take place in any family.
Most of us know what it's like to live in the shadow of our parents. Troy Maxson, the main character of Fences, struggles to be a father with nothing to go on but the harsh example set by his own father. We also see Troy's son, Cory, coming of age under Troy's reign. The play shows that no matter how old you are, you're constantly measuring yourself against the example set by your parents. We're pretty sure most people know what this feels like. Even if your family was nothing like the Maxsons, you can probably connect with this basic human struggle.
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Fences - Shmoop
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Fences Summary – eNotes.com -
September 26, 2016 by
Mr HomeBuilder
Longtime friends Troy Maxson and Jim Bono are participating in their Friday (payday) night ritual of drinking and talking on Troys porch. They discuss a complaint Troy had filed about working conditions that deny black garbage workers the opportunity to drive garbage trucks. Jim shifts the conversation to the subject of Alberta, for whom he believes Troy has more than a passing interest, but Troy denies the accusation.
Rose, Troys wife, joins Troy and Jim on the porch. Troy explains to Jim about how he and Rose first met; Rose corrects his version of what happened. Troy and Rose disagree about shopping at the local black grocery store versus shopping at the A&P supermarket. Their difference of opinion continues when they discuss their teenage son, Cory, and his plans to play college football. Troy tells a story about how he had wrestled Death and won. Lyons, Troys son by an earlier marriage, stops by. Troy anticipates that he wants to borrow money. Lyons rejects Troys offer to get him a job because it is his music that gives his life meaning. Troy directs his son to get ten dollars from Rose, because she is the one who gets her husbands paycheck every Friday.
The next morning, Rose sings while she hangs up the laundry, and Troy considers her playing the numbers as a waste of money. Gabriel, Troys younger brother, visits. He suffers from a World War II brain injury, which has left him mentally deficient. He carries with him a basket of discarded fruits and vegetables as well as an old trumpet tied around his waist. Gabe, as he is called, is concerned that Troy is angry with him for moving out of their house. After Gabe leaves, Rose expresses concern that her brother-in-law may not be eating properly at his new boardinghouse, and she and Troy discuss the possibility of having him hospitalized again. Troy feels that no one wants to be locked up. He recalls that if it had not been for Gabes injury, he would have the same condition, too. Rose expects her husband to work on the fence, but he says that he is going down to Taylors.
Cory wants to know from his father why the family does not have a television. Troy responds by instructing his son on the importance of not going into debt. They discuss Troys baseball days and current baseball players. Troy wants his son to work, not to play football. Troys opposition prompts Cory to ask why his father does not like him. Troy responds by talking about responsibility. Cory is his son and he is obligated to take care of him, but he does not have to like him. Rose overhears their conversation and tells Troy that he is more than forty years old and too old to play in the major leagues. She says that the world is changing around him.
Two weeks later, Cory leaves the house carrying his football equipment, and Troy and Jim celebrate Troys promotion to garbage-truck driver. When Lyons returns the ten dollars he had borrowed, he reminds his father that Cory is nearly grown up. Troy, however, is upset that Cory has pretended to be keeping his job at the A&P when he is really sneaking off to football practice without telling his father. Troy confides to his older son that he had been abused by his own father, abuse that had caused him to leave home for good when he was fourteen years old. He reminisces, too, about meeting Rose, meeting Jim, and learning to play baseball. Lyons invites his father to hear him play at the Grill, but Troy turns down the invitation. Cory comes home upset because he had learned that his father had told his coach that he could no longer play on the high school football team.
The next morning, Rose informs Cory that the police have picked up Uncle Gabe for disturbing the peace. Troy bails Gabe out of jail and then begins to work on the fence with Jim. The fence is important to Rose, who sees it as a symbol of keeping her family consolidated and secure within the warm circle of the household. As Jim points out to Troy, Rose wants to hold on to you all. She loves you. Jim urges Troy not to do wrong by Rose and to get his life in order so that Rose will not have to find out about Troys love affair with another woman. Troy reminds Jim to do right by his own wife and to buy her the refrigerator for which she has been asking. Jim agrees to buy the refrigerator after Troy finishes the fence for Rose.
Jim leaves, and Troy has an important conversation with Rose, revealing that another woman is pregnant with his child. During their conversation, Gabe visits, and Rose, though she is trying to process what Troy is disclosing to her, directs Gabe to get some watermelon. Rose is baffled by Troys unfaithfulness at this point in their marriage of eighteen years. Troys defense is that he thought he could be a new man with Alberta, who had taken him away from the pressures and problems of his life. To Troys revelation that he felt trapped, Rose retorts that she had been right there standing beside him, willingly giving up whatever hopes and dreams that she could have nurtured to provide a home for him. Her discovery that he is not the finest man in the world only makes her hold on to him in love more tightly. At this point, Troy grabs Roses arm too tightly, and Cory comes to her defense. Troy threateningly declares that Cory now has two strikes against him, and he had better not strike out.
Six months later, Alberta is in the hospital about to give birth. Rose informs Troy, who cannot read, that a paper he had signed in front of a judge had committed Gabe to an institution, with half of his money earmarked to the hospital and the remaining half to Troy. A phone call from the hospital interrupts them with the news that Alberta had died giving birth to a healthy baby girl.
Three days later, Troy brings his baby home from the hospital, begging Rose for help. Rose agrees that the child is innocent and should not be punished for the sins of her father, but her agreement carries a consequence for Troy: Okay, Troy . . . Ill take care of your baby for you . . . this child got a mother. But you a womanless man.
Two months later, Rose is baking cakes for a church bake sale and Troy is sitting on the porch alone drinking and singing a song about a dog named Blue. Jim visits Troy and tells him that since Troys promotion to become a truck driver, he has not seen him. Troy informs him that driving up front is lonely with no one to talk to. Jim declines Troys invitation to stay longer. Troy informs him that Lucille had told Rose about getting the refrigerator, and Jim notes that Rose had told Lucille that Troy had completed the fence. Cory comes home and tries to get by his father, who is sitting in the middle of the steps. They have a confrontation, and Troy kicks his son out of the house. Cory tells his mother that he will be back for his belongings; Troy, hearing this, says he is going to put his sons things on the other side of the fence.
Seven years later, Cory, a corporal in the U.S. Marine Corps, returns home; his father has died. Jim compliments Cory on his achievements and tells him, Your daddy knew you had it in you. Lyons, who has been in prison, had received permission to attend his fathers funeral. Still bitter, however, Cory informs his mother that he does not plan to attend the funeral. Rose reminds him that Troy was his father. Cory and his half sister, Raynell, strike up a conversation and begin to sing Troys childhood song about Old Blue, prompting Cory to change his mind and attend his fathers funeral. Gabe, who is still institutionalized, also had received permission to attend his brothers funeral. Gabe sees this as a momentous time: He takes out his trumpet and prepares to signal Saint Peter to open the gates of Heaven for Troy.
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