Do Electric Dog Fences Work for Huskies? FAN FRIDAY #110
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Do Electric Dog Fences Work for Huskies? FAN FRIDAY #110 - Video
Better When You #39;re Dead Broken apt 26) by Broken Fences
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Better When You're Dead Broken apt 26) by Broken Fences - Video
Fences by paramore (not full song)
By: Mickey Adler
fences 2.01 full download
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fences 2.01 full download - Video
JACKSON, Wyo. After nearly two decades of fence removal projects all around Jackson Hole, volunteers are almost running out of historic barbed-wired fence to take out.
But ranching and raising and grazing cattle isnt going away in western Wyoming. Fences, in some form or another, will always be a part of the landscape. So now the Jackson Hole Wildlife Foundation, the organization leading the fence-pull movement, is moving on to retrofitting fences to make them more wildlife-friendly.
Now that weve removed virtually everything that we can remove, weve moved on to modification, Gregory Giffiths, a fence project organizer, said from the field recently.
Griffiths task on a recent Saturday was removing two miles of top barbed-wire and replacing it with heavy-duty wooden poles along a section of in-use fence in Grand Teton National Parks Elk Ranch area. The new top poles will be less likely to snag the bison, moose, elk, deer and other critters passing by as they migrate and move about.
The project was a collaboration of the wildlife foundation and National Parks Conservation Association. It used $5,000 donated by Nature Valley/General Mills.
Thirty-four volunteers gave up their Saturday for the project.
At Elk Ranch, groups of bison swarmed the area on both sides of the fence, as if to reassure the volunteers that their time was being put toward a worthwhile cause.
The wildlife foundation had already taken a crack at the section of fence volunteers were hard at work on Saturday. To protect pronghorn, which tend to crawl rather than jump, the bottom two strands of barbed wire had been swapped with a single strand of smooth wire last summer.
This arms going to be sore, said Steve Mason, taking a break from hammering spikes into drill holes bored into the new pole. But its sore from good things.
Mason, like a good number of the crowd at Elk Ranch, was a seasoned volunteer. He is a good friend of Bob Kopp, president of the wildlife foundations board of directors.
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Volunteers make fences more friendly to wildlife in Jackson Hole
Broken Fences - Hartwood Acres, Pittsburgh PA 6/23/2012
Broken Fences - Hartwood Acres, Pittsburgh PA 6/23/2012.
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Broken Fences - Hartwood Acres, Pittsburgh PA 6/23/2012 - Video
Shahrukh Khan and Karan Johar mend fences; party at a nightclub
Shahrukh Khan and Karan Johar mend fences; party at a nightclub -- View pics by http://www.bollywoodlife.com Looks like the two best friends who hit a rough ...
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Shahrukh Khan and Karan Johar mend fences; party at a nightclub - Video
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By: Javier Zapata
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Yesenia Fences llc. - Video
He plays Troy Maxson, perhaps the most towering of all Wilsons creations. Troy was once a promising baseball player whose prospects were hampered by his colour. Now he is a garbage collector, apparently anchored by bullish pride and his marriage to the gracious and sometimes fierce Rose (Tanya Moodie, excellent).
Henry finds richness and depth in the role: at first Troy looks like a jovial boozehound, but we gradually see his complexity. He is a flawed and wounded character, capable of plundering his brothers post-war disability allowance. Even his efforts to construct a fence around his Pittsburgh home are double-edged: he wants to confine his family and also keep the rest of the world at bay.
Troy is prone to conflict, above all with his sons. Cory (Ashley Zhangazha) has a talent for American football, which may hold the key to his getting a better education than Troy ever had. Lyons (Peter Bankol) is a gifted musician. Troy takes no interest in Lyonss music and dismisses him as a scrounger, but reserves truly humiliating treatment for the younger and more vulnerable Cory.
Director Paulette Randall locates the plays emotional core. The relationships are all convincingly presented, and theres exuberant work from Colin McFarlane as Troys drinking buddy Jim Bono and Ako Mitchell as his mentally disturbed brother, Gabriel. Crucially, too, the restrictions of Troys world are well defined. Yet Wilsons writing is verbose, laden with a symbolism that is rather too obvious. His epic ambition and the universality of his themes dont quite make up for the clunky exposition and overstretched metaphors especially about baseball.
Running two and three-quarter hours, Fences is dense and unsettling. Its brave to programme such a meaty, daunting piece during the summer months. But it is worth seeing for Henrys immense performance, which switches compellingly from humour to fury and from hopefulness to piercing disillusionment.
Until September 14 (0844 482 9672, duchesstheatre.co.uk)
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Fences, Duchess Theatre - theatre review
Lenny Henry gives a great performance in Paulette Randall's production of August Wilson's Fences, providing the "must-see performance in town"
Lenny Henry gives a truly outstanding dare I say it, truly great performance as the Pittsburgh garbage man and washed-up former baseball star Troy Maxson in August Wilson's Fences (1983), a play that is rightly recognised as a twentieth century African-American classic.
Wilson's project of writing a cycle of theatre for that century, one play for each decade, is one of the noblest in the American theatre, and Fences, set in the Hill District of Pittsburgh in 1957, the high point, partly because, in Troy, Wilson created the greatest black American character since Eugene O'Neill's Emperor Jones.
Like the Emperor, Troy is seriously flawed: he has an uneasy relationship with both grown-up sons, cheats on his wife, and drinks himself stupid every Friday night; almost incidentally to the energy of this play, he killed a man in a blur and was jailed for fifteen years.
And yet, and certainly in Henry's performance, he's a life force and a symbol of evolutionary resistance who invokes an ancestral history of cotton-picking penury and a generation of the black underclass who simply went walking until they came to "something." Troy is building a fence round his back yard to secure that "something."
He excelled at baseball, but at a time when black players were excluded from the major league sides, so he's jealous of his second son, Cory's (Ashley Zhangazha), potential pre-eminence on the field, undermining his progress; his elder son, Lyons (Peter Bankole), is a jazz-loving drifter to whom he grudgingly "subs" a few dollars.
As in Arthur Miller's doomed travelling salesman, Willy Loman, whom Wilson must have had in mind, we get a modern tragic hero seen by the light of a changing America and his own personal eclipse. And Paulette Randall's production, which certainly matches the British premiere in 1990 starring Yaphet Kotto as Troy and Adrian Lester as Cory, gives Henry the best possible support.
Lenny Henry as Troy Nobby Clark He's buttressed not only by Moodie and the excellent work of Zhangazha and Bankole, but also by Colin McFarlane as his neighbour and fellow worker Jim Bono, a nodding sideman who shares the Friday night gin bottle on the front porch and plans to buy his own wife a fridge when Troy completes his fencing.
Wilson's plays can sometimes be hard work, in a good way. But his last act is an astonishing theatrical post-script, with the surprise addition of sweet-singing Crystal Mills one of three girls in the role bonding with Cory, now a marine corporal, in Troy's jazz dog wail, an item dramatically akin to Archie Rice's Negro spiritual in The Entertainer, and Gabriel dancing up an angry storm.
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Review: Fences