Insulated conservatory ceiling installation from Warmcool
Insulation for conservatory roof. Warmcool will install your UPVC insulated conservatory ceiling anywhere in the UK from 695. Call for an instant quote: 016...
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Insulated conservatory ceiling installation from Warmcool - Video
On cold days people tend to walk briskly in downtown Nashville. But during the first week in December, people walking on Fifth Avenue North stopped, if only briefly, to watch Dorothy OConnor construct one of her fantastical worlds inside Tinney Contemporary.
Its been really nice. People walking will knock on the window and give me a thumbs up or say something really nice, which is so encouraging, OConnor said a few days before the shows opening.
Scenes, installation and photography by OConnor, is on view at the gallery through Jan. 11. OConnor will speak on Jan. 3 as part of the rescheduled Collectors Art Night.
The centerpiece is Ceiling of Black Birds, a vignette centered in the gallery directly across from the front doors. Contained within briar-covered walls and ceiling, the scene includes two wooden beds and various vintage props: a typewriter, stacks and piles of old books, doilies, etc.
A flock of birds progresses from white to black white birds on the floor and lower surfaces, white and black ones midway up and a mass of black birds on the ceiling.
The concept for the piece came to OConnor in a dream. It sounds so goofy to say that, but honestly thats where a lot of stuff comes from, she said.
Though she doesnt remember much else about the dream, she recalls someone saying to her, Dont forget your funeral near the end of it. The ceiling of black birds came to her instantly and other details emerged later.
For example she wanted to have two people making things in the scene. In the live tableau, a model sat on each bed, one making birds from the pages of an old book while the other painted the birds black.
OConnor was the Martin Shallenberger artist-in-residence earlier this year at Cheekwood, where she constructed Shelter in the museums temporary exhibition space. Her intricate, otherworldly installations are not only photographed for later display (using her 8-by-10 camera) but are also settings for performance art pieces or tableaux vivant.
Dorothys work is very organic, everything about it is nature-driven, gallery owner Susan Tinney said. Tinney went to OConnors website after being introduced to her in Atlanta by arts writer Jerry Cullum.
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Dorothy O'Connor creates magical world at Tinney
on november 18th, the spanish government officially presented miquel barcels latest art installation in the UNs palace of nations in geneva. the controversial work of art is a massive sculptural installation located on the domed ceiling of the buildings newly created human rights and alliance of civilizations chamber. the work consists of multi-coloured stalactite forms that appear to be dripping from the ceiling. however controversy over how the work was paid for has overshadowed its artistic significance.
the project was introduced by the spanish organization ONUART, which was established in 2007 to promote dialogue, through the use of spanish contemporary arts to create understanding between cultures and societies and to foster multilateralism at the UN in geneva. ONUART is a non-profit organization that receives public and private funding. ONUART commissioned miquel barcel to create the ceiling painting and paid for much of its cost. barcel began installing the piece in september 2007.
inspiration miquel barcels work often features natural elements and imagery but the chambers ceiling takes this idea literally by recreating the natural stalactite forms, albeit through the artists lens. barcel has revealed that the concept for the project came to him while he was in africa. at the unveiling barcel explained, on a day of immense heat in the middle of the sahel desert, I recall with vivacity the mirage of an image of the world dripping toward the sky. the vivid idea later took shape as he planned out the work.
execution while the concept of the work was solely barcels, the projects scale demanded assistance. to begin with, construction crews demolished the chambers existing ceiling and replaced it with a newly designed version that could support the weight of the sculpture. barcel and a team of engineers and architects created this new elliptic domed ceiling that is made from extra-strength aluminium. once in place barcel and his team of 20 assistants began construction of the sculpture.
the work began by building a raised floor that allowed the team to work closer to the high ceiling. then a plaster substance was applied to the ceiling in a variety of ways with a special consistency that created the cave-like forms. barcel consulted with particle science laboratories to ensure this mixture was the correct consistency. this material was mostly applied by hand but also using non-traditional tools like paintball guns. once the entire ceiling was covered in the plaster and all the dripping forms were complete, the ceiling was allowed to set.
35 tons of paint was then brought onto the sight to apply to the artwork. the paints used were made with special pigments sourced from all over the world. the paints were applied to the ceiling with special spray tools, as well as common objects like brooms for touch-ups. a series of different colours were applied to the ceiling. red, green, yellow, blue and almost every colour conceivable was applied to the ceiling as if the paints had exploded onto it. this multi-coloured layer was allowed to dry and the second coat was applied. unlike the vibrant hues of the first coat, the second on used only a single greyish blue tone. furthermore, the second coat was applied form only one direction. because only one side was exposed to the directional spray, the other side was left bare, revealing the multi coloured first layer. barcel has used this directional painting technique in his artwork for almost 20 years.
final after 13 months of work the ceiling of the UN chamber was complete. the ceilings total area measures a whopping 4,600 square feet and is completely covered in the special plaster and paint. the works size is so expansive that it is impossible to see it in its entirety. because the sculpture is so large, viewers are forced to circle around the room. as they move around the room and the sculpture the directional painting technique comes into play. the pieces appearance alters depending on the viewers perspective in the room. for example, the piece may appear predominately grey looking from one location, while from another it may appear multi-coloured.
the direction painting technique is perhaps the most symbolic aspect of barcels sculpture. for starters, the works multi-coloured appearance can be read as a very literal parallel to the multi-cultural nature of the world and the UN. in addition, the fact that the work cannot be properly understood from any one perspective alludes to the chambers function. like the issues discussed in the UN, altering ones perspective can affect your viewpoint.
at the unveiling on novmeber 18th, barcel gave a short speech in french, catalan and castilian. in this talk he revealed his main sources of inspiration for the installations appearance: a cave and the sea. he explained that the piece was executed to combine the two simultaneously. barcel further explained, the cave is a metaphor for the agora, the first meeting place of humans, the big african tree under which to sit to talk, and the only possible future: dialogue, human rights.
the critical reaction to the piece has largely been positive. at the unveiling the UN secretary-general ban ki-moon gave the work high praise, thanking barcel for putting his unique talents to work in service of the world. he later added, the artwork you have created for this room is innovative and radiant, i have no doubt that people will come to see it whether they have business here or not. this impression was shared by many of the dignitaries in attendance, all of who stared up at the chambers ceiling, admiring barcels sculpture. in reaction, some members of the press even likened the work to the 21st century sistine chapel. however the controversy surrounding the pieces financing has severally overshadowed the installation itself.
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room XX by miquel barceló - the spanish artist's colourful ...
HIT From ceiling to floor, countertop to drop-in sink, Abet Laminati has homeowners and do-it-your-selfers covered.
With the newest laminate materials and ease of fabrication, there isnt much that cannot become a colorful part of your kitchen modernization and refurbishing plan.
Abet, Inc.s Stratificato, a decorative high pressure, self supporting, compact laminate used for countertops, furniture, back splashes or any home application requiring extra strength, durability and design, is now available in new colors and digital designs. Stratificato is offered in over 500 colors and patterns, 30 finishes and eight sizes.
Its surface is composed of decorative paper impregnated with melamine resin. Several colors in 12 mm thickness are in stock in North America. Stratificato is the ideal homeowner answer for applications that require durability, sustainability, ease of fabrication and installation. This is a surfacing material answer that boasts low maintenance, high wear, and reasonable cost in the same sentence. The easy to clean surface cuts like wood, requires no finishing or sealing, and installs quickly.
You should keep the following points in mind when laying out a project:
* Prior to processing panels, check for any defects in the material.
* Pay attention to the grain which is present even in solid colors, making sure the grain flows in the same direction for any panel sections that are joined together.
* Seams in Stratificato are inconspicuous, not invisible.
* You may place a deck seam inside a cutout such as a sink or range.
* All inside corners require minimum 1/4-inch radius corners.
Pittsburgh, PA (PRWEB) December 12, 2013
"Installing sheets of fire-code drywall on the ceiling is hard work, as it requires a lot of heaving lifting," said an inventor from Salinas, Calif. "To make this job easier, I came up with this idea."
He developed the DRYWALL LADDER to offer a convenient way to lift up light construction-paneling materials. The unit holds the material steady so that it can be nailed or screwed. The design reduces the physical stress and strain normally involved, and it saves time and effort. Additionally, the invention is ideal for use with sheets of drywall and plywood.
The original design was submitted to the San Francisco office of InventHelp. It is currently available for licensing or sale to manufacturers or marketers. For more information, write Dept. 12-SNK-117, InventHelp, 217 Ninth Street, Pittsburgh, PA 15222, or call (412) 288-1300 ext. 1368. Learn more about InventHelp's Invention Submission Services at http://www.InventHelp.com.
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InventHelp Inventor Develops Drywall/Plywood Installation Aid (SNK-117)
Dear Ed: I plan on buying my first house in the near future and want to have a rain-style shower head in the bathroom. Depending on what I buy, I'm not sure if I'll have to build my shower stall from scratch, or adapt a rain head to an existing shower. What's the difference between installing new or adapting to old when it comes to rain-style shower heads? Steve, Utah
A: Not surprisingly, rain-style shower heads are designed to rain down on the user. So, basically you need to move the head higher and more to the middle of the shower stall to create a raining effect.
For new stalls, you can install a short shower arm pipe that sticks out vertically through the ceiling; then you can attach your rain shower head to that threaded pipe. But make sure you have enough ceiling height for this type of installation. If ceiling height is a concern, you can upgrade to a flush-mount rain head. While pricey, flush-mount ceiling heads have no exposed pipes and are easy to clean.
For existing shower stalls, to keep the costs down you can simply install a longer shower arm extension pipe onto the existing water connection. Then, mount your shower head to that pipe. However, height and shower arm stability can be an issue. In that case, you may also want to upgrade and install a rain shower water column system. This unit still attaches to the existing water connection, but the pipe column is secured to the wall with special anchors. The arched shower arm can extend up and over to the middle of the stall with more height and security. Bottom line: New or old, when installing a rain-style shower head, upgrading can avoid a flood of problems!
Master contractor/plumber Ed Del Grande is known internationally as the author of the book "Ed Del Grande's House Call," the host of TV and Internet shows, and a LEED green associate. Visit eddelgrande.com or write eadelg@cs.com. Always consult local contractors and codes.
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Plumber: Rain-style shower heads should be centered, higher to create desired effect
State College, PA The increasing popularity of Fiber To The Enclosure (FTTE) structured cabling design and plug-n-play network components require mounting solutions that combine flexibility with security. Oberon's latest addition to its line of telecommunications enclosures provides both, offering a mounting solution suitable for a variety of equipment, physically secure yet easy accessible to authorized technicians. Convenient installation and maintenance is especially important in FTTE installations where equipment is often located in high-traffic areas.
The Model 1074-04 is a locking, 2 x 2 suspended ceiling, plenum-rated, general-purpose zone enclosure. It is designed as a consolidation point for securing pre-terminated plug-n-play copper and fiber optic cable terminations and splitters in a Fiber To The Enclosure (FTTE) structured cabling design. It can also be used to secure active equipment including Optical Network Terminals (ONTs), small workgroup switches, wireless access points, and DAS remote access units (RAUs).
The 1074 is the only plenum rated enclosure which has fire-stopped openings large enough for the multi-fiber array modules and multi-copper connector modules used in pre-terminated solutions. The aesthetic, white powder-coated aluminum enclosure comes with 2U (Model 1074-04) or 4U (Model 1074-06) rack mounting brackets.
For more information regarding Oberon's line of wireless and telecom enclosures, please call 1-877-867-2312 or visit http://oberonwireless.com. The website includes an Enclosure Finder for viewing the mounting solutions recommended for specific wireless access points, DAS remote units, or multimedia gateways.
ABOUT OBERON, INC. - Since 1999, Oberon, Inc. has been providing products and services to integrators and end users of wireless LAN "Wi-Fi" network products. Oberons wireless enclosures and antenna products are used where the RF coverage, infrastructure security, environmental robustness, and aesthetics are paramount in the network design and implementation. Oberon offers ceiling-mounted telecommunications enclosures for Ethernet switches, patch panels, wireless controllers, and other networking and A/V components - ideal for structured cabling, Fiber-to-the-Enclosure (FTTE), and PON deployments.
Oberons products and services have helped thousands of integrators and end-users in the global healthcare, government, transportation and logistics, education, retail, hospitality, and manufacturing achieve reliable indoor network connection mobility.
For more information regarding this press release, please contact 1-877-867-2312 or sas@oberonwireless.com.
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Telecommunications Enclosure offers flexibility, security.
North Andover, MA (PRWEB) December 12, 2013
L-com, Inc., a designer and manufacturer of wired and wireless connectivity products, announced today that it will support the latest IEEE wireless standard 802.11ac with a series of indoor ceiling mount and outdoor panel style WiFi antennas that feature 2.4-5.8 GHz operation.
802.11ac offers up to 1 Gbps wireless transmissions and the ability to support up to eight MIMO spatial streams as well as 80 MHz channel bandwidth.
The HG2458-4SDC-6 series ceiling mount 802.11ac MIMO antennas feature 4 dBi of gain and six independent spatially diverse antennas in a single package. Three are designed to operate at 2.4 GHz and three are designed to operate at 4.9 to 5.8 GHz. The HG2458-3SDC-3 series ceiling mount antennas feature spatial diversity between three independent/integral antenna ports providing better wireless reception in areas susceptible to the affects of multi-path interference.
The HG2458-14DP-3NF outdoor rated panel antenna features three Independent 14 dBi antennas with two vertical and one horizontally polarized element. Other features include a heavy-duty UV-resistant plastic radome ideal for all-weather indoor or outdoor operation and a tilt and swivel mast mount kit which allows for quick installation at various degrees of up/down tilt.
We strive to offer our customers support for the latest technologies. Our new 802.11ac antennas provide high speed wireless connectivity as well as high quality construction which are a hallmark of L-coms products, said Ken Burgner, Wireless Product Manager.
L-coms 802.11ac compliant antennas are listed below and can be ordered directly from the L-com.com web site or by calling L-com sales at 1-800-341-5266.
2.4 GHz / 5.8 GHz 3 dBi MIMO Ceiling Antennas 2.4 GHz / 5.8 GHz 4 dBi MIMO Ceiling Mount Antennas 2.4 GHz / 5.8 GHz Triple Element, Dual Polarized Panel Antenna
For high-res versions of these images suitable for print publication click the links below.
http://www.l-com.com/lcom_emails/2013/121213/HG2458-3SDC-3NF.JPG http://www.l-com.com/lcom_emails/2013/121213/HG2458-4SDC-6-_.JPG http://www.l-com.com/lcom_emails/2013/121213/HG2458-14DP-3NF.JPG
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L-com Supports Gigabit WiFi With 802.11ac Antennas
home section Interior Design Housekeeping Entertaining Home Improvement Gardening & Plants Landscaping eHow Home & Garden Building & Remodeling Historic Restoration How to Install Tin Ceiling Tiles
Andrea Campbell
Andrea Campbell is the author of 12 nonfiction books on a variety of topics. She is also an e-instructor, editor and columnist who has been writing professionally since 1991. Campbell, the daughter of a builder, writes frequently about home improvement. She uses her degree in criminal justice to write about forensic science and criminal law.
Tin ceiling tiles can provide an authentic Victorian look to both classic, and traditional decor. They are also a solution to camouflage severely damaged ceilings. The downside is that the installation is quite difficult. Following is just some very basic information about doing it yourself, along with some alternatives.
Know that tin ceiling tiles come in several sizes, for example, 3 x 6 12-inch, 24-inch, and other panels sizes but these are fairly standard. A 24 x 24-inch panel will cover 4 square feet. There are three versions for true tin tiles--snaplock, drop-in and nail up.
Understand that the original tin ceiling tiles are created from .010 gauge tin-plated steel or aluminum alloy. The tin will rust, and the aluminum resists corrosion. Whatever the makeup, the metal edges on them are extremely sharp and you will be subject to many cuts if you don't wear gloves or handle correctly. For that reason, vinyl gloves are not recommended.
Keep in mind that primed tin panels can be painted first, with two coats. For intricate designs one color is suggested. For the simpler tiles, they can be antiqued to achieve a patina, just as you would with any other antiquing project--wiping a darker glaze over the paint to accentuate the cracks, crevices and details. Lighter colors are suggested as the tiles are intricately embossed and anything too dark will detract from the design patterns. There are also pre-finished tiles (much more expensive) that simulate copper, chrome, brass, steel and white.
Know that traditionally, tin ceilings are installed onto plywood substrate. You will need to erect scaffolding by using sawhorses and heavy planking. You will need to be able to work at a higher level.
Locate the center of the room. Using a chalk line, if you divide the ceiling into a half, then quarters, you can begin in the middle. (Look for 90-degree angles.) It is highly suggested you work from the center of the room out.
Keep in mind that the cornice pieces will be installed first. Doing it this way ensures the flange opening will be nailed to the plywood and the edge of the cornice is attached to the wall with strapping supports or the manufacturer-supplied aluminum strips. One caveat, there are also directions that suggest you apply molding after ceiling installation (check with your manufacturer).
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How to Install Tin Ceiling Tiles | eHow
home section Interior Design Housekeeping Entertaining Home Improvement Gardening & Plants Landscaping eHow Home & Garden Building & Remodeling Ceilings Ceiling Installation Instructions
Adam Quinn
Adam Quinn has been writing since 2008. His articles have appeared in the "Journal of Humanistic Psychology." Quinn holds a Master of Social Work from the University of Washington in Seattle, where his focus of study was counseling combat veterans with post-traumatic stress disorder.
If you're planning to refinish your basement, a drop ceiling may be an inexpensive, and decorative option. Despite an institutional stigma, drop ceilings can be obtained in a variety of styles and colors. A drop ceiling consists of a grid of metal runners and hangers that suspend 2-by-4-foot foam panels. The panel system provides convenient access above the ceiling and, if damaged, individual panels can be replaced quickly. You will need at least 4 inches of clearance between the old ceiling or bare joists, and the new drop ceiling.
Locate and mark the joists using a stud finder, if a previous ceiling exists. Measure the distance from the floor to the ceiling joists at various points to check for slope in the ceiling. If you discover a slope, choose the lowest ceiling joist height as the reference point for your ceiling measurements.
Measure 4 inches down from the lowest ceiling joist, and mark the wall at this height using a pencil. Draw a line on each wall in the room, using the level and a pencil. Check the accuracy of your line by running a leveled string from the lowest joist to the wall at different points along the pencil line.
Locate and mark the wall studs along each wall of the room, using a stud finder.
Mount the drop ceiling molding to the walls at the stud locations, using 6d nails and a hammer. Align the top of the molding along the pencil lines. Overlap the molding for inside corners. Butt the ends of the molding pieces together when connecting multiple pieces across a long wall. Cut the molding to fit, using tin snips.
Measure across the room, in a direction parallel to the joists. Divide this measurement by the ceiling panel length -- typically 4 feet -- to determine the number of panels that will fit across the ceiling. Divide the remainder of this calculation by two to determine the short panel length at either end of the ceiling.
Measure and mark this short panel length, from the corner of the wall perpendicular to the joists. From this mark, measure and mark 4-foot increments across the wall. Mirror these measurements along the opposite wall perpendicular to the joists. Snap a chalk line across the joists or old ceiling to connect the measurement points. These lines will be used to align main ceiling runners.
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Ceiling Installation Instructions | eHow - eHow | How to ...
