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Mother knows best, as the saying goes, and it holds true for the designers and architects who shared their memories with us for Mothers Day. From instilling an appreciation for craftsmanship to encouraging a rebellious streak, these designers mothers have had a profound impact on both their personal and professional outlooks. Heres how motherly wisdom has translated into excellent design advice.
George Yabu and his mom, Masako.
Be bold; be curious.
George Yabu recalls his moms fearlessness and moving to Canada from Japan. "This was in the 1930sshe grew up on a rice farm and took it upon herself to immigrate to Canada when she was 19. This was just not done in society back then," he explains. Once in Canada, she learned her stepmothers tailoring trade and assisted with the business. She took it upon herself to learn every aspect of Western fashionsgoing so far as to memorize the patterns for work. "She was always driven to learn how things worked and how to fix things through very clever, cost-effective means," says George.
Keep a problem-solving mindset.
"She looked at things through industrial design and engineering principles, a trait she has transferred onto me," George explains. As a result, he is always wondering about how things work and seeking solutions to challenges. "That is what design is all aboutsolving problems," he says.
Amagansett is George Yabu and Glenn Pushelbergs summertime home in the Hamptons. Note the color and texture of the rugs, which were influenced by Glenns mom, who was a talented weaver.
Glenn Pushelberg,co-founder of Yabu Pushelberg
Glenn Pushelberg and his mom, Shirley.
Create and craft.
Glenn Pushelberg comes from a family of crafters. "My mom had to work when she was young, but in her spare time, she enjoyed copper tooling," he says. Her mother, in turn, was a weaver. "I recall heading to her home which would be filled with looms, fabrics, and yarns," he says. "She would have old boxes of clothing, the contents of which she would rip up to make these beautifully colored rag rugs." Crafting for sheer pleasure and utility remains a large part of their family fabric to this day.
Nina Freudenberger and her mom, Marie.
Accent with color.
Nina Freudenberger says that her mom, an artist, was always careful with color, tending toward more neutral palettesbut with a bold accent. "For instance, my childhood living room carried mostly cream-colored furniture mixed with dark, antique furniture," says Nina, "but then she would find a burnt orange and sienna pillow (one of her favorite shades) and make that the vibe for the room shine!"
Choose foundational pieces that you can design around.
"I watched her change the accents over the years while keeping the primary, investment pieces the same, which I highly recommend for all of my clients now," says Nina. "It gives you much more flexibility and keeps foundational pieces timeless." For instance, her mother went through an animal print phase, and later an Indian textile phase, which created a harmonious, layered warmth around anchoring pieces.
Thanks to her mother, Nina has a passion for experimenting with different patterns. "They make any room pop!" she says.
Layer different styles.
"My mom could effortlessly mix antiques she found and layer them with modern pieces," says Nina, who warns that it is a lot harder than it looks. "It takes careful thought and confidence to do it rightits one of the many things I admire about my mother."
Mardi Doherty with her mom, Helen, and her daughters Chili (background) and Bonnie (foreground).
Challenge conventions.
"As a child, we lived in a modest 1950s home that had a very bold, all-red kitchen, and my bedroom had thick navy and white diagonal stripes splashed across all walls," says Mardi Doherty. These bold moves taught Mardi to think of design as an extension of personality. "I learned to cherish my individuality, reject conformity, and be proud of thinking differently from others."
Previously a church from the 1900s, this contemporary home repurposes the original stained-glass windows.
Keep a sense of humor.
Being able to mentally reframe a situation has helped Mardi immensely. "Its one of the greatest lessons Ive learned from my momnothing is ever as bad as it seems," she says. "In fact, her saying is, When the going gets tough, the tough go shopping, which always makes me smile!" She adds that her mother is very pragmatic, and that "she doesnt think anything is worth stressing too much about," which Doherty applies to her personal and professional life.
Pursue happiness.
"She taught me that its okay to let a great opportunity go if it doesnt make you happy," says Mardi. "This has been applied many times in my business."
Greg Faulkner with his mother, Mary.
Live thoughtfully on the land.
Making frequent trips from his hometown in Northern Indiana to visit his grandparents in Frankfort, Kentuckyagricultural, horse-and-bourbon countryhelped Greg Faulkner appreciate the relationship between people and nature. "In contrast to the intensely built, suburban environment of my hometown, the opportunistic and expedient way in which people inhabited farmhouses that were set upon open rolling hills, valleys, and verdant forestry did not go unnoticed," he says. "This was thanks to my mom, who gave me an appreciation for this natural landscape."
Faulkner Architects marries modernity and rural architecture with this barn-inspired home, which pays homage to the agricultural heritage of Glen Ellen, California.
Lead a project-driven life.
Gregs mother was a multi-hyphenate woman with numerous ongoing projects that included sewing dresses for herself and her daughters, tending to their home vegetable garden, oil painting, and keeping a clean and disciplined home environment. He adds that on the surface, it may not appear like these were architectural lessons, but "they are lessons about achieving a disciplined, ordered, and project-driven life." From his mothers example, Greg learned that any projectpersonal or professionalnecessitates "a consistent determination within a daily, iterative process that allows a constant return to the task with a fresh perspective." Overall, he says that engaging in such projects adds richness and realness to our lives, yielding "tangible results and effects that give us the satisfaction of accomplishing useful work, like the making of a good house."
Andrew Maynard with his mom, Patricia, at his childhood home in Tasmania.
Be wonderfully weird.
"Mom always let me be weird, which was perfect preparation for a life in design," Andrew Maynard says. The permission to be creative and think outside the box has resulted in projects with climbing walls, slides, nets, and secret rooms.
Tower House is a family residence in Victoria, Australia, whose playful plan includes an upper-level hanging net space for reading and relaxing.
Appreciate the outdoors.
During his childhood in rural Tasmanias mountainous landscape, Andrews mother helped cultivate an appreciation for the landscape, encouraging him "to consider it as an extension of our living space."
Build creative skills.
Andrews mother encouraged him and his siblings to build a skill they enjoyedcrafting, knitting, sewing, painting, building. "She pushed me to draw, which has been fundamentally important to my development as an architect, and a skill I feel should be picked up as early as possible," he says.
Place empathy over ego.
One of the most important things Andrew learned from his mother was the value of empathy: "It allows you to keep your ego in check and respond directly to client and community needs." Many of the delightful features he incorporates into homes are rooted in misunderstood subcultures. "Skateboarding, raves, anime, and street artall of which I lovedwere considered almost criminal activities by some, and a waste of time by most," he says.
Bonnie Bridgess mother, Janet, marks the location for a feature tree on the construction site of a BBA-designed residence in Cazadero, California.
Support the work of tradespeople.
"My mom was a general contractor and self-performed all of the work for her residential design-build projects," says Bonnie Bridges. "Demo, concrete, framing, mechanical, electrical, plumbing, cabinets, tile, paint, roofingshe did it all." Bridges has since cultivated a deep respect for the skilled carpenters, general contractors, and tradespeople who bring a designers vision to life. "I often say that, after design, my role is to support the contractor as much as possible and be the resource they need to make their (hard) job easier."
The Southern Pacific Brewery in San Francisco is housed in a former machine shop at the termination of an old train line. The spacious shell considers all the functional needs of the client, which included running a bar, restaurant, and full production brewery.
Prioritize functionality.
"I was inspired by my mom to focus on holistic, systems-based design thinking," says Bonnie. Her mother taught her about the importance of emphasizing function and considering about all the systems that go into designing a spacefrom water and electricity, to gas and drainage.
Related Reading: The Best Bouquets to Buy for Mothers Day
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7 Designers and Architects Share the Best Advice Theyve Gotten From Mom - Dwell
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The Times Architects Stepped Up in Crises
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For the past few months, the architecture community has been trying to bring its contribution to the fight against the pandemic. The global spread of this crisis might have triggered a coordinated, and thus a more visible effort, but this isnt the first time professionals step up in crises. Over the years, natural disasters and emergencies have determined several architects to get involved in disaster relief initiatives, as well as a wide range of humanitarian actions. In this article, we take a look at different occasions various architects and practices made a significant contribution to, helping affected communities overcome hardship.
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There are plenty of design proposals for post-disaster architecture out there, but it is quite seldom that architects get the chance to put their designs into practice, or help the affected communities in a tangible way. In light of recent global events, it is worth taking a look at how the architecture community can bring its contribution to critical situations.
If one were to name the professions leading figure in humanitarian architecture, it would probably be Shigeru Ban. The Pritzker-winning architect is notorious for his involvement and hands-on approach in emergency response, having undertaken disaster relief projects around the world. His work in this field has started with the design of paper-tube temporary homes for the refugees of the Kobe earthquake in 1995. Around the same time, Ban established the Voluntary Architects Network, to provide post-disaster aid. Among his numerous initiatives, he created temporary housing following the 2010 Haiti earthquake and developed a multi-storey housing complex made of shipping containers for the victims of the 2011 earthquake in Onagawa. Ban also designed a temporary cardboard cathedral to replace the one destroyed in Christchurch by the 2013 earthquake and created modular dwellings for the victims of the 2015 Nepal earthquake. In 2017, he signed an agreement with UN-Habitat to design 20,000 new homes for refugees in Kenya.
When an earthquake hit Pakistan in 2005, architect Yasmeen Lari decided to help, so she worked with the affected communities to rebuild homes using the materials at hand, such as bamboo and mud. Since then, she has helped build more than 36,000 homes for flood and earthquake victims in her home country, structures that withstood subsequent natural disasters. In 2007, Lari also built community kitchens in refugee camps. The architect co-founded the Heritage Foundation of Pakistan, an organization which, among others, trains people from rural areas in making building components and products which they can later monetise, helping those communities rise above poverty. Yasmeen Lari was recently awarded the 2020 Jane Drew prize for her extensive humanitarian work over the last two decades.
After the 2016 earthquake devastated several towns in central Italy, the Genoa-based architect was called by the Italian prime minister at the time to lead reconstruction efforts and develop natural disaster prevention strategies. As part of this initiative, Renzo Piano established a research group and created ten prototypes for anti-seismic housing to be built along the Apennines. In 2018, another tragic event hit Italy, with the collapse of the Morandi Bridge in Genoa. In the aftermath of the disaster, Piano, a Genovese himself, offered to donate the design of a new bridge to replace the old one. The structure has recently been completed. Prior to these events, Renzo Piano had also accepted Emergency NGOs request to design a new healthcare facility, the Centre of Excellence in Paediatric Surgery, in Uganda, currently under construction.
The earthquake that struck central Italy in 2016 resulted in the loss of centuries-old architecture and the town of Amatrice was the most severely affected. Stefano Boeri joined architect Renzo Piano in the reconstruction process, designing a new school canteen for Amatrice. Supported with donations from all across Italy, as well as the architects themselves, the scheme was a first small step towards the reconstruction of the severely destroyed territory. The project then evolved to become Polo del Gusto Square, with the surrounding buildings accommodating eight restaurants. Encompassing a range of different services, the design was part of the attempt to recreate jobs, restart economic activities and revive local tourism.
The charity and design studio began their humanitarian work in 2004, providing educational spaces for the Syrian refugee children in Lebanon. Their approach aims to foster community resilience by involving the users in the planning and construction phases. In partnership with different NGOs and humanitarian organizations, CatalyticAction has designed and built several playgrounds in refugee settlements in Lebanon. In 2016, the practice repurposed the donated materials used for a pavilion at the Expo in Milan to redevelop the Jarahieh Refugee School, formerly housed in a temporary tent.
The Pritzker-winning architect is well-known for his efforts to promote social development and overcome disparity. The half-finished house has become a signature for the studio ELEMENTAL, allowing governments to provide housing at a very low price, while still creating quality homes. This design strategy has been incorporated in the replacement of an illegal settlement in Iquique or the Monterrey Housing project in Mexico. The architect also played an essential role in the reconstruction of the Chilean city of Constitucin after the earthquake and tsunami of 2010, which resulted in creating a forest to attenuate the effects of future natural disasters, as well as Villa Verde Housing, a residential neighbourhood for 484 of the affected families. To help with the lack of affordable housing worldwide, as well as with the rapid urbanization, Aravena released four of the studios incremental housing designs to the public for open source use.
The list could be longer but still manages to prove that in times of dire need, there were architects who answered the call and helped. Whether this deserves praise or is simply a part of the profession's social responsibility is an open debate. These examples serve as a reminder that individual action can make an essential difference in crises when peoples livelihoods are disrupted.
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The Times Architects Stepped Up in Crises - ArchDaily
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The bad news: In many cities, classrooms are officially shuttered for the rest of the school year due to the novel coronavirus crisisand the status of summer camps isnt looking too hot either.
The better news: While certainly no substitute for in-person experiences, many cultural institutions, museums, and even individual architecture firms are now offering architecture- and design-focused online educational opportunitiesfrom Zoom-based workshops to downloadable coloring e-books toamusing, family-friendly video seriesthat cater to stuck-at-home kids and the parents and caretakers. And because creativity (and coloring as a de-stressing tool) knows no age limit, many of these opportunities hold strong appeal to listless big kids, too.
Check out just a few of these online activities and workshops below. Many are free and some require advance registration.
The Chicago Architecture Center has retooled its upcoming calendar of family-and youth-oriented programming to accommodate for virtual learning while in-person events are on pause. Debuting in conjunction with each weekly edition of the CAC@Home newsletter, offerings include a remote iteration of the Girls Build! program, three new video series (Architecture Essentials, Neighborhood Strollers, and Storytime with CAC), and more. Schools may be out of session and museums are closed, but the CAC is working to keep children, parents and teachers learning about architecture and design, including the buildings around them, while practicing spatial distancing at home in their own neighborhoods, said Nicole Kowrach, the Centers vice president for education and audience engagement, in a statement.
In partnership with the NYC Department of Youth and Community Development, the Center for Architecture has launched #ArchitectureAtHome, a series of fun, family-oriented activities to engage, inspire, and pass the time. They include drawing activities, Google Map-based scavenger hunts, and tutorials on how to make pop-up buildings out of paper bags.
Sympathetic to frazzled parents in need of new distractions for restless broods, London-based mega-firm Fosters + Partners recently launched a robust at-home educational initiative dubbed #Architecturefromhome that includes drawing, making, playing, thinking, reading, watching, and other activities to keep them [out of school kids] entertainedfor at least a few hours! Templates for activities, including Paper skyscraper, Create your own city, and Drawing trees, are available to download through the #Architecturefromhome micro-site. The firm encourages participants young and old to share their completed creations on social media.
Through May 20, the Frank Lloyd Wright Foundations education department is hosting a virtual classroom for K-12 students with new lessons and corresponding videos being introduced each week. Says the Foundation of the free educational initiative, which is based on a curriculum developed in collaboration with the Paradise Valley School District: The Virtual Classroom combines fun, real-world lessons with Wrights famed principles of organic architecture and solutions-based design, each STEAM-focused lesson will offer students its own variation of hands-on activities that encourage them to think critically and creatively. Although the six-week series is now in week three of lessons, its never too late to join in. Upcoming lessons include Circles and The Impact of Color.
Normally held at the Taliesin West campus in Scottsdale, Arizona, the Foundations popular Summer Art and Architecture Summer Camp is also going virtual, and for the first time, is also free. Virtual campers enrolled in the program will meet via Zoom for an hour every weekday during three two-week sessions kicking off on June 1.
The Texas-based offices of global architecture firm Gensler have banded together to release two coloring books, Amazing Cities and Amazing Cities Kids, geared toward housebound families looking for a fun, architecture-centric distraction. The free downloadable coloring books together span over 200 pages and feature a slew of Gensler-designed buildings across the Lone Star State including in Dallas, San Antonio, Houston, and Austin. In the wake of recent COVID-19 events, weve been channeling our creative energy into finding a way to educate and inspire people of all ages during these challenging times, Gerardo Gandy, an associate at Gensler who conceived the series, told D magazine. We hope this series allows the public, especially young minds, to use their creativity and imagination, and that it extends the spirit of our firm and the passion that we share for our practice to our friends, clients, and community.
Every Wednesday and Saturday at 3 p.m. during the month of May, Jeff Hopkins, teaching artist at the Solomon R. Guggenheim Museum, will tell stories about the history of the Guggenheims iconic Frank Lloyd Wright-designed Manhattan home through a series of sketches. Each sketch is followed by a prompt meant to inspire young viewers to create their own sketches at home. Participants are encouraged to share their finished work on Instagram or on Twitter with the hashtag #SketchWithJeff.
On May 22, the Glass House, in participation with the New Canaan Library, is hosting an hour-long, hands-on color workshop led by Fritz Horstman, director of education at The Josef and Anni Albers Foundation. Working from Josef Alberss book Interaction of Color, we will experiment with colors that you may already have around your home. We will try our hands at exercises that Albers invented in his time teaching at the Bauhaus, Black Mountain College, and Yale, such as One-Color-Becomes-Two, Reversed Grounds, and Afterimage, explains the event page. No prior artistic experience is required to participate although those registered must have a list of necessary materials on hand before the workshop begins. Self-directed, video-driven color workshops specifically for kids are also available through the Josef and Anni Albers Foundation.
MODAs calendar of upcoming online workshops for pint-sized design aficionados is impressive: A three-part series in skatepark design, an intro to using Minecraft as a CAD tool, and ongoing educational sessions for aspiring architects and designers ages eight through 15.
Although the National Building Museum has canceled all public programming through the end of September (and doesnt list any upcoming virtual events on its calendar), the museums website has a rich resource of at-home learning opportunities (Newspaper forts! Bell pepper architectural drawings! Building surveys!) for cooped-up families including the nifty, recently launched Neighborhood Exploration series.
While the New Museums First Saturdays For Families programming has been canceled, the New Museum Kids Menu series is continuing to provide families with activities to learn about contemporary art and ideas at home. Past family-friendly activities include At Home With Portraiture: Jordan Casteel and The Faces of Places: Jordan Casteel. Keep abreast of upcoming activities here.
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Keep architects- and designers-in-training busy with these online workshops and activities - The Architect's Newspaper
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Kimberly Dowdell began her architecture career just as the Great Recession started to drag down the U.S. construction industry, leading developers to cancel many ambitious projects. A lot of architects were soon out of work, including many minorities, a setback to diversity in a profession that, much like commercial real estate, remained white-dominated.
With a pandemic now wreaking havoc on the U.S. economy and millions of young people losing jobsat the beginning of their careers, Dowdell worries that history may repeat itself. As head of the National Organization for Minority Architects, the Chicago-based director of business development at HOK is making plans to help firms hold onto new talent, rather than stand by and watch as economic pressures force them out, perhaps never to return to their chosen field.
Courtesy of Lauen Kirk
Lauren Kirk in Venice in 2019. Kirk lost her architecture job during the Great Recession and never returned to the industry.
We definitely saw many people who graduated with architecture degrees between 2005 and 2010 who had to find a different path, Dowdell said.
She graduated from Cornell University with an architecture degree in 2006, along with about 60 others.
Today, of the 60, maybe 20 are still practicing architecture in the traditional sense, and thats being generous, she said.
After having risen steadily for more than a decade, the number of African Americans securing an architectural license went into a steep decline in the recessions wake, according to the Directory of African American Architects, a project sponsored by the Center for the Study of Practice at the University of Cincinnati.
In 2009, 71 African Americans received a license, the most since 1995, the group found. That pace slowed in the next few years, falling to just 34 in 2014, the fewest since the 2001 recession.
Dowdell attributes some of the losses to the professions lack of financial rewards, at least for beginners, who typically serve long apprenticeships where they focus on mundane tasks such as researching fire codes or designing a buildings plumbing. The median salary for a newly minted graduate in the U.S. is about $53K, according to a 2019 compensation report by the American Institute of Architects.
The starting salaries in architecture are nowhere near where other professions start out, so strictly from an economic perspective, architecture doesnt make sense, she said.
Although she saw people of all ethnicities and backgrounds leave the profession, the economic downturn in 2009 cut deeper into minority communities, Dowdell added. She pointed out that according to a 2020 Brookings Institution study, a typical white family in the U.S. has 10times the net worth of a typical black family.
If you get let go, its probably harder for you to weather the storm if you dont come from a wealthy background, she said. There was a larger percentage of people of color who had to find a different path.
Courtesy of Directory of African American Architects
Lauren Kirk, another 2006 Cornell graduate, was one of the many architecture rookies pushed out by the 2009 economic downturn. It had been the career she always dreamed about.
My dad is an architect, so its in my blood, and I always knew I wanted to do it, she said. I never wavered, I never looked at anything else.
Kirk was three years into an internship at tvsdesign in Atlanta, doing all of the grind work commonly handled by beginners, when she was laid off and faced a decision.
Its a big hit to your ego, and young people who dont come from independently wealthy families cant sit around a whole year with no income, wait for something to come along and then compete against other out-of-work architects who may have 20 years of experience, she said.
Kirk decided to return to school, got an MBA in real estate management from Ohio State University and then spent nine years at Macys, eventually becoming responsible for a portfolio of around 200 stores.
The lateral career move brought some advantages, not all of them financial. Kirk was handed more responsibility than she would have had as an architect and led teams of architects and contractors reconstructing such iconic downtown stores as Chicagos State Street Macys.
Kirk recently started a new job as project director for Brixmor Property Group, a REIT that owns open-air shopping malls across the U.S.
I definitely miss the creativity of architecture, but from a relationship standpoint, I am no longer behind a desk, so I would not have the network I now have if I had stayed in architecture, Kirk said. Looking at my peers and judging myself against them, I think Im doing very well.
Her new profession also has a long way to go to achieve diversity.
I can count on my hands how often Ive attended meetings where there was another African American in the room, and only once was there a black woman," she said. "So one meeting in nine years.
Courtesy of Kimberly Dowdell
Kimberly Dowdell
Luck may have played a role in keeping Dowdell on the path of to an architecture career. As the economy cratered in 2008, she was at HOK in New York City. Much of the work was on a design for Doha International Airport in Qatar, and projects backed by such wealthy countries were immune from the economic pressure afflicting other development work, she said.
Dowdell later took a detour from architecture, getting a masters degree in public administration from Harvard Universitys Kennedy School of Government and going to work as a planner for the city of Detroit, her hometown. She returned to HOK last year.
For those without her kind of luck, Dowdell hopes architectures professional associations, along with its influential firms, will respond to this downturn by putting together plans to hold onto talent.
I would like to think that the profession has better infrastructure in place, but Im not sure we do, she said.
In 2015, black architects began a bit of a comeback when 73 secured licenses, according to the directory. But the total number of African Americans working as practicing architects remains low. The directory found 2,306 living African American licensed architects at the end of 2019, or around 2% of the approximately 115,316 total architects licensed in the U.S.
As head of NOMA, Dowdell leads its efforts to construct a pipeline for aspiring minority architects. The organization recently launched a minority fellowship program thatwill help 25 architecture students get their foot in the door. NOMA will match the fellows with firms, pay each a stipend and hopefully secure more funds for real salaries.
Wed love to offer this to more students, and we are encouraging other organizations, firms and companies to help us take the initiative and solve this problem head-on, she said.
Kirk said she is worried what will happen to architecture if it loses another generation of minorities.
We live in a diverse world, but if you only have one group of people designing buildings, there is no diversity of thought, and we will be missing out on many ideas," she said. "We dont want to live in a vanilla world. Thats no fun.
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New Great Recession Threatens Loss Of Another Generation Of Minority Architects - Bisnow
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The car is the star in each of these eight private residential projects, each designed for a client keen to show off their beloved automobiles.
Autohaus, USA, by Matt Fajkus Architecture
Built for a car collector in Austin, Texas, Autohaus' entire ground floor is given over to a garage and workshop.
Floor-to-ceiling glass walls frame the parking space, and the gabled living area cantilevers over an outdoor parking space to frame and shelter the car below.
Find out more about Autohaus
House in Takamatsu, Japan, by FujiwaraMuro Architects
FujiwaraMuro Architects designed a single opening in the bunker-style facade of this house in Takamatsu to draw attention to the owner's sports car.
The all-white home is otherwise highly private. Inside, a glass wall gives a full view of the car from a downstairs living room.
Find out more about House in Takamatsu
Smilgu House, Lithuania, by Plazma Architecture Studio
A glass-walled corner of the ground floor of this house in Vilnius puts the owner's car proudly on display.
Timber cladding helps the house blend with the trees, making the garage a focal point of the front facade. To the rear, the house has huge double height windows looking out over the garden.
Find out more about Smilgu House
Garage House, Portugal, by Fala Atelier
Fala Atelier converted a garage in Lisbon into a house for a young couple and kept its original purpose.
Their little car can be driven straight into the open-plan house, which can be divided into separate rooms using brightly-coloured curtains.
Find out more about Garage House
Pagoda House, Bulgaria, by I/O Architects
Pagoda House takes its name from the owner's beloved vintage Mercedes Pagoda, which has pride of place in a glass-walled garage.
The house is partially submerged into its sloping site, with the classic car located at the bottom of a timber staircase and framed against a raw concrete back wall.
Find out more about Pagoda House
Basic House, Thailand, by Brownhouses
This house in Bangkok for an avid car collector has space for six cars to be parked two abreast in a glass-walled garage on the ground floor.
A home office runs along the side of the car display area, and a playroom complete with a sand pit and toy cars for the owner's children sits at the end.
Find out more about Basic House
Family House, Czech Republic, by Stempel & Tesar
Czech architecture studio Stempel & Tesar built this house for a racing car driver with an open-air garage sheltered under a balcony.
Much of the ground floor of the house is given over to a workshop, where the owner has space to tinker with two more cars.
Find out more about Family House
Garage Loft, Netherlands, by Studio OxL
This single-storey house in Arnhem that was once a carpenter's workshop has doors that open up to allow the client to park their electric sports car in the middle of the shiny white living room.
Because it's electric, it can sit in the middle of the house without the risk of pollution or damage from its exhaust fumes.
Find out more about Garage Loft
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Eight houses designed to show off their owners' car collections - Dezeen
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As part of the Universitys COVID-19 Preparedness Committee, a host of personal protective equipment is being 3D printed and fabricated to safeguard medical personnel.
Looking like something right out of a Hollywood horror film, smoke billowed from the patient simulators mouth and nose, filling a pyramid-shaped acrylic chamber that encased the mannequins head.
Standing nearby was Dr. Richard McNeer, an anesthesiologist at the University of Miami Miller School of Medicine.
The chamber, he observed, was working flawlessly, preventing the smokein this case, theatrical fog used to mimic COVID-19 respiratory particlesfrom reaching him and the team of other health care experts who had gathered to test the device as part of a mock intubation procedure.
But then, McNeer had one of those aha moments. He discovered that a Yankauer, a special suctioning tool used in many medical procedures, could actually evacuate most of the aerosol particles if it were positionedprior to intubationstrategically near the opening of the mannequins vocal cords.
It was a serendipitous discovery, McNeer recalled. Suction has been used to remove everything from stomach contents to blood. But this is perhaps the first time its been considered for use in suctioning out aerosols. This is something that can be done upstream of just about any of the other strategies and safety measures to prevent exposure to the virus during intubation.
A formidable one-two punch, the chamber, or intubation box, and suction tubing are part of a broad University of Miami initiative to 3D print and fabricate devices and personal protective equipment (PPE) for medical personnel on the front lines of the war against COVID-19.
From low-cost ventilators and powered air-purifying respirators to surgical helmets, filter caps for N95 masks, and even nasal swabs used to test for the coronavirus, a multitude of products are either in the design and testing phase or, as is the case with the intubation box, in actual use.
Departments and divisions from across the University are involved in the endeavor, helping to ramp up stockpiles of medical supplies at a time when demand has outpaced supply.
Were responding to the needs of all those in the health care field who are caring for COVID-19 patients. Thats our guiding principle, said Jean-Pierre Bardet, vice provost of strategic projects, who is spearheading the Universitys COVID-19 Preparedness Committee.
Doctors and nurses still need better PPEs. And when the crisis subsides, the public will need more effective personal protection and more testing, Bardet said. How will we address those challenges? How will we deal with the second COVID-19 wave? Ventilators are no longer in short supply in the U.S., but what about other parts of the world like South America? Our goal is to produce badly needed supplies and equipment that will be used, not squandered.
Global pandemics, said Jeffrey Duerk, executive vice president for academic affairs and provost, require local responses and quick action by the entire community. It has been impressive to see the mobilization of faculty, student talent, and institutional leadership in responding to emerging and evolving needs.
Of all the fabrication projects now underway, the intubation boxes are at the most advanced stage, with physicians and nurses at Ryder Trauma Center, Jackson Memorial Hospital, and Nicklaus Childrens Hospital already using them as protective shields during certain medical procedures.
Made from acrylic, the reusable, clear enclosure covers a patients head and has two circular ports through which an anesthesiologist inserts his gloved hands and arms to perform an airway procedure.
We knew that anesthesiologists were at risk of being exposed to splatter and respiratory droplets when performing intubations, so we were trying to find a way to protect them, said Suresh Atapattu, a biomedical engineer at the Miller Schools International Medicine Institute. Were not anesthesiologists, but we wanted to come up with something to help those physicians at the tip of the spear in this fight.
As Atapattu and cardiologist Eduardo de Marchena, associate dean for international medicine, searched for a solution, they found inspiration from half a world a way. A physician in Taiwan, they learned, had constructed and used a clear barrier device to protect health care workers when intubating COVID-19 patients.
So Atapattu quickly sprung into action, designing a version of the box and then driving to a local Lowes home improvement store to buy the acrylic to build it. He constructed the first prototype in the garage of his Plantation, Florida, home, using Crystal Clear Gorilla Tape to attach the sheets of acrylic, and a Dremel tool to create the ports.
It was a learning process from the very beginning, Atapattu recalled of building the first box. The design had to be clean, which meant we couldnt use screws to attach the sheets because there couldnt be any places inside where the virus could hide.
He initially built two boxes, giving one to Nicklaus Childrens Hospital, where pediatricians praised the functionality of the design, and another to McNeer, who tested the device on a patient simulator at the University of Miami School of Nursing and Health Studies Simulation Hospital for Advancing Research and Education (SHARE).
In the latter case, the box turned out to be a bit cumbersome. So, McNeer and two nursing school clinical faculty members, who participated in the testing phase, reimagined the design. They suggested to Atapattu that the boxes be pyramid-shaped and collapsible, so they could be easily stored when not in use.
With the design now finalized, Atapattu turned to the School of Architecture, where Maxwell Jarosz, architect and manager of the fabrication lab and model shop, employed a precision laser cutter to build more intubation boxes. The lines are now cleaner, and the design is more prism-shaped, Atapattu said. But the key elements are still thereacrylic and Gorilla Tape.
Six of the boxes were recently delivered to Ryder Trauma Center, where McNeer works as an anesthesiologist, performing airway procedures on patients who are brought in with serious and often life-threatening injuries.
Sometimes, we have to intubate them because of the injuries theyve sustained, not knowing if theyre COVID-19 positive or not, he explained. Weve intubated patients who have subsequently been shown to have the virus. Were trying to protect ourselves as much as possible. But its different than what a lot of the frontline caregivers are experiencing, where they know that a patient is COVID positive. In our situation, we have to prioritize. If a patient is febrile, we treat them like theyre COVID-19 positive.
A total of 30 intubation boxes will be fabricated, with the College of EngineeringJohnson & Johnson 3D Printing Center of Excellence Collaborative Laboratory donating additional acrylic to complete the construction phase.
A lot of architects have skill sets that are valuable, knowing about 3D printing for one, Jarosz said. Doctors can do a very good job describing what they need, but because of their clinical obligations, they arent always able to make it. So, weve been able to contribute in that regard. Its been a very interesting collaborationone I thought Id never be in but am happy to be a part of.
As for the suction tube to be used in tandem with the intubation box, Jarosz is working with McNeer on a design that is more ergonomically friendly. Once the design is finalized, the tubes will be 3D printed in mass quantities at the School of Architecture.
Were exploring some modifications so that were able to perform the suctioning while staying out of the way of the person who is inserting the endotracheal tube, McNeer said. And we want to make sure that were better able to place it in the proper position before the intubation is attempted. The aerosol is generated once you start to look for the vocal cords. So, the actual suctioning has to be started before then.
A prototype will be ready soon. Im anxious to see how it performs in the simulation hospital, McNeer said.
The intubation box and use of periglottic suctioning, as it is formally called, are applicable not only to anesthesiologists, but to anyone in the medical field performing intubations, said Jeffrey Groom, professor of clinical and associate dean for Simulation Programs at SHARE, who participated in the simulations.
From paramedics in the pre-hospital setting to emergency department personnel to physicians and nurses, as well as the anesthesia and ICU folks, it has implications across the health care setting, said Groom, a former City of Miami paramedic for 12 years. Beyond the current COVID-19 pandemic, the routine use of barrier boxes and periglottic suctioning should be considered for use with all endotracheal intubation procedures where there may be an exposure or infection risk.
Nichole Crenshaw, assistant professor of clinical and director of the Acute Care Nurse Practitioner Program, who performed the mock intubation procedure at the nursing school, recognizes the critical need for health care workers to protect themselves as the pandemic continues to rage.
Being a part of this project has been a way to make sure were all staying safe, said Crenshaw. Theres been a heightened sense of taking care of each other during this crisis. And, thats what has stood out to me more than anything.
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Project Manager with Revit (5-7 years experience)
The Architects Collective (TAC) is a group of designers working collaboratively to enrich the lives of people through the practice of architecture. Each member of the collective applies their unique perspective, skills, expertise, and creative approach to the process of analysis, design and implementation of projects. By working in a collective, both the design process and results are rich and multi-layered. The whole is greater than the sum of the parts.
TAC works with project owners to design mixed-use and multi-family projects including both affordable housing and market-rate. We apply decades of design and construction experience to studying, testing, and enhancing the qualities that make successful built environments.
We are looking for an experienced Project Manager to help support the firms continued growth. As a self-directed and independent member of our team, you will:
Requirements:
TAC is an equal opportunity employer. We offer a competitive salary and benefits package, and the opportunity to grow with our team in a collaborative studio environment. All applicants should submit a portfolio with CV and references to info@thearchitectscollective.com. Please specify job title in the subject line. No phone calls, please. Only those selected for an interview will be contacted.
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The Architects Collective is hiring a Project Manager in Los Angeles, CA, US - Archinect
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Oliver Chapman Architects has added a garden room to a house in Edinburgh, combining an Arts and Crafts approach with smart-home technologies.
Flitch House is an extension to an end-of-terrace family homein Trinity, built in 1895 by prominent local architect Alexander Hunter Crawford.
To respect the house's architectural character, the extension is designed by Oliver Chapman Architects asa contemporary interpretation of the Arts and Crafts style a movement that promoted traditional craftsmanship and honest use of materials, rather than mass production.
The garden-room extension celebrates its construction, with brick walls visible both inside and out, a pattern of ceiling beams exposed overhead, and custom furniture elements dotted throughout.
However unlike the Arts and Crafts houses of the 19th and early 20th century, the building also embraces technology, with integrated gadgets including wireless lighting and automated blinds.
The architects describe it as"Arts and Crafts without the bell pull".
"Many of the ideals of Arts and Crafts materiality, craft, open and connected spaces scaled to different uses are virtues that continue to be highly valued in architecture today," explained project architect Nick Green.
"The movement initially arose as a rebellion against mass production and a wave of industrialisation," he continued, "but in today's world it is modern product developments that are allowing us to maximise the performance of our building elements and create details that make the most of the materials we use."
Digital devices are not the only use of technology in Flitch House.
As the project name suggests, the design includes Flitch Beams, which are dual-beams with steel ribbons sandwiched into the centre.These give additional strength to the roof structure, allowing it to lift up at the edges, to preserve views over the Firth of Forth.
In line with the Arts and Crafts approach, these details are left uncovered and visible.
A pale Danish brick was chosen for the walls, to contrast but complement the original red brick.
"Our approach at Flitch House was to choose materials which could be both structural and aesthetic," Green told Dezeen.
"While the new walls and roof are necessarily not as simple as they appear, with insulation and waterproofing membranes hidden from view, they nevertheless allow the basic construction of the building to be read and understood clearly."
A split-level floor divides the extension into two rooms. On the upper level is a dining space, connected to the family kitchen, while the lower level is more of a conservatory space.
Architectural details help to give these rooms extra character. Steps integrate upholstered seating areas and storage, while a projecting corner creates a reading nook, furnished with a bookcase and sofa.
There's also a mini recessed kitchen, lined in Douglas fir joinery, which provides a space for preparing drinks.
"Intimate spaces, or nooks, are characteristic of Arts and Crafts houses, and we were keen to develop this idea in a contemporary approach," explained Green.
"Our clients enjoy entertaining and so we designed this nook as a discreet bar area off the new dining area, allowing the main space to be as open as possible," he said."It references the existing panelled alcove around the fireplace in the kitchen."
The space is finished with a micro-concrete floor, which matches the colour of the garden terrace beyond.
Previous house renovation in Edinburgh include architecture studio Archer + Braun red sandstone extension to a Victorian villaandIzat Arundell conversion of a former blacksmith's workshopinto a compact apartment.
Photography is by Angus Bremner.
Project credits:
Architect: Oliver Chapman ArchitectsStructural engineer: David Narro AssociatesQuantity surveyor: Thomson GrayMain contractor: Ballina Construction
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Miller Architects & Builders recently started construction on Encore On The Park luxury apartments in St. Cloud, Minnesota. The community features 105 luxury apartment homes with modern features and convenient access to many of the city's amenities.
The community features 105 luxury apartment homes, will be situated close to nearby retailers with convenient access to many of the citys amenities. Located next to Heritage Park, Encore On The Park will feature three stories of upscale apartment homes surrounding a courtyard with a walking path and access to Heritage Park. Also, two attached enclosed parking garages with a car wash, and one 18-stall detached garage.
Encore On The Park will consist of studio, 1-, 2-bedroom apartment homes and offer views of Heritage Park. The three levels of wood-framed apartments will wrap around a courtyard with a patio, barbecue area, sport court for basketball and pickle ball, and a dog park. The ground floor will include a beautiful two-story lobby with fireplace, a mail center, community room, 3-season porch, and fitness center. The second and third floor will also include a resident business center, yoga room, and game room.
Interiors of the pet-friendly apartment homes will be equipped with modern features such as energy-efficient stainless-steel appliances, in-unit washers/dryers, granite counters, tile backsplashes, luxury vinyl flooring, patios or balconies. Included in the apartment homes, the community will feature one guest suite.
Encore On The Park will open in the summer of 2021.
Miller Architects & Builders, LLC, St. Cloud, MN, is a full-service architectural and construction firm providing design/build, architectural design, pre-construction, construction, and construction management services for commercial projects in the upper Midwest. More information about the firm can be found at http://www.millerab.com.
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Miller Architects & Builders Breaks Ground on Encore On The Park Luxury Apartments - PR.com
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Architect and educator Jennifer Yoos, FAIA has been named as the new Dean for the University of Minnesota School of Architecture.
Yoos is the principal and CEO of Minneapolis-based architecture practice VJAA. She is also an alumna of the University of Minnesota and the Architectural Association in London.
Throughout her career as an educator, Yoos has taught at the Cooper Union, Washington University in St. Louis, the University of Arkansas, and the University of Minnesota. Additionally, Yoos studied at Harvard University in 2013 as a Loeb Fellow in the Harvard Graduate School of Designs Urban and Environmental Studies department. Yoos was elevated to the American Institute of Architects College of Fellows in 2013, as well.
Yoos comes to Univesrsity of Minnesota to replace the schools previous Dean, Blaine Brownell, who was named as the new director of the School of Architecture at the University of North Carolina at Charlottes College of Arts + Architecture earlier this year.
In a statement highlighting her selection, Yoos made the following remarks: I am honored to return to the University of Minnesota as the head of the School of Architecture. The school and its graduates are critical to the success of the architecture community and to the region. I am indebted to the School for providing a solid foundation for my academic and professional career, and look forward to working closely with faculty and students to further the Schools success and increase its influence.
Yoos is expected to take up her new position at the University of Minnesota on June 8, 2020 following formal approval of her selection by the schools Board of Regents.
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