Buildings Landmarks : Architects of England - 1941 Educational Film
The Past and Present of England #39;s Architecture. Locations shown in this title include (in order of appearance): Stonehenge; All Saint #39;s Church, Earls Barton,...
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Buildings
Architects - Black Blood Clip
A short clip of Architects brand new song #39;Black Blood #39;. Full song available soon!
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Architects - Black Blood Clip - Video
Architects UK - Buried at Sea
Im silly.
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Architects UK - Buried at Sea - Video
By Eliot Brown
For the first time since last summer, work for architects dipped in April, according to the American Institute of Architects Billings Index.
The index, which tracks changes in workloads by large architecture firms, registered a score of 48.6 in Aprilbelow 50 means work levels fell, while above 50 means they roseits worst score since July 2012.
To be sure, one data point in one month is nothing to get too worked up about. Kermit Baker, chief economist at the AIA, said small declines during past spring seasons have proved fleeting, and theres not yet reason to think this will last. We continue to hope that this time is different and this little dip were seeing right now is going to be short-lived, he said.
Architecture jobs tend to be a leading indicator of whats to come in the construction sector, as developers need multiple months of design work before they can start building. Should there indeed be less work over the next few months, it could portend a slowdown of construction of commercial real-estate projects.
Architecture work, like construction, fell dramatically during the real-estate bust, and has only seen a marginal recovery since. The amount of construction of office buildings and malls is still at low levels, with bank financing for such projects restrained.
Architecture jobs, Mr. Baker said, have been slowly trending up but very slowly.
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Less Work for Architects; Blip or Turning Point?
This aerial photo shows the remains of homes hit by a massive tornado in Moore, Okla., on Monday, May 20, 2013. A tornado roared through the Oklahoma City suburbs Monday, flattening entire neighborhoods, setting buildings on fire and landing a direct blow on an elementary school. (AP Photo/Steve Gooch)
Credit: Steve Gooch
While the scale of the damage done by the massive tornado that struck Moore, Okla., yesterday remains uncertain, architects are preparing now to offer help when called on.
First responders are still working to locate and assist injured and displaced Moore residents. The tornado whipped through homes and infrastructure on Monday evening, leveling the Oklahoma City suburb.
The AIA issued a statement on the disaster.
"On behalf of the AIA, and the AIAs national Disaster Assistance Committee, I want to extend our concern, thoughts and prayers to people affected by the devastating storm," said AIA presidentMickey Jacob, FAIA. "As experienced disaster responders, the AIA has already reached out to our affected AIA components to offer any support we can as our members assist clients and communities in evaluating the damage and moving forward with recovery."
As prior disaster-recovery experience shows, coordinating recovery and rebuilding efforts is the first task at hand for architects.
"AIA is organizing and will step in when invited by FEMA [the Federal Emergency Management Agency]," said Melissa Hunt, executive director for AIA Central Oklahoma, in a recorded message.
Architects trained as evaluators may play a role in the more immediate recovery effort, by identifying and isolating structures damaged by the storm. The AIA's Disaster Resources website notes that even this process can take time: Building evaluators were only deployed 10 days following the 2011 tornadoes in Tuscaloosa, Ala.
"Our experts passionately advocate for and educate other architects to evaluate damage to structures affected by such natural events, so that we may keep people safely away from further harm and return them to their homes as quickly as possible," Jacob said. "More than 1,000 AIA members have received specific training to perform this work. And our AIA Oklahoma component has more than 20 trained evaluators from a session we ran last October."
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Architects Respond to Oklahoma City Tornado Disaster
The Getty Conservation Institute on Tuesday convened a confab at its gleaming white Brentwood city on a hill of seemingly all of L.A.'s architecture groupies. That would mean actual architects, plus hundreds of assorted planners, journos, preservationists and simply Mid-Century Modern fans.
The occasion was Minding the Gap: The Role of Contemporary Architecture in the Historic Environment, an all-day affair starring prominent internationalists. Former New Yorker architecture critic Paul Goldberger, who won the Pulitzer in criticism while at The New York Times, moderated, and the stars were Rhodesia-born Denise Scott Brown, the prominent post-modernist; Brit Richard Rogers, best known for his role in the wonderfully out-of-place Pompidou Center in Paris; Spaniard Rafael Moneo, who did L.A.'s new Catholic cathedral; Juergen Mayer H., a German still in his 40s who represented the enfants terribles; and Thomas Beeby, former dean of architecture at Yale and a bit of a classical revivalist if the classics are the Chicago School.
The first question from the audience after a long day of speeches: "L.A. architect Thom Mayne said in this room six weeks ago that Paris is 'dead' because contemporary architects can't build there. Is that how we decide whether or not a city is alive? "
"Well, that's an egotistical definition, to say the least," laughed Scott Brown.
"I think Paris will outlive Thom," quipped Rogers.
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Architects atop the city on Brentwood's hill: Opinion
NEW Miami Beach Square by BIG Architects
BIG together with West 8, Fentress, JPA and developers Portman CMC proposes Miami Beach Square as the centerpiece of their 52 acre Convention Center. Miami B...
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NEW Miami Beach Square by BIG Architects - Video
Architects - These Colours Don #39;t Run Ringtone
DL LINK: http://www.speedyshare.com/TeyXR/these-colours-don-t-run-ringtone.mp3.
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Architects - These Colours Don't Run Ringtone - Video
Architects meet in Selinunte 2013 - Promo
L #39;AIAC - Associazione Italiana di Architettura e Critica (www.architetturaecritica.it ) e presS/Tfactory (www.presstletter.com) presentano il Terzo Meeting I...
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Architects meet in Selinunte 2013 - Promo - Video
Shades of grey: An artist's impression of the boutique South Yarra apartment building.
Scaffolding around the building in Domain Road, South Yarra, has been keeping passers-by intrigued for months. Designed by award-winning Wood Marsh Architecture, the building is contemporary and sophisticated. And rather than screaming for attention, there's an understated elegance.
The project, comprising four apartments built by Schiavello - which also specialises in high-end furniture - it is destined to become a Melbourne landmark.
Elevated on an angled concrete podium, this building makes creative use of in situ concrete, glass, aluminium and steel. And rather than creating one facade repeated on three sides, Wood Marsh devised three responses.
To the rear, the building is predominantly concrete, with large punctuated openings for windows. The Domain Road elevation is entirely glazed, with faceted glass walls reflecting the Botanic Gardens opposite. Included in this aspect is a pond on one of the terraces, with water reflecting autumn leaves.
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''We saw this building like a Mondrian painting. It's not just the rectilinear glass panes, separated by fine aluminium, it's also the texture produced through this faceted approach,'' says architect Randal Marsh, co-director of the practice, who worked with project architect David Goss.
While the facade to Domain Road appears in contrast to the rear of the building, which is almost all concrete, Marsh points out that the apertures on both ends are similar, with the choice of materials creating different outcomes.
''It's a development that reflects on contemporary artists such as Sol LeWitt. They produce different results depending on the tones of their palette,'' says Marsh.
Rather than ''cut'' into the facade from Domain Road, the architects located the entry in Millswyn Street, creating a more private sense of arrival. This facade is described by Marsh as ''eating away the concrete'' (metaphorically).
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Architects adopt a textured approach