Architects - Alpha Omega (Vocal Cover by Bat Lin)
Architects - Alpha Omega vocal cover by Bat Lin EQ Without pitch/timing correction and EQ adjustment. ZZZ Studio http://zzzstudio.weebly.com ...
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Architects - Alpha Omega (Vocal Cover by Bat Lin) - Video
Architects - Construction Design Architects
By: yell
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Architects - Construction Design Architects - Video
Early Grave - Architects - Guitar Cover
Tuning Drop B with the bottom string tuned to Ab Got bored and finished learning this. Recorded through Boss Me-70 and an M-Audio fast track. "Copyright Disc...
By: Adam17JacksonDK2S
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Early Grave - Architects - Guitar Cover - Video
The difference between artists and architects is that architects work for clients while artists serve their own imaginations. Architects have to deal with things like gravity, zoning laws and general contractors while artists are free to ignore function altogether.
But what if architects, with all that training, all that understanding of spatial relationships, color and the way lines intersect, were unshackled by the practicality of actually having to build anything? What if they could just lay their concepts down on canvas or construct utopian places without having to worry about a construction budget?
Likely, they'd come up with the kind of work Anibal Catalan has made for the Boulder Museum of Contemporary Art.
"The Land, The Space, The Square" is an art exhibit, for sure; paintings, sculpture, an installation in the traditional sense. But it is equally rooted in architecture, the field where Catalan did his formal education.
Catalan uses acrylic paint, prints, three-dimensional constructions and video to lay out theoretical landscapes. His works look like modified plans for developments or urban redevelopments, complete with buildings, blocks and streets. Or they resemble aerial views of cities and towns, stretched, squeezed, reduced to primary forms. He employs the architect's No. 1 tool shape massing together squares, rectangles, cubes and triangles.
Artists have tapped this idea before, of course. Entire movements have been built around connecting shapes, and Catalan's work has direct references to the great Constructivists and Suprematists of the early 20th century. The whole show feels like an homage to the revolution-minded paintings of Kazimir Malevich, the greatest abstractionist Russia ever produced.
But again, Catalan leans his work toward design, and that makes his painting less abstract, more picturesque and easier to access. You don't so much have to make out images as you have to figure out what Catalan wants us to notice about them. Which buildings stand out and how do they relate to one another? How is land divided into polygons and slivers and what does that look like if you take away the people and the cars?
Like any good architect, he is all about context, presenting his works in relation to one another, and more broadly to the room and the whole museum where they are displayed. All new buildings relate to the buildings around them (at least the good ones do), and Catalan links his paintings together in similar ways.
In the museum's main gallery, his painted lines and shapes start on canvases and then run right off their edges on the walls, continuing until they smash into the next painting over. Paintings morph into murals, and then, entertainingly, into three-dimensional objects. Catalan has constructed sculptural pieces with the same shapes as his flat paintings giant, arrow-like things with quivers made of flat, metal panels which look as if the paintings manufactured themselves into some sort of industrial equipment.
Technically, you would say this is an installation, one giant piece of art filling BMoCA's main space, though you could equally call it a show of hyper-related objects that could each stand on its own. Either way, Catalan gets you thinking about the interconnectedness of our universe, how all architecture springs from the same human tendency to organize things into patterns.
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At BMoCA, Anibal Catalan dreams up his utopia
MY CHEMICAL ROMANCE RELEASE FINAL SONG | NEW Architects, Silverstein | Music News Weekly
GO TO http://www.facebook.com/CrescendoTV right now to sign up to WIN 2 Tickets to Warped Tour 2014! FAMOUS LAST WORDS interview | http://youtu.be/48cvcHiL96s *Band...
By: IWantMyCtv
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MY CHEMICAL ROMANCE RELEASE FINAL SONG | NEW Architects, Silverstein | Music News Weekly - Video
Architects and Engineers: Working Together Has Never Been Easier
This is a typical process of collaborating between our office and our client in Jackson Hole using ArchiCAD and the BIM Server. The future is here.
By: Riverstone Structural Concepts
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Architects and Engineers: Working Together Has Never Been Easier - Video
Hotel at Tirupati
A 4-star hotel at Tirupati, India.
By: sjk architects
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Hotel at Tirupati - Video
Crafty pieces adorn Rians nursery.Photo: Tamara Beckwith
What do architects do when they have kids? Talia Braude was determined to steer clear of the classic baby paraphernalia when she was designing a nursery for her son, Rian, now 8 months old. Braude, of Brooklyn-based Braude Pankiewicz Architects, wanted the room to reflect both her as a designer and as a mom and for it to be a place where shed enjoy hanging out and playing with Rian.
Braude chose a small room (6 feet, 8 inches by 13 feet) over the buildings vestibule and off the living room of the two-bedroom Bedford-Stuyvesant brownstone she has owned for seven years. It had previously been a craft room, a dining room and a bedroom.
She started with the carpet, choosing a soft Angela Adams rug and a happy green color (Hudson Chalkboard Paints Bakery Green) on one of the walls. I felt green, brown and blue was a nice combination. It all kind of came together, she says of the green wall, rug and matching crib sheets.
The furnishings are kept simple: an Ouef crib, classic rocker and white shelving she already owned to store Rians toys. Its all baby, but the space is mine because of the many objects I brought to make it ours. I fleshed it out with a lot of stuff I made. Its kind of DIY meets high-end modern design.
Framed posters featuring the work of Maurice Sendak appear in Rians nursery.Photo: Tamara Beckwith
She chose pieces that tell stories, including framed posters that were a gift from a friend who knew how much Braude loved the curmudgeonly author Maurice Sendak. There are crafts like an embroidered wall hanging made for Rian by his grandmother. Braude splurged on a clock she had been eyeing for years, a George Nelson. Its an item that Rian can have when hes 20, notes the architect, who was born in Johannesburg but has lived in Brooklyn for the past 12 years.
A lot of my work, I dont get to do all the interiors, Braude says. It was fun to be able to do everything and to mix very special pieces with expensive things and make a space that is not too precious.
Posted: February 19, 2014
Revelers closed theLunar New Year, 15 days after it began,...
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Architect Talia Braude designs DIY-inspired nursery
Thompson #39;s Point Fly over
By: Carroll Associates Landscape Architects
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Thompson's Point Fly over - Video
Interview with Eva Byrne on Dublin City FM
Annie O #39;Reilly interviews Eva Byrne, Founder of Architects House Exchange on "Talk Travel" show on Dublin City FM, 5 February 2014.
By: Architects House Exchange
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Interview with Eva Byrne on Dublin City FM - Video