Architects - Gravedigger (Against The Waves cover)
Cover of the song "Gravedigger", originally written and performed by Architects (from the album "Lost Forever//Lost Together" - Epitaph Records). Recorded and mixed by Jess de Luis. Cover...
By: Against The Waves Band
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Architects - Gravedigger (Against The Waves cover) - Video
A monumental mistake? Zaha Hadids Tokyo Olympic stadium has drawn criticism from Japanese architects. Image: ZHA Photograph: AP
If nearly every venerable architect in the host country slams your proposed design for a building as a monumental mistake and a disgrace to future generations, its probably a good idea to reconsider. Not so Zaha Hadid, who, after facing calls for her Tokyo Olympic stadium to be scrapped following a petition of 32,000 signatures and an open letter of opposition from a host of eminent Japanese architects simply accused the locals of jealousy. I think its embarrassing for them, she said. I understand its their town, but theyre hypocrites. The fact that they lost [the competition] is their problem.
Youll have two icons sat side by side. What could be better than that? So asked Rob Tincknell, the man in charge of the redevelopment of Battersea Power Station, before unveiling his plan to build an architectural petting zoo around Giles Gilbert Scotts brick cathedral of electricity. The power station-reborn-as-mall will be reached along a high street (AKA a gauntlet of luxury apartments), with a wiggling glass worm by Norman Foster on one side and a scrunched-up metal flower by Frank Gehry on the other, terminating in a big swoopy hole scooped out by Danish funsters, BIG. Its the kind of car crash of competing icons that might make you wish the place had been left as a majestic ruin.
Since the Shard broke on to the London skyline as a dazzling crystal spear, many have been the lesser buildings that have tried to emulate its fractured facets with the odd bit of wonky glass hung askew. The city is now littered with crumpled glazing and angular floor-plates terminating in useless acute angles. These are not urban jewels, nor do they reflect a vision of a multi-faceted world. Theyre ugly hulks with shoddy details those ambitious multi-angled joints usually bodged with a splurge of mastic and the result just looks like something went wrong with a Sketch-Up computer model, the whole thing triangulated to oblivion. If in doubt, keep it orthogonal in 2015.
Heres an idea for a makeover. Why not flay the skin off a supermodel and stretch it over your own body? You might have difficulty seeing, given that your eye-holes probably wont match up, and you might not be able to breathe through that misplaced mouth, but no matter. Youll look great. And you can apply the same idea to your buildings. The six-storey 300-room student accommodation block youre planning might not fit behind that nice four-storey Victorian brick frontage, but what the hell. You can squeeze it in. Theyre only students. They wont realise that their windows look out on to a blank brick wall and that they cant fully open their front door. And the conservation officer will give you extra Brownie points for retaining a beloved heritage asset. Win win.
Time was when the lord of the manor went in through the front door and his lesser servant-serfs went in round the back. But the chances are that the apartment block youre designing isnt the new set of Downton Abbey, so theres really no excuse for specifying a poor door. If your housing association client insists on the affordable housing units having a separate entrance for maintenance reasons, then at least design it on equal terms as the market-rate housing and dont hide it down a service alley next to the bins.
Pier Solar and the Great Architects, Critique Cruelle.
Un titre dont la principale ambition semble d #39;tre d #39;voquer - et non pas forcment d #39;galer - les meilleurs RPGs du pass. Retrouvez-moi sur mon Fanclub: http://tinyurl.com/37g4nt2...
By: Les Critiques du MaSQuE
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Pier Solar and the Great Architects, Critique Cruelle. - Video
Architects - "Daybreak" - Drum Cover by Bastian Thusgaard
Here is another drum cover of mighty Architects. This time of "Daybreak". As usual Dan Searle did a great job writing the drum parts. Learning this has been so inspiring and it #39;s such an amazing...
By: Bastian Thusgaard
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Architects - "Daybreak" - Drum Cover by Bastian Thusgaard - Video
Written by Craig McKee Saturday, 13 December 2014 00:00 Prominent Illustrator's Work Now in Permanent Collection
To call it unlikely would be an understatement.
A work of art that challenges the official account of 9/11 has been accepted into the permanent collection of the 9/11 Museum in New York City. And surprisingly, the piece was created by an artist who is best known for his illustrations in the mainstream media.
Anthony Freda who has contributed provocative political art to publications like The New York Times, Time, Rolling Stone, Esquire, The New Yorker, and Playboy says he has no idea why the museum would accept his painting, titled "9-11 Questions."
The original "9-11 Questions" by artist Anthony Freda is now owned by the 9/11 Museum, though it is not clear whether its curators intend to ever display it in public.
"I still can't figure out what is in the museum's mind letting me in there, because literally every part of my being is fighting against the official narrative that they are trying to promote," he said in an interview. "The thing that fascinates me, and they admitted this, is that this is the only piece in the entire collection that questions the official narrative in any way."
Freda met with museum staff for 90 minutes to donate the art and to answer questions about the images it contains. The entire exchange was filmed for a documentary called Behind Truth Art, which is planned for release in 2015. (This 30-minute preview shows highlights of the meeting.)
Museum officials told Freda that "9-11 Questions" will rotate with other works on display and that it may also be included in traveling 9/11 art shows organized by the museum. But he concedes that museum officials, now that they own it, can do whatever they want with the piece including locking it in a vault forever.
Freda created the work eight years ago, when The Village Voice commissioned him to illustrate its article "Fakes on a Plane," which was intended to "gently make fun" of online 9/11 documentaries like Loose Change and the people who believe them.
Editor's Note: This fascinating and provocative technical piece on NIST's manipulation of the WTC 7 evidence is broken down into a series of six articles. The second installment (below) is PART 1: NIST and Popular Mechanics Fabricate Myth About WTC 7's "Scooped-Out" 10 Stories. The first installment was the INTRODUCTION. Stand by for the next four installments, to be published monthly.
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World Trade Center Building 7 Demolished on 9/11? | AE911Truth
Story 5 of the Best: Shopping experiences with an impressive architectural twist
It's Christmas time, so when better to look at shopping centres in the latest '5 of the best'? Retail heaven...
Love architecture? Become a RIBA Friend of Architecture. Support the RIBA - a registered charity - and gain access to great benefits.
Irish architects Sheila O'Donnell and John Tuomey have been named as the 2015 recipients of the Royal Gold Medal, the world's most prestigious architecture award.
Architect Tom Emerson shares his thoughts on photographer Edwin Smith's work
Book now for our fascinating new tours of Liverpool, starting mid-November...
Take an exclusive look at the pick of this year's RIBA award-winning buildings nationwide.
The fourth poem in the Edwin Smith series is inspired by 'Loch Long by Ardgartan, Argyll'. The exhibition in London closes this Saturday.
Final week of the exhibition... closes Saturday.
The conclusion of our series of poetry inspired by Edwin Smith, before the closure of the exhibition this Saturday.
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Royal Institute of British Architects (RIBA)
Architecture (Latin architectura, after the Greek arkhitekton from - "chief" and "builder, carpenter, mason") is both the process and the product of planning, designing, and constructing buildings and other physical structures. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements.
"Architecture" can mean:
Architecture has to do with planning, designing and constructing form, space and ambience to reflect functional, technical, social, environmental and aesthetic considerations. It requires the creative manipulation and coordination of materials and technology, and of light and shadow. Often, conflicting requirements must be resolved. The practise of Architecture also encompasses the pragmatic aspects of realizing buildings and structures, including scheduling, cost estimation and construction administration. Documentation produced by architects, typically drawings, plans and technical specifications, defines the structure and/or behavior of a building or other kind of system that is to be or has been constructed.
The word "architecture" has also been adopted to describe other designed systems, especially in information technology.[3]
The earliest surviving written work on the subject of architecture is De architectura, by the Roman architect Vitruvius in the early 1st century AD.[6] According to Vitruvius, a good building should satisfy the three principles of firmitas, utilitas, venustas,[7][8] commonly known by the original translation firmness, commodity and delight. An equivalent in modern English would be:
According to Vitruvius, the architect should strive to fulfill each of these three attributes as well as possible. Leone Battista Alberti, who elaborates on the ideas of Vitruvius in his treatise, De Re Aedificatoria, saw beauty primarily as a matter of proportion, although ornament also played a part. For Alberti, the rules of proportion were those that governed the idealised human figure, the Golden mean. The most important aspect of beauty was therefore an inherent part of an object, rather than something applied superficially; and was based on universal, recognisable truths. The notion of style in the arts was not developed until the 16th century, with the writing of Vasari:[9] by the 18th century, his Lives of the Most Excellent Painters, Sculptors, and Architects had been translated into Italian, French, Spanish and English.
In the early 19th century, Augustus Welby Northmore Pugin wrote Contrasts (1836) that, as the titled suggested, contrasted the modern, industrial world, which he disparaged, with an idealized image of neo-medieval world. Gothic architecture, Pugin believed, was the only "true Christian form of architecture."
The 19th-century English art critic, John Ruskin, in his Seven Lamps of Architecture, published 1849, was much narrower in his view of what constituted architecture. Architecture was the "art which so disposes and adorns the edifices raised by men ... that the sight of them" contributes "to his mental health, power, and pleasure".[10]
For Ruskin, the aesthetic was of overriding significance. His work goes on to state that a building is not truly a work of architecture unless it is in some way "adorned". For Ruskin, a well-constructed, well-proportioned, functional building needed string courses or rustication, at the very least.[10]
On the difference between the ideals of architecture and mere construction, the renowned 20th-century architect Le Corbusier wrote: "You employ stone, wood, and concrete, and with these materials you build houses and palaces: that is construction. Ingenuity is at work. But suddenly you touch my heart, you do me good. I am happy and I say: This is beautiful. That is Architecture".[11]
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Architecture - Wikipedia, the free encyclopedia
Summary
Naval architects work on the basic design of ships, including the form and stability of hulls.
Marine engineers and naval architects design, build, and maintain ships from aircraft carriers to submarines, from sailboats to tankers. Marine engineers work on the mechanical systems, such as propulsion and steering. Naval architects work on the basic design, including the form and stability of hulls.
Marine engineers and naval architects held about 7,300 jobs in 2012.They typically work in offices, where they have access to computer software and other tools necessary for analyzing projects and designing solutions. Sometimes, they must go to sea on ships to test them or maintain them.
Marine engineers and naval architects typically have a bachelors degree in marine engineering, naval architecture, marine systems engineering, or marine engineering technology. Employers also value practical experience, so cooperative education programs, which provide college credit for structured job experience, are valuable.
The median annual wage for marine engineers and naval architects was $88,100 in May 2012.
Employment of marine engineers and naval architects is projected to grow 10 percent from 2012 to 2022, about as fast as the average for all occupations. The need to design ships and systems to transport energy products, such as liquefied natural gas, across the globe will help to spur employment growth for this occupation.
Compare the job duties, education, job growth, and pay of marine engineers and naval architects with similar occupations.
Learn more about marine engineers and naval architects by visiting additional resources, including O*NET, a source on key characteristics of workers and occupations.
Marine engineers and naval architects may work directly on ships.
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Marine Engineers and Naval Architects : Occupational ...
FAQ
This website was developed as a service to you by the Missouri Board for Architects, Professional Engineers, Professional Land Surveyors and Professional Landscape Architects in an effort to answer some of the most commonly asked questions directed to the Board's office.
We believe this site will address questions you may have regarding addresses, phone numbers, licensing, etc. Should your specific question not be a part of this site, then please feel free to call (573-751-0047) or E-mail (moapeplspla@pr.mo.gov) our office and any member of our staff will provide you with the information that you need or they will direct you to the individual or agency that can help.
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Brother Nathanael Names Joe Lieberman, Mossad 9/11 architects
Brother Nathanael Names Joe Lieberman as the architect of 9/11 The Mossad is responsible for intelligence collection, covert operations, and counterterrorism, as well as bringing Jews to Israel...
By: danp5648
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Brother Nathanael Names Joe Lieberman, Mossad 9/11 architects - Video