steven chilton architects completes ‘sunac guangzhou grand theatre’ – Designboom

steven chilton architects (SCA) has completed a 2,000 seat theater in the huadu district of guangzhou, china ahead of its opening in 2021. guangzhou has been a significant center for the arts and trading since the han dynasty and, inspired by the citys traditional and contemporary artists, the concept for the theater was informed by silk embroidery and the illustrations of artist zhang hongfei. guangzhou has been the home of and inspiration for artists who have helped to define the worlds concept of chinese culture for thousands of years, says steven chilton. through our work on the theater, we have endeavored to channel the history, emotion and creative energy of the city through a building whose purpose is to nurture the next generation of cultural leaders in the performing arts.

all images by chongart photography

silk has been painted and embroidered by fine artists in guangzhou for thousands of years and developed as a creative medium for depicting myths and scenes of nature on tapestries and ornamental robes. SCA explains that the physicality of silk cloth informed the formal expression of the building through a series of ten, gently twisting folds that define the outer envelope. meanwhile, the various entrances into the building are created by tucking the surface in on itself where the valley of each fold would meet the ground plane.

the theaters mission to cultivate talent is expressed through the imagery applied to the surface of the cladding. we were influenced by a beloved local myth, 100 birds paying homage to the phoenix, chilton explains. the phoenix or fenghuang stands for virtue and grace, whilst the allegory signifies notions of recognition, leadership and mentoring. using illustrations created by artist zhang hongfei, SCA digitized and interpreted his hand drawings before mapping each figure onto the surface geometry.

we developed a compositional style inspired by tattoo art aesthetics, the architects continue. each figure was positioned on the body of the theater over a series of studies in response to the topology of the surface geometry. whilst significant figures like the phoenix were positioned where the form afforded prominence, lesser figures such as birds, were organically and less consciously arranged in the spaces between. the cladding is composed of thousands of perforated aluminum panels, each painted with a unique portion of the overall composition. the panels are supported by a complex structure of welded steel tubes that work interdependently with the concrete superstructure supporting the theater floors.

the concept design of the auditorium was led by dragone with theater consultant auerbach pollock friedlander. the space is a performance environment that can be transformed from a 360 degree theater into a variety of different configurations. overhead LED screens provide an immersive experience, while 12 acrobatic hoists and three acrobatic tracks and trolleys are integrated above the stage. meanwhile, above the audience, at the gridiron, there are two storage wagons that allow scenic elements to be lowered on custom built hoists.

while the theater can be used for typical productions, it can also be transformed for productions that require water effects. below the center of the theaters stage floor is a deep pool with an automated stage lift that can be raised a half meter above the stage floor or dropped nine meters into the water. at this lower elevation there are three under water scenery storage garages that are used to store large props and scenic elements before they are moved onto the lift and elevated through the water to stage level. the sunac guangzhou grand theatre is scheduled to open in 2021.

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steven chilton architects completes 'sunac guangzhou grand theatre' - Designboom