New York's The Shed debuted in April 2019 in a grand $475 million building in Hudson Yards. After being closed for over six months, this new arts center plans to reopen with a powerful presentation of works by Howardena Pindell.

The Shed has announced that it will reopen on Friday, October 16, with the new solo exhibition Howardena Pindell: Rope/Fire/Water, examining the violent, historical trauma of racism in America and the therapeutic power of artistic creation. After closing on March 13 in response to New York Citys efforts to contain the spread of COVID-19, The Shed will welcome back visitors, Thursdays through Sundays, with enhanced health and safety protocols, as well as free admission to the exhibition through October 31.

Howardena Pindellphoto: Nathan Keay

We are very honored to produce and present Howardena Pindells powerful and timely work as our reopening exhibition this fall, and to have commissioned her unrealized project of 50 years, Rope/Fire/Water. When we started planning an exhibition with Pindell in 2017, we could not have foreseen its resonance with this summers profound call to dismantle systemic racism and to establish equality for Black lives, said Alex Poots, The Sheds Artistic Director and CEO. Were so pleased to welcome our audiences and neighbors back to The Shed after closing our doors in March, less than a year after opening, and weve implemented thorough protocols to ensure a safe environment for all. As our city restarts, we continue in our commitment to supporting artists and providing a space where they can address the urgent issues of our time.

Howardena Pindell: Rope/Fire/Water presents Pindells first video work in 25 years, as well as new large-scale paintings, and several abstract paintings from earlier in her career.

Over her nearly 60-year career, Pindell has created richly textured abstract paintings while engaging with politics and the social issues of her time. The powerful new video Rope/Fire/Water, commissioned by The Shed, is a work that Pindell has wanted to create since the 1970s, inspired by a traumatic experience in her youth when she saw a shocking image of racial violence.

Pindell also will also debut a pair of large-scale paintings related to global atrocities of imperialism and white supremacy, and several abstract paintings that demonstrate a through line in Pindells practice: after working on traumatic historical projects, the artist decompresses by creating meticulously produced, large-scale abstract works on unstretched canvas.

An online gallery of paintings in the exhibition with explanatory texts and a digital reading room of supplementary resources will be available online at theshed.org. Additional programs exploring themes of the exhibition will be announced.

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The Shed to Reopen on October 16 with Solo Exhibition by Howardena Pindell - ArtfixDaily

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