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The word character is so overused when it comes to architecture. Its used for everything from old and run down, to renovated and rejuvenated. When it comes to old houses, the word character fits the bill. The design layouts of old houses were anything but practical. New construction houses are built for efficiency. Old houses were built for purpose and design. However, renovating an older house can be quite expensive and frustrating if not well planned.
Planning is the first step in older home renovation, and its often the one that gets overlooked. One thing that many historians-to-be do wrong is jump into cosmetic upgrades. Older homes are obviously older, so there needs to be an assessment of architectural and structural integrity before renovating a home to its former glory. Home rebuilders need to be aware of issues that need immediate attention, such as cracked foundations or roofs in disrepair. Its fun to shop for that vintage authentic front door, but if you ignore issues that impact livability, you might face an unexpected disaster.
Another thing that renovators should do is plan with the future in mind. If you intend to finish a basement into a living area, you need to plan for this in the early stages. This could require electrical and other code upgrades. If youre working with a restoration contractor, you should make sure theyre informed of your plans as well. Contractors will be able to help you realize your vision, or they can help you reel it in if your vision out paces the reality of your older home.
One great feature of older homes is the authentic flooring. Modern flooring is beautiful, but it cant duplicate the characteristics and variations of real wood flooring. Often though, the floors original to older houses are in disrepair. So, renovators attempt to install antique flooring in its place. This is usually a poor decision because its impossible to match the characteristics of a home, and antique flooring usually looks different before installation. Flooring is a restoration world of its own. These days, many renovators are opting for faux restoration quality flooring. Basically, this is newer flooring designed to look antique. Its usually in better shape and will inevitably be less troublesome. Additionally, with restoration technology its easier to match restoration quality flooring with the other characteristics and the design goals of your old home.
There are many ways to restore an older home to its former glory using modern construction. The charm of an older home is not only the history of the past, but also its the history to be created by you and your loved ones.
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Old House Restoration Inc | Making what's old, new again
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Home Remodeling and Repair Program - Penn Foster
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Cleanup, Restoration & Repairs - Jarvis Property Restoration
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January 18, 2016 by
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Posted by randydeutsch in architect types. Tags: architects, architecture, architecture school, architecture students, commencement speech, graduation speech, University of Illinois, University of Illinois Urbana-Champaign
Architect and educator Brian Vitale, AIA, Principal and Design Director at Gensler, Chicago spoke recently at the Convocation Ceremony of the 2015 graduating class of the School of Architecture at the University of Illinois Urbana-Champaign. A graduate of the program, Brians speech was truly memorable and inspiring, and he was, as always, generous in sharing the transcript of his commencement speech.
Thank you! Thank you, for that humbling introduction and to Director Mortensen for the invitation and privilege of addressing the class of 2015. It is absolutely surreal to be standing here addressing you all in an auditorium that I freely admit to having fallen asleep in one too many times as a student, which given my invitation here today apparently did not matter. So thank you again for this honor and allowing me to get that off my chest.
I would also like to congratulate and more importantly thank the faculty. Though a lot has changed over the past 22 years when I was last a student here, many of you havent, and for that I am grateful (and surprised, quite frankly). You have played an instrumental role in my being asked to deliver this speech and I am sure, once this class catches up on the sleep that you all are responsible for depriving them of, they will all eventually appreciate you to. Your dedication, patience and wisdom often go without formal appreciation, but know your influence on us all (even if you all dont realize it yet) is beyond measure.
To the parents, family and friends, you also deserve to be congratulated, because for all the pride that you feel and deservedly so, it was your sacrifice, your friendship and your unconditional support that has made this all possible, oh, and the beer money, lets not forget about that. And if they told you that the money was for model materials at a place called the art coop, they were lying, that place does not actually exist.
Now, to the class of 2015!! Congratulations!! You are the most recent class from a school with one of the longest histories. You all have worked incredibly hard, you have made it through the infamous weeding out year, you have survived many all-nighters, difficult juries, and countless toxic fumes from a panoply of adhesives; your day is finally here! And make no mistake, you all are the stars of this event, far outshining me, which would lead you to assume that you have the best seat in the house, but your vantage point is not as clear as mine, blurred with concerns and nervous about the unknown. What will my first position hold, what kind of firm will I work for, will I be a success, and how hard is that damn A.R.E. exam? The view from where I am standing is much clearer, for I get to look out at you all, and know what the future holds for you, the possibilities that lie ahead and the raw potential that you all are about to capitalize on.
Well, 22 years ago, I was sitting in the same place that you all are, receiving my Bachelors of Science in Architectural Studies otherwise referred to as a BS in Architecture, really. My experience at the University of Illinois was invaluable and had unknowingly prepared me for my eventual career. (So you should all take comfort in that). Throughout these years, I have been recognized with both personal and project awards, I have been published in magazines and books, I have been exhibited in museums, I have had the opportunity to teach and have traveled all across the world collaborating in the design of buildings and working with some of the worlds most amazing people. At this campus alone I have been a visiting professor, built a building for the worlds fastest supercomputer, and now this. This school and its amazing network was my foundation and has served me well, and it will for all of you.
In preparing this speech, everyone tells you to share with the graduating class the path to your achievement; I would rather, however, tell you what I wish I would have known before I started.so you can make your own path. So I want to share with you 3 principles. Some will seem counterintuitive others obvious, but all are crucial to the way architecture is and will be practiced. After that, I have one simple request, and it wont be to fail or take risks or change the world (I mean for god sakes, do those things), but rather something very simple but I believe incredibly powerful and will change the trajectory of your careers.
But first, here are a few musings:
First, BE PROMISCUOUS:
Now parents, before you try to usher me off the stage, what I am asking you all to do is be promiscuous with ideas, concepts, spaces, program, and the people that you have sitting around the table collaborating. Create hybrids, live in the middle of those Venn diagrams we are always drawing, mix it up, then re-mix it, because that is where real innovation comes from.
In Maria Popovas review of Dancing About Architecture she cites the author, Phil Beadle as focusing on creativitys combinatorial nature, quoting, We create the new not generally through some mad moment of inspiration in fictionalized accounts of ancient Greeks in baths, but by putting things together that do not normally go together; from taking disciplines and seeing what happens when they are forced into unanticipated collisions.
Now when you work in this manner, please be prepared for some push back, as many of the firms that you will be employed by will be practicing architecture like it was 1995 and will not understand what you are trying to do, they might even tell you that you cant do it that way, I am here to tell you to stop listening to those people immediately turn around and carry on.
Second: Give up the ownership of ideas:
I know this may be counterintuitive, because if not for our own ideas, what do we have? More is the correct answer. You must worry less about being the initiator of ideas and focus on being the connector of them. Steve Jobs said, Creativity is just connecting things
In order to do this, you must always invite more voices to the table rather than less, and make sure they are varied voices, not from a singular point of view. We at Gensler work this way every day, my job at times is more of editor rather than initiator. I will freely admit it takes courage to do this, because at its core, its process means that you have no idea where a solution is headed, no preconceived notions, there is no certainty from having formulated an answer before the process even begins (which gets harder the longer people practice) but that is precisely the point. Voltaire said, Doubt is not a pleasant condition, but certainty is absurd. You have to trust the process and then hang on for dear life.
THREE: BE CURIOUS, Really curious:
Throughout your career, you will be looked upon for answers to problems posed to you by clients, your colleagues, and society. As you progress in your career, you begin to rely on your perceived knowledge to answer those very questions. This is how we did it last time can be valuable to a point (like not touching fire a second time), but ultimately, in the case of architecture, deadly. When Picasso said, All children are artists. The problem is how to remain an artist once he grows up. He was making this very point. We often lose that discovery trait as we gain experience, we stop looking, and we create Best Buys. You must question relentlessly, test and re-test, train yourself to act in this manner and maintain the curiosity of a child for rest of your life and you will always arrive at innovative answers.
AND NOW MY FINAL REQUEST:
A student that had attended an event that I was speaking at recently asked, What do you attribute your success to? or as I took it to mean from his inflection, How the hell did you get to be where you are? And admittedly, I did not have a great answer; hard work, dedication, late nights, an incredible amount of support and some God given talent was my answer. But as I pondered this question, I began to remember a couple of similar events in my career, which I will share with you before I leave you with my request.
During my first week of High School, you can all remember that, I was brought in, with a group of my peers, to meet with our appointed guidance counselor. We sat around a conference table in an uncomfortably small room and listened to Mr. Sime speak about High School, future careers and how to be social, but not too social. When he was through with his speech about this new academic endeavor, he posed a question to the group, one whose content I dont remember (and is not important to the story). What followed was typical, awkward teenage silence, everyone trying very hard not to make eye contact as if that would help in this incredibly small room. I was sitting at the head of the table (where I like to sit), opposite of Mr. Sime and decided to speak up. I answered the question, and his response to my answer was, Brian, you are going to be successful because you had the nerve to speak up, to answer a question when no one else wanted to, to be the first brave enough to share your opinion. Many years later I confirmed with Mr. Sime that he did this every year with every new group of freshman and that he really didnt care what the answer was, but was instilling a life lesson to the group.
Fast forwarding a number of years to my first position after Grad School, it happened again. I was the most junior member at Booth Hansen, a well-known Chicago firm led by Larry Booth, one of the Chicago 7 architects as they were known. Within the first couple of weeks of my employment there, an all office design review was being held in the basement during lunch with the client present. The project was presented, and it seemed to me like very little thought went into it, and that bothered me enough that I mustered up the confidence to speak out and suggested different ways to think about the project. I remember Larry Booth agreeing with me as well as the Client and then Larry asking, Who are you? Later that day I was called into Larrys office, which was pretty cool especially for a young kid like I was, and he was asking me a lot of questions and began sharing with me things he had been working on and books that he had lying around. Afterward, I noticed that I was being treated differently not only by him, but by everyone, people noticed me and asked my opinion of which I was always happy to give. What had happened, by contributing unexpectedly is that I had created an immediate value. Soon thereafter, I was assigned to projects that Larry was working on, presenting with him to clients and becoming a trusted designer. I was now being exposed to opportunities I would not otherwise have been exposed to, I was seen differently by others; my career path was changing and I capitalized on it.
Now I have been focusing on the number 22, the number years that have passed since I was sitting in your seat, because it is also, for many of you the number of years that you have been on this planet. Let me assure you that these years go by in a blink of an eye. So to the Class of 2015, what I am simply requesting of you all as you enter your next venture is to speak up, immediately, let your voice be heard, now, and begin contributing to the dialogue of your firm, community and beyond, as soon as possible. Dont be intimidated, dont be shushed, and most importantly dont think that you are not ready to contribute, I promise you that you are, I have seen it over and over throughout my career. And when you do, it will open up opportunities for you that would otherwise pass you by. Your time is valuable and precious, the profession is changing and it needs your skills, the profession needs your talent and the profession needs your voice now more than ever before. It is now time to turn the tables and let us begin learning from you!
Congratulations, again, Class of 2015, we are expecting great things! Thank you.
If you expect to become the next Frank Lloyd Wright leave now
Those were the first words I ever heard as a college student
Admitted to the school of architecture
Attending orientation with my parents
A senior administrator got up in front and said to a roomful of 200 freshmen future architects and their parents
If you expect to become the next Frank Lloyd Wright leave now
A questionable student retention tactic even then
Had it been a Simpsons episode you would have heard the rear door slam
But as the Simpsons wouldnt be invented for another 10 years, nobody moved
Next the administrator said the 9 most important words I ever heard
Only 3 of you will ever design a building
This was before everybody gets a trophy
Apparently, back then only 3 of us would get trophies
The remainder would go on to toil away in management
Perhaps our prospects would have improved had we worn shoes?
When the administrator said: Only 3 of you will ever design a building
My first thought was: I wonder who the other two are?
It wasnt: I wonder if I should double major and get an MBA?
I wanted to design buildings, and while I also wanted a job after graduation
No one will let you design buildings with an MBA.
Its not as if for me designing buildings was a forgone conclusion
I grew up in a split-level house in the suburbs
The architectural equivalent of living in a van down by the river
We didnt come from either money or good taste
And we clearly didnt know any architects
In your career you will spend 5 years sitting at a desk & 2 years sitting in meetings.
No one ever goes into architecture because they want to sit in meetings
Yet apparently this is what all but 3 of us were signing up for
What all but three students would get to do with their lives
Architecture students are a confident and resilient bunch
Every student in that room must have wondered who the other two are?
And yet, we didnt all go on to design buildings
Some became technical architects, some became managers
The ones with MBAs became our clients
And about half went on to other fields
And so, at my first career crossroad
I chose the design of buildings over meetings
And spent 30+ years a career doing what I love
And in all that time I never had a bad day.
While I never became Frank Lloyd Wright, I became something even more important for me to become: myself
And I got to do this because at every career crossroad
I again and again chose the design of buildings over meetings
I did this because a life NOT designing buildings not acting on our world, not making a positive contribution, not adding value was for me unimaginable
But as importantly, a life NOT designing buildings was somebody elses life
And as long as I remembered this and acted on it everything would work out
And it did, both creatively and financially. And it can for you as well.
You can be one of the three
One of the three who designs buildings
One of the three who creates an innovation
One of the three who experience meaning & purpose in their work
One of the three who makes a difference
One of the three who helps transform the world
But there comes a time in every career, for some sooner, some later
When we no longer see ourselves as one of the three.
Why is that? Why do we give up on our promises and dreams?
There are times when we choose money over our dreams
And work for a paycheck.
Other times when well be frustrated or bored with what we do.
And be dissatisfied with our job.
Our dreams change, or we forget our dreams.
We give up on our dreams. But, as often, our dreams give up on us.
During an internship I designed my first building before I graduated college
And very quickly realized I had achieved my dream of being one of the three.
Michelangelo said: The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it.
Our dreams, in other words, are too small
Theyre too easily achieved
Theyre not enough to sustain a life-long career
So what does it take to sustain a long, fulfilling career?
Upon graduation, I decided to find out and treat my career as an experiment
In this experiment I would do two things:
You can think of your two careers like majors and minors:
It turns out that to sustain a long, fulfilling career
You need to have a bunch of short, fulfilling careers.
Think of each as a 7-Year Career
Most careers look like this.
Which really mean they look like this.
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Architects 2Zebras | by for and about architects of all ...
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I received the following question in an email and I thought the answer might be useful to others, so rather than just respond in email, Ive posted it here .
Ive spoken to many hundreds of excited owners over the years who want to add a second floor on the house and Natalie asked the typical questions.
Question:
We need to add on to our house at least one bedroom, and a guest room would be nice as well. The way our house is situated, the most aesthetically pleasing way to do it would be to add a couple of rooms on a second floor.
My question to you is, what are the limitations with adding on a second story to a house that is currently only a single story? Can it be done, or will it be prohibitively expensive. Any experience you have to share would be appreciated! Natalie
Answer:
Hi Natalie,
I appreciate your question and I do have some experience I can share. My company has designed and built a few dozen second floor additions over the years.
Let me break down your question into segments.
Can it be done?
Yes. There is no such thing as a house that cannot receive a second floor addition one way or another; or at least not one Ive seen yetsomebody will probably send me a picture of a house under a concrete overpass or something.
Years ago, after struggling with engineer after engineer on job after job trying to determine if the existing first floor foundation would hold up a second floor, I decided to skip the first floor footings altogether.
The truth is that most newer one story homes have almost zero extra strength built into them. As such, most one-story homes have insufficient foundations for the added loads of a two-story. Each state has its own set of building codes and Florida is among the most stringent, so a local professional will be able to help you better in that particular area. The lengths Im accustomed to going to might not be required everywhere.
In the event that the existing foundation is insufficient, there are two options. First, you can augment the existing foundation with additional concrete and steel. The other option, the one I went to on all second story additions, is to build new footings for the second floor itself.
We did this by essentially building a stilt house within the existing home. Structurally speaking, these were like two independent structures. You could remove the first floor from under the addition, and it would remain intact.
This is done by placing adequate foundations directly under posts (we often used 66 posts) which supported the framing for the second floor. I would design the additions so that these posts can be placed inside existing or new first floor walls, or otherwise integrated into the first floor design with new features. The point being that these posts are invisible after the work is done.
So, this is a very long way of explaining that yes, it can be done in almost any house.
Is it prohibitively expensive?
Second floor additions are more costly than first floor additions, but I wouldnt say prohibitively so. In my experience, the cost for a second floor job is about 20%-30% more than the same square footage built on the ground level. The majority of this extra cost has to do with the requisite remodel of the area under the addition and the cost of the stairs and stairwell.
The cost of an addition can be quite a bargain in times like this when the money you might effectively lose by selling in a depressed market is substantial. If you feel an addition of any type would be a good investment, I wouldnt let the cost of a second floor addition scare you off.
Other Considerations:
Design
A good design is always an absolute imperative on a room addition. I would advise you to not compromise on this. Work until you have a design that meets your needs and you feel will be aesthetically pleasing.
Second floor design work is much more challenging, so you want to be certain that youre working with someone who has experience in second story additions. If someone says I havent really done many, but its no big deal., dont believe them. It is a big deal and the design is the key.
Living During Construction
First floor additions have the great advantage of being able to be completed to a 95% level before breaking into your living space. Even if youre remodeling adjacent space, the construction area can be effectively sealed off from your home.
Not so with a second floor addition. If the area where you plan to add-on is over an important living area, it could present a real problem. You really need to be able to move-out of the area directly under the addition for the duration of the project.
Ive had a few clients move to a rental during construction and for a major project that can be a good idea. For most folks, its not an option. So plan on camping-out in your own home for awhile and be ready for some major inconvenience.
Over the Garage
For a number of reasons, building a second floor over the garage is a great move. The garage has a pretty impressive list of advantages:
So, if it works in your plan, consider building over the garage.
I think that covers the basicsI hope it is helpful.
Go here to read the rest:
Building Second Story Additions - RemodelingGuy.net
The goal of acclimation is to allow the moisture content (MC) of the flooring to fully adjust to its new surroundings before installation.
1. Determine Normal Living Conditions Ideal interior environmental conditions vary from region to region and jobsite to jobsite. It is the installers responsibility to know what the ideal climate conditions are and customize the acclimation of the floor around those conditions. For a general view of moisture content averages by region, see the map below.
2. Control Home Conditions Accordingly Acclimation should occur at normal living conditions. Before opening the cartons, the indoor environment should reflect the room temperature and relative humidity levels expected to be present before, during, and most importantly, after installation. Operate temperature / humidity control systems as normal. Allow normal ventilation through rooms.
3. Cross-Stacking Flooring Planks For maximum stability, Cali Bamboo recommends cross-stacking the flooring at the installation site while it acclimates. Remove the flooring from boxes and cross stack planks at least 4 off the subfloor with even spacing between planks to allow for complete and even air-circulation around the flooring.
4. Acceptable Areas for Acclimation Acclimate the flooring as close to the center of the installation area as possible. Do not store flooring next to outside walls, in direct sunlight, near air vents or under conditions that dont reflect the normal home environment. Garages, and exterior patios, for example, are not acceptable areas to store wood flooring during acclimation.
5. Determine Appropriate Acclimation Time Frame Cali Bamboo flooring should be allowed to acclimate on the job site for a minimum of 5 days. Extended conditioning may be necessary depending on the climate. For regions or conditions that are extremely dry, humid or highly-fluctuating, 2 or more weeks may be necessary for acclimation.
Read the rest here:
Bamboo Floor Installation - CaliBamboo GreenShoots
How You Can Calculate Flooring Costs and Price On Your Own
Estimating your flooring costs is like anything else, it isnt difficult if you know how. All you have to do is calculate how much your materials will cost and how much your labor will cost.
Do you know what kind of flooring materials youre going to be using? If so, have you already picked out the style of that flooring? There are many options in the way of colors, finishes, etc which can make your cost per square foot go up or down. The first step in estimating your floor replacement project is to narrow down your choice of flooring material. When you have between one and three it is easier to do the math and understand the costs involved. At that point, simply multiply the square footage by the flooring cost per square foot to arrive at the total materials cost. We recommend adding 10% to this due to incidental needs like curved edges which mean you need a whole new piece, or having to cut the flooring due to the edge needed for a wall.
Calculation of labor isnt as straightforward as estimating the materials. The reason is that what contractors might charge to remove the current flooring, especially in cases of tile and hardwood, can vary wildly. Installation costs can vary just as much, so we would recommend contacting 2-3 contractors and asking how much they charge per square foot for removal and installation of flooring. Depending on your square footage you might get a discount (usually for projects over 500 sq ft).
As an example, lets say Im replacing my carpeting with tile flooring. The tile Im installing is $1.50 per square foot and Im redoing my kitchen which is 250 square feet. A contractor has quoted me a flat $150 feet for ripping up and hauling away my used carpet, and will install the new tile flooring for $3 per square foot. Lets figure materials first. $1.50 per square foot for the tile multiplied by 250 square feet, which equals $375. Add in 10% and the total for flooring materials comes to $412.50.
For labor, $3 times 250 square feet equals $750. No need to add 10% here. Add in the removal and haul away for the carpeting and the total labor cost is $900.
The total flooring installation price will be the sum of $412.50 for the materials plus $900 for the labor therefore the estimated cost is $1,312.50 (plus applicable taxes).
If you dont wish to do this all yourself, feel free to scroll up and try out our flooring installation calculator for yourself.
More:
Flooring Cost Calculator - Estimate Installation and ...
Installation is the most critical step to insure the overall performance and appearance of your new floor. You should contract a floor covering installer much like you would a building contractor. A reliable installer should carry insurance, both liability and workmen's compensation. Atdiscountfloor.com we want to help you find the best installer available. We offer these guidelines to help you make a more informed decision on selecting your installer:
1: The first and best way is through referral. Possibly a friend or relative, maybe even your builder, has had floor covering installed recently. Even if this option is available, get more references and verify them. Possibly even look at more of their work.
2: The second way and could very well be a first choice is to call the CFI (Certified Floor Covering Installers) for a referral. They will furnish phone numbers for independent certified installers in your area. Certified installers usually charge a bit more but will follow all the guidelines set forth by the Carpet and Rug Institute.
3: The third way is to check your local yellow pages under the listing "Carpet and Rug - Installers". Again, we can't stress enough, the importance of referral and verification.
You can receive a copy of installation guidelines (commercial or residential) form the Carpet and Rug Institute. http://www.carpet-rug.org
More here:
Flooring Installation - discountfloor.com
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